Elyot and Sibyl are being married in a big church ceremony. Amanda and Victor are being married by a French Justice of the Peace. Both couples go to a hotel on the same day and are put in ... See full summary »
Dowdy housewife Kitty dotes on her self-centered husband but divorces him when his mistress shows up at their home one day to break up their marriage. Bob had become bored with her ... See full summary »
Robert Z. Leonard
Rod La Rocque,
John has led a solitary life for thirty years since the death of Moonyeen Clare. But now Owens, a close friend, insists that he care for his niece, Kathleen, orphaned when her parents were ... See full summary »
In this family saga, Mrs. Parkington recounts the story of her life, beginning as a hotel maid in frontier Nevada where she is swept off her feet by mine owner and financier Augustus ... See full summary »
The life of Marie Antoinette (1755-1793) from betrothal and marriage in 1770 to her beheading. At first, she's a Hapsburg teenager isolated in France, living a virgin's life in the household of the Dauphin, a shy solitary man who would like to be a locksmith. Marie discovers high society, with the help of Orleans and her brothers-in-law. Her foolishness is at its height when she meets a Swedish count, Axel de Fersen. He helps her see her fecklessness. In the second half of the film, she avoids an annulment, becomes queen, bears children, and is a responsible ruler. The affair of the necklace and the general poverty of France feed revolution. She faces death with dignity. Written by
When Marie and Louis first wedding anniversary is announced, the bells are heard change-ringing. This requires the bells to completely be rotated by a rope wound on a wheel, and was until the 19th century a strictly English way of ringing bells. The bells shown are swinging from trunnions, in the normal French manner. See more »
It never ceases to amaze me at how completely I might be suddenly drawn into the emotional moment of a film by the power of the actor. Usually the strongest ones come suddenly, and without warning, giving you no time to put up defenses. Brando's eruptions of moods when talking to his dead wife in Last Tango in Paris is probably the most dramatic example of this. (His greatest scene ever, that I have witnessed) But before that, Norma Shearer's panic and utter emotional breakdown when the guards come to take her son from her in the prison, is overwhelming and complete. Anyone who is not genuinely moved to the core by this incredible performance, either sleeps or does not possess those human sensitivities that are torn by the loss of a child. For it is not sympathy that is evoked, but an empathy called forth by the raw, human agony of the suffering before you. Years later when I visited the actual site in Paris where that tragedy would have taken place, I experienced a time of respect and reflection such as I have never had in any other place in the world that I have visited.
This is one of the truly great films. If you want to find out how deeply someone can feel, show it to them and observe. Norma Shearer set a standard I fear has been forgotten, as evidenced by the way tinsel town hands out awards today for mediocre work pushed onto the modern consciousness by glitzy ad campaigns and self-serving accolades.
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