Linda Lawrence rises from secretary to account executive in an advertising agency. She falls in love with ex-football star Jimmy Hall and marries him. Radio man Harry Galleon will push her ...
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Linda Lawrence rises from secretary to account executive in an advertising agency. She falls in love with ex-football star Jimmy Hall and marries him. Radio man Harry Galleon will push her career further if she will just be "nice" to him and, when Jimmy gets jealous, she quits in favor of life as a suburban housewife. But her career still calls to her. Written by
Ed Stephan <email@example.com>
The rear screen projection of the train hitting the car and spinning it around was reversed as evidenced by the numbers on the front of the locomotive. It is the same locomotive that stopped short of the crossing just before - #2447 - going in the opposite direction. See more »
[to Linda Lawrence Hall]
I'm probably a cad. Are you by any chance a weak woman?
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Disturbing romantic drama about a woman climbing the corporate ladder while being involved with a clod. The woman is played by Priscilla Lane, an actress I like but certainly not in this role. On the surface a career woman in a 1938 movie actually sounds good. Unfortunately whatever good you can find from a historical perspective is undone by Lane's unhealthy relationship with a gross pig called Jimmy, played by Wayne Morris.
Wayne Morris was an actor with an amiable screen presence but here he's playing a pushy, obnoxious, chauvinist stalker with a severe bad temper and violent tendencies. He parks the car he & Priscilla are in on railroad tracks with a train bearing down so she will say yes to his marriage proposal. This guy actually endangers her life just to get her to say yes! Someone thought that was romantic?!? Some usually solid supporting stars don't help much. Penny Singleton is likable but sadly wasted in a small part. Hugh Herbert is an annoying cartoon of a character, always fidgeting and making stupid noises. If the two lead roles were written better, Herbert's character would be the film's biggest deficit. But as it stands his irritating character is nothing to worry about next to the dysfunctional couple. Then we come to the main reason I even checked this film out: Humphrey Bogart. I've seen almost all of Bogie's films so whenever I get the chance to check out one of the few I haven't, I jump at the chance. Well this one was a wasted role for Bogie, playing Lane's infatuated boss who gets socked out by Morris.
This is a terrible film. The characters are so wholly unlikeable that I can't believe Warner Bros made this mess. This may be the lowest rating I've ever given a film from this period. I'm a huge fan of classic films and I can often forgive their faults even more than modern films. But this is one case where I can't. Avoid this unless you're a fan of Bogart's or Lane's and just have to see every movie they're in.
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