| Pierre Renoir | ... | Le Roi de France Louis XVI | |
| Lise Delamare | ... | La Reine Marie-Antoinette (as Lise Delamare de la Comédie Française) | |
| Léon Larive | ... | Picard, le valet du roi | |
| William Aguet | ... | Duque de La Rochefoucauld-Liancourt | |
| Elisa Ruis | ... | La princesse de Lamballe | |
| Marie-Pierre Sordet-Dantès | ... | Le Dauphin | |
| Yveline Auriol | ... | La Dauphine | |
| Pamela Stirling | ... | Une suivante | |
| Génia Vaury | ... | Une suivante | |
| Louis Jouvet | ... | Roederer, le procureur du département | |
| Jean Aquistapace | ... | Paul Giraud, le maire du village | |
| Georges Spanelly | ... | La Chesnaye (as Spanelly) | |
| Jaque Catelain | ... | Le capitaine Langlade | |
| Pierre Nay | ... | Dubouchage | |
| Edmond Castel | ... | Leroux (as Castel) | |
| Werner Florian | ... | Westerman (as Werner Florian-Zach) | |
| Aimé Clariond | ... | Monsieur de Saint Laurent (as Aimé Clariond de la Comédie Française) | |
| Maurice Escande | ... | Le seigneur du village | |
| André Zibral | ... | Monsieur de Saint Merri (as Zibral) | |
| Jean Aymé | ... | Monsieur de Fouguerolles (as Jean Ayme) | |
| Irène Joachim | ... | Madame de Saint Laurent | |
| Andrex | ... | Honoré Arnaud | |
| Edmond Ardisson | ... | Jean-Joseph Bomier, le maçon (as Ardisson) | |
| Charles Blavette | ... | Un Marseillais | |
| Paul Dullac | ... | Javel, le chasseur à la fronde (as Dullac) | |
| Jean-Louis Allibert | ... | Moissan, un Marseillais (as J.L. Allibert) | |
| Fernand Flament | ... | Ardisson, un Marseillais | |
| Alex Truchy | ... | Cuculière, un Marseillais | |
| Georges Péclet | ... | Lieutenant Pignatel (as G. Peclet) | |
| Géo Dorlys | ... | Un chef marseillais (as Géo Dorlis) | |
| Géo Lastry | ... | Le capitaine Massagne | |
| Adolphe Autran | ... | Le tambour Marseillais (as Autran) | |
| Édouard Delmont | ... | Anatole Roux dit 'Cabri' | |
| Nadia Sibirskaïa | ... | Louison | |
| Jenny Hélia | ... | Louise Vauclair, l'interpellatrice (as Jenny Helia) | |
| Gaston Modot | ... | Un volontaire | |
| Sévérine Lerczinska | ... | Une paysanne (as S. Lerzinska) | |
| Julien Carette | ... | Un volontaire (as Carette) | |
| Marthe Marty | ... | La mère de Bomier | |
| Odette Cazau | ... | Thérèse | |
| Edmond Beauchamp | ... | Le curé Fayet | |
| Blanche Destournelles | ... | Clémence | |
| Pierre Ferval | |||
| Fernand Bellan | |||
| Jean Boissemond | |||
| Lucy Kieffer | ... | Une suivante | |
| Raymond Pélissier | |||
| Jacques Castelot | |||
| Roger Prégor | |||
| Robert Manuel | |||
| Robert Rollis |
Directed by | |||
| Jean Renoir | |||
Writing credits | ||
| Jean Renoir | (scenario) | |
| Carl Koch | (collaboration) (as C. Koch) & | |
| N. Martel-Dreyfus | (collaboration) | |
| Jean Renoir | (dialogue) | |
Produced by | |||
| Jean Renoir | .... | producer | |
| André Seigneur | .... | executive producer (as A. Seigneur) | |
| André Zwoboda | .... | executive producer | |
Original Music by | |||
| Joseph Kosma | (as Kosma) | ||
| Henry Sauveplane | (as Sauveplane) | ||
Cinematography by | |||
| Jean-Paul Alphen | (as J.P. Alphen) | ||
| Jean Bourgoin | (as Bourgoin) | ||
| Alain Douarinou | (as A. Douarinou) | ||
| Jean Louis | (as J. Louis) | ||
| Jean-Marie Maillols | (as Maillols) | ||
Film Editing by | |||
| Marguerite Renoir | (as Margueritte) | ||
Production Design by | |||
| Léon Barsacq | (as L. Barsacq) | ||
| Georges Wakhévitch | (as Wakhevitch) | ||
Set Decoration by | |||
| Jean Perrier | (uncredited) | ||
Costume Design by | |||
| Louis Granier | (as Granier) | ||
Makeup Department | |||
| Burton | .... | hair stylist | |
| Pierromax | .... | makeup artist | |
Production Management | |||
| Maurice Barnathan | .... | unit manager (as Barnathan) | |
| René Decrais | .... | unit manager (as Decrais) | |
| Defrace | .... | unit manager | |
| Louis Joly | .... | administrative manager | |
| Edouard Lepage | .... | unit manager | |
