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An investigator for the District Attorney's office quits to open his own detective agency. However, business is so bad that he finally decides to give it up and go back to his old job. As his wife is at his office closing up, a wealthy society matron walks in with a case: she wants to know if her husband is having an affair with his ex-girlfriend, who is now married. The wife accepts what looks to be an easy case, figuring than she can then persuade her husband to re-start the agency. However, when the client's husband is found murdered, she decides to investigate the murder herself. Her husband has also been assigned by the D.A. to investigate the murder, and he doesn't know that his wife is also on the case. Complications ensue. Written by
As originally shot, the script contained a sizable role for Rita Hayworth. When, however, it was decided that this film was to be the first of a series, the studio eliminated Hayworth's role rather than have a third major character who, like Joan Blondell and Melvyn Douglas, would be committed to the series. In any event, Blondell withdrew from the planned series, and all but three seconds of Hayworth's role landed on the cutting-room floor. She speaks two words on-screen and 5 words on an intercom off-screen. See more »
Delightful mystery-comedy vehicle for Blondell, Douglas!
Caught this today on TCM - lots of fun. characters and snappy dialog borrow heavily from the 'Thin Man' series, only husband Douglas works as a lawman, and wife Joan is the wannabee 'private eye' (with all the right hunches). Blondell is very charming and lovably wacky, but proves that blonds CAN compete in the 1930's (Hollywood) world of sleuthing. Hilarious results come from Douglas attempting to keep wifey under wraps in latter portions of film while he tries 'to break the case wide open'.
Also, earlier, the couple return home from a romantic night out, but Joan's great expectations for intimacy appear to get dashed (---: witty scene, but tastefully portrayed ..
8 / 10
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