Meeting a movie team on location near his house, a young man saw a lots of encouragment for his dreaming carreer as a movie star in what was only sarcasm from the members of the team. (This... See full summary »
César runs a bar along Marseilles' port, assisted by his 23 year old son, Marius. Colorful characters abound: M. Panisse, an aging widower and prosperous sail maker; Honorine, a fishmonger ... See full summary »
Honoré Panisse is dying, cheerfully, with friends, wife, and son at his side. He confesses to the priest in front of his friends; he insists that the doctor be truthful. But, he cannot ... See full summary »
Irene has no desire to work in his uncle's grocery shop and dreams of becoming an actor. His opportunity comes when a crew of movie makers came to his little village. Irene begins to go ... See full summary »
Good news for Léon and Bruno, their (unworthy) father has just died! The two brothers, very different from each other, are reunited in some dead loss in the Savoie for the funeral. But at ... See full summary »
Muriel Bayen, a divorced beautician and mother of two, loves to tell stories. She is a huge fan of this singer Vincent Lacroix, in fact she is a dedicated fan. One day Vincent knock on her door and ask for her help.
Meeting a movie team on location near his house, a young man saw a lots of encouragment for his dreaming carreer as a movie star in what was only sarcasm from the members of the team. (This is the caracteristic of a schountz: someone who see himself as a born movie comedian and is blind on the critics to his dream) After he has signed a fake contract which he blindly take as genuine even if it is ridiculous, he starts to Paris without money to make his carreer. Written by
Jean-Marie Berthiaume <firstname.lastname@example.org>
The movie was shot a second time because the confusion around the first shooting when Marcel Pagnol was writing the scenario day by day. Unavailable for the second shooting, Pierre Brasseur was replaced by Roger Forster (I) but some of the shots involving Brasseur were still used. See more »
I like this film. It stands out as something completely different in the catalog of Pagnol films - not quite free of the heavy sentiment, but approaching being truly screwball. Irenee's idiotic hopefulness isn't as touching as it is funny - a triumph of Fernandel's hulking gawkiness. Somewhere out there the Marx Brothers, Alphonse Allais and Mark Twain are probably smiling.
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