The Green Goddess is a totem worshiped by the primitive natives of a lost city deep in the jungles of Guatemala. It contains both a fortune in jewels and an ancient formula for a ... See full summary »
The plot follows the novel more closely than does any other Tarzan movie. John and Alice Clayton take ship for Africa. Mutineers maroon them. After his parents die the newborn Tarzan is ... See full summary »
In the African Jungle, a group of Europeans come across the fabled white man who was raised by apes. Tarzan takes an immediate liking to the blond Mary Brooks and rescues her during a nasty... See full summary »
This movie has little connection with the 1932 original. It does, however, have lifted footage (tinted to more-or-less match the color), including obvious footage of Weissmuller's ... See full summary »
Flora Hawks is in love with the overseer of Tarzan's African estate. After a search for a legendary city of diamonds, Tarzon races with his pet lion Jad-bal-ja to save Haws from being sacrificed to a lion-god.
Zandra, white princess of a lost civilization, comes to Tarzan for help when Nazis invade the jungle with plans to conquer her people and take their wealth. Tarzan, the isolationist, ... See full summary »
At his English manor, Lord Greystoke - aka Tarzan - recounts his recent adventures in Guatemala. He had been there assisting Major Martling and Ula Vale in their quest for the Green Goddess, a totem worshipped by a primitive jungle tribe inside of which was hidden a formula for a super-explosive. They had successfully wrestled this totem from the natives and were heading back to Livingston when they were attacked by Raglan, a thug sent to steal the Green Goddess and its formula for Hiram Powers' personal use, and the Goddess is seized from them. On the trail of Raglan, they had to deal with his henchmen and also a party of the primitives, sent by the High Priest to retrieve the Goddess. With the Goddess still in Raglan's hands, they were seized by the natives and Tarzan locked in a small cell with a loosely-tethered lion, Ula in an adjacent cell under guard from a hideous jungle hag, and Martling being forced to watch his bumbling valet, George, being tortured by the natives with the ... Written by
Rich Wannen <RichWannen@worldnet.att.net>
This film supposedly takes place in Guatemala, Central America, yet footage of African animals such as rhinos and giraffes is shown. See more »
Guatemala, a strange and beautiful country many thousands of miles away, a country with lofty, snow-crested mountains, mighty rivers and deep lakes, quaint little villages and picturesque natives. This is Guatemala on the surface, what a tourist might see if a tourist could ever get there. But under this superficial beauty lie many unsuspected dangers. Those mighty rivers run through treacherous jungle where wild animal life lurks in the shadows. Man-eating lions roam ...
See more »
I'll take this movie to comment on as my platform for the Tarzan yell. There is still none better than Weissmuller's to this day. I've only started to watch Tarzan the Tiger, with Frank Merrill, quite possibly the best physical Tarzan there was by the way, and his Tarzan yell was "YAAAA! YAAAA!!! YAAAA!!!!" It pales in comparison in imagination to Herman Brix' yell, but Herman Brix yell is none too pleasing. "AAAAaaaaaaaAAAAAAAAAHHHHHHHH MAAAAAAANNNNGGGAAAAAAANNNNEEEEEEEEEE!!!!!!" While quite amusing, it's too long and therefore loses its significance. In the Weissmuller films, it's used to call man or beast, or signify that Tarzan may be in trouble. More accurately in Herman Brix' films, it's used as the victorious cry of the bull ape after a successful conquest, as it should be used. But it shouldn't be a pronounced cry, but rather a savage, eerie, unsettling cry that most would loath to associate with a human.
3 of 6 people found this review helpful.
Was this review helpful to you?