An elderly Miss Morrison recounts her life as the once young and beautiful opera singer Marcia Morney-then the toast of Napoleon III's Paris. One evening, she encounters an American voice ... See full summary »
Robert Z. Leonard
Polio breaks out in Rio de Janeiro, the serum is in Santiago and there's only one way to get the medicine where it's desperately needed: flown in by daring pilots who risk the treacherous weather and forbidding peaks of the Andes.
The life of Marie Antoinette (1755-1793) from betrothal and marriage in 1770 to her beheading. At first, she's a Hapsburg teenager isolated in France, living a virgin's life in the household of the Dauphin, a shy solitary man who would like to be a locksmith. Marie discovers high society, with the help of Orleans and her brothers-in-law. Her foolishness is at its height when she meets a Swedish count, Axel de Fersen. He helps her see her fecklessness. In the second half of the film, she avoids an annulment, becomes queen, bears children, and is a responsible ruler. The affair of the necklace and the general poverty of France feed revolution. She faces death with dignity. Written by
The stately minuet heard at the lavish ball sequence hosted by the Duc D'Orleans at Versailles, is from Mozart's opera Don Giovanni, which was composed in 1787. A few moments after the Minuet ends, King Louis XV arrives. He died in 1774 and therefore, this music could not possibly have been played at such an event as it had yet to be written. See more »
[Provence is making a hasty retreat to his carriage when he meets Artois who is making his own hurried exit]
Ah, brother! Traveling?
Comte de Provence:
If they should be killed I should be king.
If you should be killed I should be king! In these days who knows? Ha, ha! Adieu, brother!
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Written by Claude Joseph Rouget de Lisle
Played over the opening credits
Reprised as background music at the start of the French Revolution
Played again at the end See more »
This movie will probably never be excelled largely because of the casting. I don't believe that anyone will ever find better actors or actresses to portray King Louis XVI and Queen Marie Antoinette than Robert Morley and Norma Shearer. The black and white aspect of this great classic film is simply spell binding in its interpretation of the life of the Royal Family. Color will give it a different dimension. The manner in which the conflict of the ensuing mob marching upon the Versailles is well portrayed. I especially like the sense of paranoia and fear that grip the Queen and her entourage. The use of the outside gate is especially endearing to me, reminding me why it is that King Louis XIV created the Château d' Versailles in such a distance from Paris. Unless one knows the history of the Château, nobody can truly appreciate the march of the Faubourgs. Excellent film, and I recommend seeing it before any other on the same subject!
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