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The son (Romero) of a department store owner enrolls the store's sports clerk (Henie) at a university to use her as an advertisement for their fashion department. She falls for a teacher (Greene) and gets expelled. Written by
Ed Stephan <firstname.lastname@example.org>
A pretty Norwegian coed finds plenty of romantic complications while working as an undercover campus mannequin at old Plymouth University.
Sonja Henie was Norway's ice queen when she won Olympic gold medals in 1928, 1932 & 1936. After going professional, she began a celebrated movie career at 20th Century Fox in 1936 with ONE IN A MILLION, which was her American film debut. Beautiful & talented, as well as being a natural in front of the cameras, she carved out her niche during Hollywood's Golden Age. Although Henie's ice routines may look antiquated by comparison to modern champions, there was nothing antique about her dazzling smile or sparkling personality. In this regard, some of today's snowflake princesses could still learn a great deal from her.
As her career progressed, it became increasingly difficult for Fox to find decent stories for Henie and the excuses for the lavish ice dancing numbers were often implausible. No matter. Audiences did not flock to her films to watch Sonja recite Shakespeare. The movies were meant to be pure escapist fantasy, plain & simple.
MY LUCKY STAR is no exception and its story is often quite silly
relying a bit heavily on impromptu singing from its
middle-aged college student cast, and borrowing too much from its predecessor, HAPPY LANDING. However, the moments on the ice never bore (especially the Alice in Wonderland sequence -with music from Victor Herbert's Babes in Toyland - which closes the film) and the co-stars are rather interesting.
Stalwart Richard Greene is fine as Sonja's romantic interest, while Cesar Romero once again gets to display his comedic talents as a zany Romeo. Joan Davis grabs a lot of the laughs as Sonja's rubber-limbed roommate; Buddy Ebsen is her slow-talking, fast-dancing beau.
George Barbier is enjoyable as an apoplectic tycoon, as is laconic Arthur Treacher as his factotum. Miffed minx Gypsy Rose Lee and gung-ho student Elisha Cook Jr. are given little to do, but Billy Gilbert easily steals his few scenes as a soda jerk besotted by pistachio nuts.
Ultimately, though, this is Sonja's show. She glides effortlessly into the viewer's heart, while balancing on a thin edge of silver, suspended over frozen water.
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