Susan and Lorenzo have been married for over five years and they are starting to drift apart. So into her life comes an angel, which only Susan can see, to tell her that there will be ... See full summary »
Mr Casey's daughter, Connie, wants to go to Pottawatomie College and without her knowledge he sends four football players as her bodyguards. The college is in financial trouble and her ... See full summary »
Wonder Pictures' seedy publicity man Lanny Morgan has put the studio's biggest star, Annabel Allison, in one crazy stunt after another. His latest scheme has Annabel pretending to be a maid... See full summary »
The Marx Brothers try and put on a play before their landlord finds out that they have run out of money. To confuse the landlord they pretend that the play's author has contracted some terrible disease and can't be moved. Originally a stage play, the setting shows it's origins, but this is vintage Marx Brothers. Written by
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When Gordon Miller calls to reception pretending to be Dr. Glass, he is holding the phone receiver with his right hand. Seconds later, when he is about to hang up, he is holding it with his left hand. See more »
Room Service is no Marx Brothers classic, but still enjoyable nonetheless
30 years ago today, Groucho Marx died at 86, three days after Elvis Presley. For the occasion, I'd thought I'd view some of his movies of which Room Service is one of them. Unlike the others he made with his brothers, this one wasn't especially tailored to their talents since it was originally a Broadway play starring other people. So the action is mostly confined to the hotel and the pace slows down a little bit. Nevertheless, there's still some witty lines and visual humor concerning Harpo that makes this one of the more enjoyable latter day-Marx Brothers films. And there's a wonderful supporting cast with Frank Albertson as the playwright and, especially, Donald MacBride as the hotel manager who keeps exclaiming, "Jumping Butterballs!" Also of note is the fact that a couple of young players named Ann Miller and Lucille Ball appear here long before their established personas. So while not the classic of their five Paramount and first two MGM pictures, this RKO production was nothing the Marx Brothers should be ashamed of.
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