Dizzy society matron Emily Kilbourne has a habit of hiring ex-cons and hobos as servants. Her latest find is a handsome "tramp" who shows up at her doorstep and soon ends up in a ... See full summary »

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Cast

Complete credited cast:
...
...
...
Grosvenor - Butler
...
...
Etta
...
Minerva Harlan
...
Clarence Kolb ...
...
Marjorie Rambeau ...
Mrs. Harlan
Phillip Reed ...
Herbert Wheeler
Willie Best ...
George
Sidney Bracey ...
2nd Butler
Paul Everton ...
Senator Harlan
Marjorie Kane ...
Rosa
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Storyline

Dizzy society matron Emily Kilbourne has a habit of hiring ex-cons and hobos as servants. Her latest find is a handsome "tramp" who shows up at her doorstep and soon ends up in a chauffeur's uniform. He also catches the eye of her pretty Geraldine. Written by Daniel Bubbeo <dbubbeo@cmp.com>

Plot Summary | Add Synopsis

Plot Keywords:

tramp | servant | love | hobo | chauffeur | See All (56) »

Genres:

Comedy | Romance

Certificate:

Passed | See all certifications »
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Details

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Release Date:

4 March 1938 (USA)  »

Also Known As:

Madame et son clochard  »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

(Western Electric Mirrophonic Recording)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

Although not credited onscreen or noted by reviewers or the SAB, this film is so similar to What a Man (1930) (same plot and even many of the same character names) that the source of the screenplay must surely be the same for both films. Both the 1924 novel "The Dark Chapter; a Comedy of Class Distinctions" by E.J. Rath and the play "They All Want Something" has been added to the writers section. The play opened on Broadway in New York City, New York, USA on 12 October 1926 and closed in December 1926 after 62 performances. See more »

Quotes

Jerry Kilbourne: Maybe he didn't have a father.
Mrs. Emily Kilbourne: Oh darling, everyone has a father, that's one of nature's unwritten laws.
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Crazy Credits

Behind the opening credits, the cast walks arm in arm up the driveway towards the camera. See more »

Connections

Featured in The 56th Annual Academy Awards (1984) See more »

Soundtracks

Tramp! Tramp! Tramp! (The Boys Are Marching)
(1864) (uncredited)
Music and Lyrics by George Frederick Root
Sung a cappella by Bonita Granville
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User Reviews

 
pleasant surprise
15 July 2007 | by (United States) – See all my reviews

Considering the obscurity of this film, it's a big surprise to see how well made, visually rich and entertaining it is, despite, as others have noted, its unoriginal premise. The dialogue is frequently funny but not up to the standard of MY MAN GODFREY - too much of the eccentricity seems to be forced and a bit cutesy but the cast overcomes all. Clarence Kolb steals the film with his masterful slapstick but he's first rate whether playing stern-and- sober, falling-down drunk or warmly empathetic. Though Billie Burke was Oscar nominated as the ditzy society matron mother, her performance here is no better than it was the year before in TOPPER or five years before in DINNER AT EIGHT (now THAT was an award-worthy turn!). Perhaps because this particular role was as over-the-top ditzy as such roles get, Hollywood decided it was time to honor it. What a splendid cast: Constance Bennett in fine form; Brian Aherne at his best - called upon to be elegant, dashing and charming, he accomplishes all three. Cary Grant would have given the character more oomph, but Aherne's reserve works here. Then we have the inimitable Patsy Kelly as a kitchen maid, the underused Ann Dvorak as a predatory Senator's daughter who lusts after Aherne, Bonita Granville as a wild, irrepresible teenage daughter, and last but not least Alan Mobray as the snooty butler being undermined by one indignity after another; his double takes are hilarious. Near the beginning there is an accomplished scene in which Aherne's wheezing jalopy rolls for what seems like a mile down a mountainside until it's totalled: no editing tricks here. Being a Hal Roach film there are of course generous helpings of slapstick, but they're brilliantly staged and expertly carried out by actors who are also capable of delivering deft overall performances. Every actor has at least one extended scene of well staged physical comedy. The opening credits are fun and welcoming: the whole cast is walking through the gates of the property with arms linked, singing the swingy title song. So, even though the concept of this film is derivative, its execution is fresh and alive.


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