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The Shopworn Angel (1938)

Passed  |   |  Drama, Romance, War  |  15 July 1938 (USA)
7.0
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Ratings: 7.0/10 from 856 users  
Reviews: 20 user | 3 critic

During WWI Bill Pettigrew, a naive young Texan soldier is sent to New York for basic training. He meets worldly wise actress Daisy Heath when her car nearly runs him over. Daisy agrees to ... See full summary »

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(screen play), (based on a story by), 2 more credits »
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Title: The Shopworn Angel (1938)

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Cast

Complete credited cast:
...
...
Bill Pettigrew
...
Sam Bailey
...
Martha
...
'Dice'
Alan Curtis ...
Thin Lips
Sam Levene ...
'Leer'
Eleanor Lynn ...
Sally
Charles D. Brown ...
McGonigle
Rest of cast listed alphabetically:
...
Wilson - Caretaker (scenes deleted)
Edit

Storyline

During WWI Bill Pettigrew, a naive young Texan soldier is sent to New York for basic training. He meets worldly wise actress Daisy Heath when her car nearly runs him over. Daisy agrees to pretend to be Bill's girl to impress his friends, but then a real romance begins. Written by Col Needham <col@imdb.com>

Plot Summary | Add Synopsis

Genres:

Drama | Romance | War

Certificate:

Passed | See all certifications »
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Details

Country:

Language:

Release Date:

15 July 1938 (USA)  »

Also Known As:

El ángel negro  »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Sound System)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

Margaret Sullavan's singing was dubbed by Mary Martin. See more »

Quotes

Daisy Heath: Well what are they doing? throwing sugar cubes at one another?
See more »

Connections

Version of Pettigrew's Girl (1919) See more »

Soundtracks

Where Do We Go From Here
(1917) (uncredited)
Written by Howard Johnson and Percy Wenrich
Played on piano and sung by the party guests
See more »

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User Reviews

 
Simple, yet subtle. A minor classic.
2 August 2003 | by (nyc) – See all my reviews

The Waldo Salt screenplay takes a small story and develops it into an affecting portrait of three surprisingly convincing and complex human characters, all of whom transcend the typical dramatic constraints of late '30s Hollywood. All three principals turn in excellent, low-key performances in perfect keeping with the film's narrative strengths. I find it particularly interesting to compare this with the other bookend to Salt's screenwriting career, Coming Home, also a character-driven story that revolves around the complex, three-way relationship between a woman and the two men who love her in a time of war.


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