Duke falls for Flaxen in the Barbary Coast in turn-of-the-century San Francisco. He loses money to crooked gambler Tito, goes home and PL: learns to gamble, and returns. After he makes a ... See full summary »
When transplanted Texan Bob Seton arrives in Lawrence, Kansas he finds much to like about the place, especially Mary McCloud, daughter of the local banker. Politics is in the air however. ... See full summary »
Northern lawyer John Reynolds travels to New Orleans to try and clean up the local crime syndicate based around a lottery. Although he meets Julie Mirbeau and they are attracted to each ... See full summary »
Boston pharmacist Tom Craig comes to Sacramento, where he runs afoul of local political boss Britt Dawson, who exacts protection payment from the citizenry. Dawson frames Craig with ... See full summary »
A beautiful showgirl, name "the Canary" is a scheming nightclub singer. Blackmailing is her game and with that she ends up dead. But who killed "the Canary". All the suspects knew and were ... See full summary »
To prove his thesis that any product--even one that doesn't exist--can be merchandized if it is advertised properly, a young man gets together with his father's savvy secretary to market a ... See full summary »
Richard 'Skeets' Gallagher
With the stage being held up regularly, the Mesquiteers decide an airplane would be better so they get the ranchers to sell their cattle and invest in the new airline. But when a gold shipment goes out, the stage line owner has his men hijack the plane. The pilot discharges the gas causing a forced landing and the Mesquiteers must now find the missing plane and recover the gold. Written by
Maurice VanAuken <firstname.lastname@example.org>
This was 'Louise Brooks'' final film. Contrary to popular rumor, this was not intended to be her "comeback" to Hollywood; she made it because she needed the money. She was paid $300 for the film. Not long after it was released, she was found working as a salesgirl at Saks Fifth Avenue at a salary of $40 a week. Brooks later referred to Wayne as "a purely beautiful being." See more »
[reading a reward poster]
One thousand dollars. I guess we ain't worth much to the Oro Grande Company.
That ain't no decent reward for a self-respecting bandit. What do you say we send Harmon a donation to boost the ante?
Maybe I will - after we polish off the three o'clock stage!
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Other commentators have mentioned just about everything I would have noted about this kid western. Such westerns were made from the 20's through the 50's and featured cowboy heroes who generally wore white hats or rode white horses or both. Forget plot logic, characterization, and focus on horse riding, chases, and shoot 'em ups. The curious mix of the modern (a motor bus and an airplane) and the old (cowboys on horseback) in this film never makes you forget the traditional format of six guns shooting forever like a video game weapon and no visible damage to valuable props. Watch the airplane door used as a shield against bullets in one of the final scenes. No damage whatever.
Louise Brooks is no more distinctive than any other leading lady in any other grade B westerns of the era. Yes, she does have long brown hair, almost shoulder length, not her trademark bangs; and she is slender and lissome. But her voice does not match her silent screen image. It surprises, if you have not heard it before. It is low pitched, not melodious, not distinctive in any way. Listen to Jean Arthur, Hepburn, Davis, oh, so many others, for example, and in a blind hearing there would be no mistaking the personality. The voice of Brooks is not memorable, nor in any way like the Lulu of our dreams. But, hey, it's her last screen appearance (other than the documentary many years later), and so it is prized.
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