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Mysterious Mr. Moto (1938)

Approved | | Crime, Drama, Mystery | 14 October 1938 (USA)
Mr. Moto has himself imprisoned on Devil's Island so he can help his cellmate (Ames) escape and thereby get the goods on a gang of international killers.

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Writers:

(original screenplay), (original screenplay) | 1 more credit »
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Cast

Complete credited cast:
...
...
Ann Richman
...
Anton Darvak
Erik Rhodes ...
David Scott-Frensham
...
Ernst Litmar
...
Paul Brissac
...
George Higgins
Frederick Vogeding ...
Gottfried Brujo (as Fredrik Vogeding)
...
Sir Charles Murchison
John Rogers ...
Sniffy
...
Lotus Liu (as Karen Sorrell)
Mitchell Lewis ...
Nola
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Storyline

Mr. Moto has himself imprisoned on Devil's Island so he can help his cellmate (Ames) escape and thereby get the goods on a gang of international killers. Written by Ed Stephan <stephan@cc.wwu.edu>

Plot Summary | Add Synopsis

Taglines:

Peter Lorre gives you your greatest thrill


Certificate:

Approved | See all certifications »
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Details

Country:

Language:

Release Date:

14 October 1938 (USA)  »

Also Known As:

A Fuga de Mr. Moto  »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

(Western Electric Mirrophonic Recording)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

The Japanese character, Mr. Moto, disguises himself as a German as part of the plot when in fact a Germanic (actually Austro-Hungarian) actor, Peter Lorre, is portraying a Japanese detective. See more »

Connections

Followed by Mr. Moto's Last Warning (1939) See more »

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User Reviews

 
One of the best in the series
16 July 2001 | by See all my reviews

One of the weakest gimmicks in the Sol Wurtzel-Peter Lorre Moto series was Moto's occasional attempts to lurk about in disguise a la Sherlock Holmes. It's surprising therefore that one of the most successful (and dramatically strongest) films in the series featured Moto doing an extended undercover operation as "Ito," the pidgen-English-speaking Japanese houseboy of a British gangster. The scenes in which Ito/Moto is treated with condescending contempt by his employer and roughed up by Cockney barflies are clearly intended to stimulate the audiences' outrage against their stupidly bigoted treatment of "his kind"--racism here being portrayed as a specifically British tendency, in stark contrast to the friendly respect with which Mr. Moto is treated by American characters. Considering that the Moto series itself has been labeled racist--the assumption being that casting the "ugly" Jew Lorre as a Japanese was an insult to Asians, never mind the way the character was actually treated in the films--it may be time to take a more objective second look.


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