Linda Lawrence rises from secretary to account executive in an advertising agency. She falls in love with ex-football star Jimmy Hall and marries him. Radio man Harry Galleon will push her ...
See full summary »
Manhattan gangster John "Czar" Martin enters the trucking business in an effort to control the produce market. When he catches popular trucker Danny Jordan robbing the gang's office to ... See full summary »
Three time loser Duke Berne risks life in prison with one more armored car robbery. His attorney's wife Lorna, Berne's old sweetheart, keeps him from it but he goes to jail anyway. Duke and... See full summary »
Promoter Ed Hatch comes to the Ozarks with his slow-witted wrestler Joe Skopapoulos whom he pits against a hillbilly Amazon blacksmith, Sadie Horn. Joe falls in love with her and won't ... See full summary »
Martha Carstairs was charged with murder twenty years earlier. Now, as her daughter Edith is about to be married to Malcolm Sims Jr., son of a wealthy industrialist, a sensationalistic ... See full summary »
William C. McGann
Linda Lawrence rises from secretary to account executive in an advertising agency. She falls in love with ex-football star Jimmy Hall and marries him. Radio man Harry Galleon will push her career further if she will just be "nice" to him and, when Jimmy gets jealous, she quits in favor of life as a suburban housewife. But her career still calls to her. Written by
Ed Stephan <firstname.lastname@example.org>
Men Are Such Fools is one of a handful of B pictures that Busby Berkeley directed between his musical extravaganzas. I guess Jack Warner was operating on the theory that if Berkeley was on salary, he'd earn his money one way or another.
It's a B picture comedy vaguely reminiscent of the Rock Hudson-Doris Day films a generation later. The leads are Wayne Morris and Priscilla Lane. He's a former star football player, she's a working girl in the advertising game. Priscilla was cute and homespun and was great in stuff like Four Daughters. Here she's all right, nothing more, ditto Morris.
THIRD billed in this film is Humphrey Bogart and ironically until he started getting gangster parts, these were the kind of roles he played on Broadway, sophisticated comedies. Bogey shouldn't have tried going back to his roots. His is the kind of role a generation later would have been played by Gig Young or Tony Randall.
Nothing spectacular here, it didn't harm the careers of Bogart or Berkeley, but it didn't help either.
15 of 21 people found this review helpful.
Was this review helpful to you?