A feud, the origins of which can barely be remembered, has been boiling for decades between two sheltered mountain families, the Tollivers and the Falins. With plans to build a railroad ... See full summary »
Ryevsk, Russia, 1870. Tensions abound in the Karamazov family. Fyodor is a wealthy libertine who holds his purse strings tightly. His four grown sons include Dmitri, the eldest, an elegant ... See full summary »
Two Alaskan salmon fishermen, Tyler Dawson (skipper of the "Who Cares") and Jim Kimmerlee of the "Old Reliable," are lifelong pals. Their romantic rivalry over young Dian ends amicably. But a more serious rift, with violent consequences, arises when Tyler befriends Russian fish pirates while Jim finds himself aligned with local vigilantes. Notable glacier scenery. Written by
Rod Crawford <email@example.com>
I've always looked on this film as a perfect blend of obvious location shooting for background very well integrated with the plot of the story which was done on the Paramount back-lot. The best part of the film is the footage of Alaska, of the Inuit, and even of the salmon going upstream to their demise.
Looking at Henry Fonda and George Raft however is quite a contrast between a great actor and a personality. Raft's gangster persona is not quite right for this tale of best friends ending up on opposite sides of the law. Still he gives it his best shot and the results are more than adequate.
However the best acted performance in this film without a doubt goes to Akim Tamiroff as the Russian fish pirate Red Skane. Skane is a swaggering thug and Tamiroff is perfect.
Many years ago I saw Henry Fonda and he said he divided his films in two categories, those he did for art's sake and those he did for the money. Spawn of the North was one for the money, but still he was proud of it as entertainment. His Jim Kimmerlee does not belong in the category of his great parts like Mister Roberts or Oxbow Incident, but it still is a good piece of work. Fonda does the best he can with a part that doesn't call for him to do much, but be noble.
Back in the 1930s location shooting was an expensive proposition and here Paramount did a superb job at masking the studio origins of the film. Looking at those shots with the fisherman against the backdrop of the glaciers and icebergs you really do think you're in Alaska. Great special effects here, especially in the climax which involves boats being crushed by icebergs.
Nice entertainment and Dorothy Lamour does NOT wear a sarong.
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