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Olympia Part One: Festival of the Nations (1938)

Olympia 1. Teil - Fest der Völker (original title)
The document of the 1936 Olympics at Berlin.

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Cast

Uncredited cast:
David Albritton ...
Himself - High Jump, USA (uncredited)
Arvo Askola ...
Himself - 10000 Metres, FIN (uncredited)
Jack Beresford ...
Himself - Carries British Flag (uncredited)
Erwin Blask ...
Himself - Hammer Throw, German (uncredited)
Sulo Bärlund ...
Himself - Shot Put, Finland (uncredited)
Ibolya Csák ...
Herself - High Jump, Hungary (uncredited)
...
Himself (uncredited)
Henri de Baillet-Latour ...
Himself - IOC, Stands with Hitler, with Hurdlers (uncredited)
Philip Edwards ...
Himself - 800 Metres, Canada (uncredited)
Donald Finlay ...
Himself - 110m Hurdles, GB (uncredited)
Tilly Fleischer ...
Herself - Javelin Throw, Germany (uncredited)
Wilhelm Frick ...
Himself - Spectator (uncredited)
Joseph Goebbels ...
Himself - Spectator (uncredited)
Hermann Göring ...
Himself - Spectator (uncredited)
Ernest Harper ...
Himself - Marathon, GB (uncredited)
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Storyline

After being commissioned by the 1936 Olympic Committee to create a feature film of the Berlin Olympics, Riefenstahl shot a documentary that celebrates the human body by combining the poetry of bodies in motion with close-ups of athletes in the heat of competition. Includes the marathon, men's diving, and American track star Jesse Owen's sprint races at the 1936 Olympic games. The production tends to glorify the young male body and, some say, expresses the Nazi attitude toward athletic prowess. Includes the lighting of the torch at the stadium and Adolf Hitler looking on in amazement as Jesse Owens wins an unprecedented four Gold Medals. Written by Fiona Kelleghan <fkelleghan@aol.com>

Plot Summary | Add Synopsis

Genres:

Documentary | Sport

Certificate:

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Parents Guide:

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Details

Country:

Release Date:

8 March 1940 (USA)  »

Also Known As:

Olympia Part One: Festival of the Nations  »

Filming Locations:

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Company Credits

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Technical Specs

Sound Mix:

(Tobis-Klangfilm)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

Leni Riefenstahl's visit to the United States in 1938 was mainly aimed at finding a US distributor for the film. Faced with fierce protests from many American organizations, in particular the 'Anti-Nazi League', her plan never came to fruition. The first screening in the United States was organised in Chicago in November 1938 by Avery Brundage, president of the US Olympic Committee and an ardent Nazi sympathiser. The private reception was hosted by Mrs. Claire Dux Swift, ex-wife of the German film star Hans Albers. The second screening (also private) took place on 14th December 1938 at the California Club in presence of Olympic medalists and screen Tarzans Johnny Weissmuller and Glenn Morris (Riefenstahl's ex-lover), as well as Olympic diver Marjorie Gestring. For this screening, Riefenstahl submitted a copy where she had edited out almost all the scenes featuring Hitler. See more »

Connections

Featured in Leni Riefenstahl por Román Gubern (2006) See more »

Soundtracks

Olympische Hymnne
Richard Strauss
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User Reviews

 
Why argue-its a grand piece for work
9 May 2002 | by (Tucson, AZ) – See all my reviews

If this film was never made, the current camera movements and angles we see today on television would probably never exist. Given unquestionable freedom, Leni Riefenstahl created a film which is bold in composition and visual aptitude. The motions of athleticism are caught beautifully, especially the diving sequence and the running sequences. While many will say Riefenstahl was a pro-Nazi film maker, one cannot deny the innovation she instilled in the art of film making. If you can take the near 4-hour running time and the fact there is no dialogue in the film, then experience this film for the power and breathtaking visuals, not the supposed pro-Nazi agenda.


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