| Henri Lepage | .... | unit manager (as H. Lepage) | |
| Raymond Pillon | .... | unit manager (as Pillon) | |
| André Seigneur | .... | production manager | |
| Maurice Veillard | .... | unit manager (as Veillard) | |
| André Zwoboda | .... | production manager (as André Zwobada) | |
Second Unit Director or Assistant Director | |||
| Jacques Becker | .... | assistant director | |
| Tony Corteggiani | .... | assistant director (as Corteggiani) | |
| Guy Demazure | .... | assistant director (as Demazure) | |
| Jean-Paul Le Chanois | .... | assistant director (as J.P. Dreyfus) | |
| Marc Maurette | .... | assistant director (as Maurette) | |
| Claude Renoir | .... | assistant director (as Cl. Renoir Sr.) | |
Art Department | |||
| Léon Barsacq | .... | set designer | |
| Jean Perrier | .... | set designer | |
| Georges Wakhévitch | .... | set designer | |
Sound Department | |||
| Jean Bertrand | .... | sound engineer (as J. Bertrand) | |
| Joseph de Bretagne | .... | sound (as De Bretagne) | |
| J. Demede | .... | sound | |
Camera and Electrical Department | |||
| Sam Levin | .... | still photographer | |
Animation Department | |||
| Lotte Reiniger | .... | shadow artist: ombres chinoises/shadows theatre | |
Costume and Wardrobe Department | |||
| Coco Chanel | .... | costumes: Marie-Antoinette (as Chanel) | |
Editorial Department | |||
| Marthe Huguet | .... | assistant editor (as Huguet) | |
Music Department | |||
| Johann Sebastian Bach | .... | ancient music (as Bach) | |
| Michel-Richard De Lalande | .... | ancient music (as Lalande) | |
| André-Ernest-Modeste Grétry | .... | ancient music (as Gretry) | |
| Wolfgang Amadeus Mozart | .... | ancient music (as Mozart) | |
| Jean-Philippe Rameau | .... | ancient music (as Rameau) | |
| Claude Joseph Rouget de Lisle | .... | ancient music: "La Marseillaise" (as Rouget de Lisle) | |
Other crew | |||
| Carl Koch | .... | researcher (uncredited) | |
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| The Lady and the Duke | Marie Antoinette | La révolution française | Taking Sides | Persepolis |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb France section |
Given the monumental importance of the French Revolution in history, it is surprising that so few films have been made about it or have even used it as a setting. "The Assassination of the Jean Paul Marat" is probably the most interesting and offbeat film, but it takes place 20 years after the revolution and only debates and argues about it. "Scarlet Pimpernel," "Reign of Terror," and "Tale of Two Cities" just use the revolution as backdrops to tell fun adventure stories. "Danton" is boring, anti-revolutionary and childish, everyone is presented in black and white terms. Griffith's "Orphans of the Storm" has lots of delights and some great action sequences, but is too didactic and anti-revolutionary. "Marie Antonette" (2006) and "Affair of the Necklace" are beautiful and great works, but show little interest in the revolution itself.
Although it deals with only some events leading to the overthrow of the monarchy, "La Marseillaise" is possibly the best film. It shows the complexity of the events and deals with them in an intelligent and reasonable manner. It shows how "the Brunswick Manifesto" led to the arrest of the King and Queen. While Marie and Louis, are not shown in a particularly good light, neither are they caricatured.
The movie is episodic and slow, but there are a number of dazzling shots and scenes. The attack on the King's palace at the end is the dramatic highlight.
There is a fabulous scene in the middle of the film where the aristocrats are singing a song about how they are going to "hang the traitors" and shortly the revolutionaries answer by singing about how they are going to "hang the aristocrats." It shows the most humanistic, balanced and honest presentation of the situation of any film on the subject that I have seen.