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Marie Antoinette (1938)

Passed | | Biography, Drama, History | 26 August 1938 (USA)
The tragic life of Marie Antoinette, who became queen of France in her late teens.

Directors:

(as W.S. Van Dyke II), (uncredited)

Writers:

(screen play), (screen play) | 2 more credits »
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Nominated for 4 Oscars. Another 2 wins & 1 nomination. See more awards »
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Cast

Cast overview, first billed only:
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Comte de Provence (as Albert Van Dekker)
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Storyline

The life of Marie Antoinette (1755-1793) from betrothal and marriage in 1770 to her beheading. At first, she's a Hapsburg teenager isolated in France, living a virgin's life in the household of the Dauphin, a shy solitary man who would like to be a locksmith. Marie discovers high society, with the help of Orleans and her brothers-in-law. Her foolishness is at its height when she meets a Swedish count, Axel de Fersen. He helps her see her fecklessness. In the second half of the film, she avoids an annulment, becomes queen, bears children, and is a responsible ruler. The affair of the necklace and the general poverty of France feed revolution. She faces death with dignity. Written by <jhailey@hotmail.com>

Plot Summary | Plot Synopsis


Certificate:

Passed | See all certifications »
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Details

Country:

Language:

Release Date:

26 August 1938 (USA)  »

Also Known As:

María Antonieta  »

Box Office

Budget:

$2,926,000 (estimated)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

| (original road show print including entry, intermission and exit music)

Sound Mix:

(Western Electric Sound System)

Color:

(Sepiatone)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

According to TCM's website, in early December 1937, Peter Lorre was announced as the first choice for the role of Louis XVI, but by the time filming began, Robert Morley had been awarded the part. See more »

Goofs

The stately minuet heard at the lavish ball sequence hosted by the Duc D'Orleans at Versailles, is from Mozart's opera Don Giovanni, which was composed in 1787. A few moments after the Minuet ends, King Louis XV arrives. He died in 1774 and therefore, this music could not possibly have been played at such an event as it had yet to be written. See more »

Quotes

King Louis XVI: I don't want to be king. People expect so much of a king. Nothing comes easily to me.
See more »

Connections

Version of Marie-Antoinette (2006) See more »

Soundtracks

Orpheus and Euridice
(1762) (uncredited)
Written by Christoph Willibald Gluck
Excerpts played at the opera
See more »

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User Reviews

 
Rediscovering Norma Shearer
22 June 2001 | by (Houston, Texas) – See all my reviews

As a young actress still in her 20s, Norma Shearer was hailed as the First Lady of MGM, and she reigned as queen of the studio throughout the 1930s. For about two decades after early retiring in 1942, she was fondly remembered by fans and critics, but slowly she was forgotten. Then in the early 70s, antagonistic film critic Pauline Kael, grudge-holding MGM rival Joan Crawford and others took delight in trashing her, usually with the implication that Norma's greatest talent was finding a powerful husband (Irving Thalberg). Unfortunately, those unfair remarks carried great weight since Shearer's movies were unavailable on video and rarely shown on TV.

We're now able to see her talent for ourselves, thanks largely to Turner Classic Movies, and Norma Shearer's star is rising again.

If you've never seen a Shearer movie, Marie Antoinette is a good beginning. It is one of Hollywood's great epics of the 1930s, with lavish costumes and scenery, and its historic setting holds up well. Shearer plays the doomed French queen from teenager to the Guillotine, and the final scenes as she awaits death in prison are among the finest of her career.

In recent years, Shearer has gained new respect for her silent films, in which she was one of the most accomplished young actresses of the era. Two standouts are Lady of the Night and A Lady of Chance, in which she plays "worldly" women with a sly wit. She was not a typical ingénue, and you can see why sophisticated audiences of the time were enchanted by her.


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