| Pierre Renoir | ... | Le Roi de France Louis XVI | |
| Lise Delamare | ... | La Reine Marie-Antoinette (as Lise Delamare de la Comédie Française) | |
| Léon Larive | ... | Picard, le valet du roi | |
| William Aguet | ... | Duque de La Rochefoucauld-Liancourt | |
| Elisa Ruis | ... | La princesse de Lamballe | |
| Marie-Pierre Sordet-Dantès | ... | Le Dauphin | |
| Yveline Auriol | ... | La Dauphine | |
| Pamela Stirling | ... | Une suivante | |
| Génia Vaury | ... | Une suivante | |
| Louis Jouvet | ... | Roederer, le procureur du département | |
| Jean Aquistapace | ... | Paul Giraud, le maire du village | |
| Georges Spanelly | ... | La Chesnaye (as Spanelly) | |
| Jaque Catelain | ... | Le capitaine Langlade | |
| Pierre Nay | ... | Dubouchage | |
| Edmond Castel | ... | Leroux (as Castel) | |
| Werner Florian | ... | Westerman (as Werner Florian-Zach) | |
| Aimé Clariond | ... | Monsieur de Saint Laurent (as Aimé Clariond de la Comédie Française) | |
| Maurice Escande | ... | Le seigneur du village | |
| André Zibral | ... | Monsieur de Saint Merri (as Zibral) | |
| Jean Aymé | ... | Monsieur de Fouguerolles (as Jean Ayme) | |
| Irène Joachim | ... | Madame de Saint Laurent | |
| Andrex | ... | Honoré Arnaud | |
| Edmond Ardisson | ... | Jean-Joseph Bomier, le maçon (as Ardisson) | |
| Charles Blavette | ... | Un Marseillais | |
| Paul Dullac | ... | Javel, le chasseur à la fronde (as Dullac) | |
| Jean-Louis Allibert | ... | Moissan, un Marseillais (as J.L. Allibert) | |
| Fernand Flament | ... | Ardisson, un Marseillais | |
| Alex Truchy | ... | Cuculière, un Marseillais | |
| Georges Péclet | ... | Lieutenant Pignatel (as G. Peclet) | |
| Géo Dorlys | ... | Un chef marseillais (as Géo Dorlis) | |
| Géo Lastry | ... | Le capitaine Massagne | |
| Adolphe Autran | ... | Le tambour Marseillais (as Autran) | |
| Édouard Delmont | ... | Anatole Roux dit 'Cabri' | |
| Nadia Sibirskaïa | ... | Louison | |
| Jenny Hélia | ... | Louise Vauclair, l'interpellatrice (as Jenny Helia) | |
| Gaston Modot | ... | Un volontaire | |
| Sévérine Lerczinska | ... | Une paysanne (as S. Lerzinska) | |
| Julien Carette | ... | Un volontaire (as Carette) | |
| Marthe Marty | ... | La mère de Bomier | |
| Odette Cazau | ... | Thérèse | |
| Edmond Beauchamp | ... | Le curé Fayet | |
| Blanche Destournelles | ... | Clémence | |
| Pierre Ferval | |||
| Fernand Bellan | |||
| Jean Boissemond | |||
| Lucy Kieffer | ... | Une suivante | |
| Raymond Pélissier | |||
| Jacques Castelot | |||
| Roger Prégor | |||
| Robert Manuel | |||
| Robert Rollis |
Directed by | |||
| Jean Renoir | |||
Writing credits | ||
| Jean Renoir | (scenario) | |
| Carl Koch | (collaboration) (as C. Koch) & | |
| N. Martel-Dreyfus | (collaboration) | |
| Jean Renoir | (dialogue) | |
Produced by | |||
| Jean Renoir | .... | producer | |
| André Seigneur | .... | executive producer (as A. Seigneur) | |
| André Zwoboda | .... | executive producer | |
Original Music by | |||
| Joseph Kosma | (as Kosma) | ||
| Henry Sauveplane | (as Sauveplane) | ||
Cinematography by | |||
| Jean-Paul Alphen | (as J.P. Alphen) | ||
| Jean Bourgoin | (as Bourgoin) | ||
| Alain Douarinou | (as A. Douarinou) | ||
| Jean Louis | (as J. Louis) | ||
| Jean-Marie Maillols | (as Maillols) | ||
Film Editing by | |||
| Marguerite Renoir | (as Margueritte) | ||
Production Design by | |||
| Léon Barsacq | (as L. Barsacq) | ||
| Georges Wakhévitch | (as Wakhevitch) | ||
Set Decoration by | |||
| Jean Perrier | (uncredited) | ||
Costume Design by | |||
| Louis Granier | (as Granier) | ||
Makeup Department | |||
| Burton | .... | hair stylist | |
| Pierromax | .... | makeup artist | |
Production Management | |||
| Maurice Barnathan | .... | unit manager (as Barnathan) | |
| René Decrais | .... | unit manager (as Decrais) | |
