Gambling boat operator Jenny Blake throws over her gambler beau Jack Morgan in order to marry into high society. When her husband is killed in an attempt on her life, she is charged with ... See full summary »
Northern lawyer John Reynolds travels to New Orleans to try and clean up the local crime syndicate based around a lottery. Although he meets Julie Mirbeau and they are attracted to each ... See full summary »
Texas cattle baron Stiles killed John Clayborn's parents ten years earlier. Now a lawyer, Clayborn tries legally to break up Stiles' water monopoly and rustling operation. When that fails he must use force.
Clipper ships taking the shortest route between the Mississippi and the Atlantic often end up on the shoals of Key West in the 1840s. Salvaging the ships' cargos has become a lucrative ... See full summary »
Pat's ability as a logging/mining camp fighter sets him up to box prizefighter Corrigan. Unknown to his supporters, he's actually in collusion with Corrigan to throw the fight - until he runs into reporter Maude.
To prove his thesis that any product--even one that doesn't exist--can be merchandized if it is advertised properly, a young man gets together with his father's savvy secretary to market a ... See full summary »
Richard 'Skeets' Gallagher
Though he fought for the North in the Civil War, John is asked by the Governor of Texas to get rid of some troublesome carpetbaggers. He enlists the help of Holden before learning that ... See full summary »
Johnny Hanson wants to make enough money to enlarge his chicken farm. He does this through hockey. Gangsters get involved in trying to get him to throw a championship game, even lining up a woman to help steer him their way.
With the stage being held up regularly, the Mesquiteers decide an airplane would be better so they get the ranchers to sell their cattle and invest in the new airline. But when a gold shipment goes out, the stage line owner has his men hijack the plane. The pilot discharges the gas causing a forced landing and the Mesquiteers must now find the missing plane and recover the gold. Written by
Maurice VanAuken <firstname.lastname@example.org>
This was 'Louise Brooks'' final film. Contrary to popular rumor, this was not intended to be her "comeback" to Hollywood; she made it because she needed the money. She was paid $300 for the film. Not long after it was released, she was found working as a salesgirl at Saks Fifth Avenue at a salary of $40 a week. Brooks later referred to Wayne as "a purely beautiful being." See more »
[reading a reward poster]
One thousand dollars. I guess we ain't worth much to the Oro Grande Company.
That ain't no decent reward for a self-respecting bandit. What do you say we send Harmon a donation to boost the ante?
Maybe I will - after we polish off the three o'clock stage!
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The story behind the film alone is worth the viewing
_Overland Stage Raiders_ marks the convergence of two great performers, one on her way out of film, the other about to begin the most successful run in film history. Louise Brooks, star of G.W. Papst's erotic masterpiece _Pandora's Box_, makes her last appearance in this run-of-the-mill, twentieth-century entry in the "Three Mesqueeters" series. Though the plot is a preposterous hodgepodge involving the opening of air freight service to an isolated cattle town, Brooks is ever the stunner next to John Wayne, who was still a year away from A-line box office success in _Stagecoach_.
I recommend this film for three reasons:
1. The sheer curiousity value. The greatest western actor opposite the greatest actress in the history of German Expressionism while he was on his way up and she was on her way out. They met in obscurity and went on to immortality.
2. The chance to see the raw potential of John Wayne before his work with John Ford. The presence, the charisma, and the physicality that would make him a colossus are all here. Under a competent directior, these would bloom from reliable entertainment into art.
3. Everyone should see a "Three Mesqueeters" movie. This is probably the best series of the 1930s "poverty row" films, and it is a pure joy to see the workmanlike love put into these programmers. They aren't auteur classics, but for many viewers in the period, they were what movies were all about.
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