Foreign agents are smuggling monium (a chemical used in producing poison gas) into Mexico. The three Mesquiteers get involved when they ride to save a girl (really a government agent) on a runaway horse.
After killing her treacherous step-father, a girl tries to escape the country with a young vagabond. She dresses as a boy, they hop freight trains, quarrel with a group of hobos, and steal ... See full summary »
William A. Wellman
The Mesquiteers capture a horse thief who escapes justice through a crooked judge. They gather signatures urging the governor to investigate but a friend with the petition is murdered. Stony is accused.
Finding a deserted cattle ranch, Buck buys it and turns it into a dude ranch. But Buck is quickly in trouble with sheep men who want the ranch and then with outlaws who kidnap the daughter of the wealthy Mr. Grant.
Lucienne, typist and gorgeous bathing beauty, decides to enter the 'Miss Europe' pageant sponsored by the French newspaper she works for. She finds her jealous lover Andre violently ... See full summary »
Thymiane is a beautiful young girl who is not having a storybook life. Her governess, Elizabeth, is thrown out of her home when she is pregnant, only to be later found drown. That same day,... See full summary »
The Three Mesquiteers convince a group of settlers to exchange their present property for some which, unbeknownst to our good guys, is going to be worthless. They are captured before they can warn the ranchers.
Nancy Evans, lovely circus owner, has a ranch that she's never visited, but for sentimental reasons won't sell to Mike Abbott. Her partners, secretly in league with Abbott, sabotage the ... See full summary »
With the stage being held up regularly, the Mesquiteers decide an airplane would be better so they get the ranchers to sell their cattle and invest in the new airline. But when a gold shipment goes out, the stage line owner has his men hijack the plane. The pilot discharges the gas causing a forced landing and the Mesquiteers must now find the missing plane and recover the gold. Written by
Maurice VanAuken <email@example.com>
This was 'Louise Brooks'' final film. Contrary to popular rumor, this was not intended to be her "comeback" to Hollywood; she made it because she needed the money. She was paid $300 for the film. Not long after it was released, she was found working as a salesgirl at Saks Fifth Avenue at a salary of $40 a week. Brooks later referred to Wayne as "a purely beautiful being." See more »
[reading a reward poster]
One thousand dollars. I guess we ain't worth much to the Oro Grande Company.
That ain't no decent reward for a self-respecting bandit. What do you say we send Harmon a donation to boost the ante?
Maybe I will - after we polish off the three o'clock stage!
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The story behind the film alone is worth the viewing
_Overland Stage Raiders_ marks the convergence of two great performers, one on her way out of film, the other about to begin the most successful run in film history. Louise Brooks, star of G.W. Papst's erotic masterpiece _Pandora's Box_, makes her last appearance in this run-of-the-mill, twentieth-century entry in the "Three Mesqueeters" series. Though the plot is a preposterous hodgepodge involving the opening of air freight service to an isolated cattle town, Brooks is ever the stunner next to John Wayne, who was still a year away from A-line box office success in _Stagecoach_.
I recommend this film for three reasons:
1. The sheer curiousity value. The greatest western actor opposite the greatest actress in the history of German Expressionism while he was on his way up and she was on her way out. They met in obscurity and went on to immortality.
2. The chance to see the raw potential of John Wayne before his work with John Ford. The presence, the charisma, and the physicality that would make him a colossus are all here. Under a competent directior, these would bloom from reliable entertainment into art.
3. Everyone should see a "Three Mesqueeters" movie. This is probably the best series of the 1930s "poverty row" films, and it is a pure joy to see the workmanlike love put into these programmers. They aren't auteur classics, but for many viewers in the period, they were what movies were all about.
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