After being commissioned by the 1936 Olympic Committee to create a feature film of the Berlin Olympics, Riefenstahl shot a documentary that celebrates the human body by combining the poetry of bodies in motion with close-ups of athletes in the heat of competition. The production tends to glorify the young male body and, some say, expresses the Nazi attitude toward athletic prowess. Miss Riefenstahl captures the grace of athletes during field hockey, soccer, bicycling, equestrian, aquatic and gymnastic events. Highlights are the Pentathlon and the Decathlon, which was won by American Glenn Morris; it ends with the triumphant conclusion of the games. Written by
Fiona Kelleghan <email@example.com>
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first contacted the biggest German film studio, Ufa, in order for them to finance the film. Friedrich A. Mainz
, the studio head refused because of cost, so she contacted Tobis-Filmkunst who agreed to finance the film and put up ½ million Reichmarks upfront (three times the cost of a standard film at the time). The contract was only signed in December 1936, four months after the end of the Olympic Games. See more
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