Charles 'Pittsburgh' Markham rides roughshod over his friends, his lovers, and his ideals in his trek toward financial success in the Pittsburgh steel industry, only to find himself ... See full summary »
Earp agrees to become marshal and establish order in Tombstone in this very romanticized version of the gunfight at the O.K. Corral (e.g., Doc is killed by Curley before the actual battle and Earp must do the job alone).
On March 23, 1938 Randoph Scott was carrying Joan Bennett during the filming of a mob scene, when an actor playing a soldier lost his balance and struck Bennett in the face with his bayonet, causing a cut that required her to go to the hospital. An item about it was carried in newspapers throughout the country, often close to another item about her sister Constance Bennett's libel suit against gossip columnist Jimmie Fidler. See more »
With the U.S. Calvary on his tail, ex-Confederate Randolph Scott braves the elements and leads a massive cattle drive through Indian territory in order for his hard-case employer (and potential sweetheart) Joan Bennett to avoid paying the nasty carpetbagger government's new cattle tax.
The first thirty minutes of the film, with it's blistering portrait of reconstruction, is so grimy and claustrophobic that it comes as a bit of a relief when Scott and the boys (and the girls) hit the trail. In fact, they lay it on so thick that Randolph Scott's character comes off a bit silly when he voices his support for a reunified country!
Some slow spots help keep this from being one of the best of Scott's early Paramount vehicles. However it's probably one of the best produced, with some excellent photography and really well-staged action sequences. The scenes depicting the crossing of the Rio Grande and their battles with angry Comanches are particular standouts.
The end is a bit of a forerunner to Red River!
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