| Defrace | .... | unit manager | |
| Louis Joly | .... | administrative manager | |
| Edouard Lepage | .... | unit manager | |
| Henri Lepage | .... | unit manager (as H. Lepage) | |
| Raymond Pillon | .... | unit manager (as Pillon) | |
| André Seigneur | .... | production manager | |
| Maurice Veillard | .... | unit manager (as Veillard) | |
| André Zwoboda | .... | production manager (as André Zwobada) | |
Second Unit Director or Assistant Director | |||
| Jacques Becker | .... | assistant director | |
| Tony Corteggiani | .... | assistant director (as Corteggiani) | |
| Guy Demazure | .... | assistant director (as Demazure) | |
| Jean-Paul Le Chanois | .... | assistant director (as J.P. Dreyfus) | |
| Marc Maurette | .... | assistant director (as Maurette) | |
| Claude Renoir | .... | assistant director (as Cl. Renoir Sr.) | |
Art Department | |||
| Léon Barsacq | .... | set designer | |
| Jean Perrier | .... | set designer | |
| Georges Wakhévitch | .... | set designer | |
Sound Department | |||
| Jean Bertrand | .... | sound engineer (as J. Bertrand) | |
| Joseph de Bretagne | .... | sound (as De Bretagne) | |
| J. Demede | .... | sound | |
Camera and Electrical Department | |||
| Sam Levin | .... | still photographer | |
Animation Department | |||
| Lotte Reiniger | .... | shadow artist: ombres chinoises/shadows theatre | |
Costume and Wardrobe Department | |||
| Coco Chanel | .... | costumes: Marie-Antoinette (as Chanel) | |
Editorial Department | |||
| Marthe Huguet | .... | assistant editor (as Huguet) | |
Music Department | |||
| Johann Sebastian Bach | .... | ancient music (as Bach) | |
| Michel-Richard De Lalande | .... | ancient music (as Lalande) | |
| André-Ernest-Modeste Grétry | .... | ancient music (as Gretry) | |
| Wolfgang Amadeus Mozart | .... | ancient music (as Mozart) | |
| Jean-Philippe Rameau | .... | ancient music (as Rameau) | |
| Claude Joseph Rouget de Lisle | .... | ancient music: "La Marseillaise" (as Rouget de Lisle) | |
Other crew | |||
| Carl Koch | .... | researcher (uncredited) | |
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| The Lady and the Duke | Marie Antoinette | La révolution française | Taking Sides | Persepolis |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb France section |
Aside from being a brilliant film, at different times humorous and moving, LA MARSEILLAISE is hands down the most accurate film out there when it comes to the French Revolution.
Some have noted it's "one-sided" aspect, but allow me to make an observation: when royalists want to make a one-sided film on the French Revolution, they... make stuff up! Usually utter bilge, such as THE SCARLET PIMPERNEL or A TALE OF TWO CITIES, films (and original books) whose only basis in historical fact can be summed up as, yes, there was a revolution in France in 1789, and yes indeed, Britain and France are on opposite sides of the Channel. Those who support the republic, on the other hand, have typically had the scruples to actually *do their research* before setting out to mold the public's impressions of so momentous an historical event. Such is the case with LA MARSEILLAISE, where a large percentage of the dialog is taken from historical records. (In fact, the only real complaint one could have as far as historical accuracy goes is costuming, but I've yet to see any film from that era--1938, in this case--that had accurate costumes.)
All this is not to suggest that LA MARSEILLAISE is dull. Far from it! As mentioned before, LA MARSEILLAISE is witty and often poignant. In showing the Revolution from the point of view of ordinary citizens instead of aristocrats or well-known revolutionary leaders, the film shows to what point common citizens were dedicated to the ideals of the Revolution, as well as showing a human side to the "mob" so frequently portrayed.