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Tarzan and the Green Goddess (1938)This is an edited version of the 1935 serial "The New Adventures of Tarzan." Director:Edward A. KullWriter:Charles F. Royal (screen play) |
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Title: Tarzan and the Green Goddess (1938)
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Cast
| Complete credited cast: | |||
| Bruce Bennett | ... |
Tarzan
(archive footage) (as Herman Brix)
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Ula Holt | ... |
Ula Vale
(archive footage)
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Frank Baker | ... |
Major Martling
(archive footage)
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Ashton Dearholt | ... |
Raglan
(archive footage) (as Don Castello)
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Lewis Sargent | ... |
George
(archive footage) (as Lew Sargent)
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Jack Mower | ... |
Blade
(archive footage)
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Plot Summary
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Storyline
At his English manor, Lord Greystoke - aka Tarzan - recounts his recent adventures in Guatemala. He had been there assisting Major Martling and Ula Vale in their quest for the Green Goddess, a totem worshipped by a primitive jungle tribe inside of which was hidden a formula for a super-explosive. They had successfully wrestled this totem from the natives and were heading back to Livingston when they were attacked by Raglan, a thug sent to steal the Green Goddess and its formula for Hiram Powers' personal use, and the Goddess is seized from them. On the trail of Raglan, they had to deal with his henchmen and also a party of the primitives, sent by the High Priest to retrieve the Goddess. With the Goddess still in Raglan's hands, they were seized by the natives and Tarzan locked in a small cell with a loosely-tethered lion, Ula in an adjacent cell under guard from a hideous jungle hag, and Martling being forced to watch his bumbling valet, George, being tortured by the natives with the ... Written by Rich Wannen <RichWannen@worldnet.att.net>
Taglines:
THRILLS AND EXCITEMENT BEYOND YOUR WILDEST DREAMS! (original ad - all caps)Parents Guide:
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Details
Country:
USALanguage:
EnglishRelease Date:
27 May 1938 (USA) See more »Also Known As:
Tarzan triomphe See more »Company Credits
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Technical Specs
Runtime:
| (AMC print)Sound Mix:
MonoColor:
Black and WhiteAspect Ratio:
1.37 : 1
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Narrator: [narration] Guatemala, a strange and beautiful country many thousands of miles away, a country with lofty, snow-crested mountains, mighty rivers and deep lakes, quaint little villages and picturesque natives. This is Guatemala on the surface, what a tourist might see if a tourist could ever get there. But under this superficial beauty lie many unsuspected dangers. Those mighty rivers run through treacherous jungle where wild animal life lurks in the shadows. Man-eating lions roam ...
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Did You Know?
Trivia
This feature is edited from chapters 2-12 of the previously released The New Adventures of Tarzan with a little additional footage. See more »Goofs
This film supposedly takes place in Guatemala, Central America, yet footage of African animals such as rhinos and giraffes is shown. See more »Quotes
[first lines]Narrator: [narration] Guatemala, a strange and beautiful country many thousands of miles away, a country with lofty, snow-crested mountains, mighty rivers and deep lakes, quaint little villages and picturesque natives. This is Guatemala on the surface, what a tourist might see if a tourist could ever get there. But under this superficial beauty lie many unsuspected dangers. Those mighty rivers run through treacherous jungle where wild animal life lurks in the shadows. Man-eating lions roam ...
See more »
I'll take this movie to comment on as my platform for the Tarzan yell. There is still none better than Weissmuller's to this day. I've only started to watch Tarzan the Tiger, with Frank Merrill, quite possibly the best physical Tarzan there was by the way, and his Tarzan yell was "YAAAA! YAAAA!!! YAAAA!!!!" It pales in comparison in imagination to Herman Brix' yell, but Herman Brix yell is none too pleasing. "AAAAaaaaaaaAAAAAAAAAHHHHHHHH MAAAAAAANNNNGGGAAAAAAANNNNEEEEEEEEEE!!!!!!" While quite amusing, it's too long and therefore loses its significance. In the Weissmuller films, it's used to call man or beast, or signify that Tarzan may be in trouble. More accurately in Herman Brix' films, it's used as the victorious cry of the bull ape after a successful conquest, as it should be used. But it shouldn't be a pronounced cry, but rather a savage, eerie, unsettling cry that most would loath to associate with a human.