When Algernon discovers that his friend, Ernest, has created a fictional brother for whenever he needs a reason to escape dull country life, Algernon poses as the brother, resulting in ever increasing confusion.
A concert violinist becomes charmed with his daughter's talented piano teacher. When he invites her to go on tour with him, they make beautiful music away from the concert hall as well. He ... See full summary »
The snobbish & intellectual Professor of languages, Henry Higgins makes a bet with his friend that he can take a London flower seller, Eliza Doolittle, from the gutters and pass her off as a society lady. However he discovers that this involves dealing with a human being with ideas of her own. Written by
Steve Crook <firstname.lastname@example.org>
Opening credits prologue: PYGMALION WAS A MYTHOLOGICAL CHARACTER WHO DABBLED IN SCULPTURE. HE MADE A STATUE OF HIS IDEAL WOMAN-GALATEA. IT WAS SO BEAUTIFUL THAT HE PRAYED THE GODS TO GIVE IT LIFE. HIS WISH WAS GRANTED.
BERNARD SHAW IN HIS FAMOUS PLAY GIVES A MODERN INTERPRETATION OF THIS THEME. See more »
Shaw's brilliant play is expertly filmed by Howard and Asquith. Howard is perfectly cast as the snobbish Professor Higgins and is matched by Hiller, in her second film, as Eliza Doolittle. The fine supporting cast includes Sunderland, Lawson, and Lohr, who's terrific as Mrs. Higgins. It is difficult to make a bad film of this work, given Shaw's witty dialog, but film performance is different from stage performance, with film calling for more subtlety. The love-hate relationship between the professor and Eliza works wonderfully because Howard and Hiller provide the right combination of humor and humanity. Howard's role here is in sharp contrast to the wimpy Ashley the following year in "Gone with the Wind."
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