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Mr. Moto Takes a Chance (1938)

 -  Crime | Drama | Mystery  -  24 June 1938 (USA)
6.8
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Ratings: 6.8/10 from 385 users  
Reviews: 19 user | 4 critic

In the jungle near Angkor Wat in Cambodia, Mr. Moto poses as an ineffectual archaeologist and a venerable holy man with mystical powers to help foil two insurgencies against the government.

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(screenplay), (screenplay), 3 more credits »
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Title: Mr. Moto Takes a Chance (1938)

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Cast

Complete credited cast:
...
Rochelle Hudson ...
Victoria Mason
Robert Kent ...
Marty Weston
J. Edward Bromberg ...
Rajah Ali
Chick Chandler ...
Chick Davis
George Regas ...
Bokor
Frederick Vogeding ...
Zimmerman (as Fredrik Vogeding)
Edit

Storyline

Beautiful aviatrix Victoria Mason teams up with Mr. Moto in South East Asia to uncover a murderous village high priest who is trying to overthrow the ruling Rajah Ali. Written by Gary Jackson <garyjack5@cogeco.ca>

Plot Summary | Add Synopsis


Certificate:

Approved
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Details

Country:

Language:

Release Date:

24 June 1938 (USA)  »

Also Known As:

Look Out, Mr. Moto  »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Mirrophonic Recording)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

Filmed in 1937, not released until 1938. See more »

Goofs

The first time Moto reaches for a carrier pigeon to relay a message to his government contact, you'll see that the cage door is already open. See more »

Connections

Follows Thank You, Mr. Moto (1937) See more »

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User Reviews

 
A hectic, funny Golden Age B picture.
10 December 2006 | by (California, but not where the cool folks live) – See all my reviews

Indeed this movie is a great deal like a Republic serial. For those who like their meat raw, that's a good thing, and fun can be had here. Granted, there is more than enough silliness to go around -- Lorre's disguise as an Asian sage is, to be blunt, not *entirely* successful, but he plays the impersonation tongue in cheek, and the end result is nothing if not amusing.

I cannot imagine what is offensive except possibly the dreaded racial stereotypes, which surely are endemic to the whole series. The idea that a B picture would be "held back for a few months" because of a matter of taste doesn't seem likely. Zanuck didn't expect Bs to be any good, and rarely screened them. There's no reason to single this film out as any sillier than many Bs of the period. There's more than enough to enjoy, and the running time is mercifully short. I'd rather watch this than any of the interminable Charlie Chan films.


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