An elderly Miss Morrison recounts her life as the once young and beautiful opera singer Marcia Morney-then the toast of Napoleon III's Paris. One evening, she encounters an American voice ... See full summary »
Robert Z. Leonard
Polio breaks out in Rio de Janeiro, the serum is in Santiago and there's only one way to get the medicine where it's desperately needed: flown in by daring pilots who risk the treacherous weather and forbidding peaks of the Andes.
Young Pud is orphaned and left in the care of his aged grandparents. The boy and his cantankerous old grandfather become inseparable friends. But Gramps is concerned for his grandson's ... See full summary »
Harold S. Bucquet
In 1923, Gregory Vance, a widower with two children, is a former scholar who has turned from book-to-bottle. He works, slightly, as a night-watchman and his children, who know him for what ... See full summary »
The life of Marie Antoinette (1755-1793) from betrothal and marriage in 1770 to her beheading. At first, she's a Hapsburg teenager isolated in France, living a virgin's life in the household of the Dauphin, a shy solitary man who would like to be a locksmith. Marie discovers high society, with the help of Orleans and her brothers-in-law. Her foolishness is at its height when she meets a Swedish count, Axel de Fersen. He helps her see her fecklessness. In the second half of the film, she avoids an annulment, becomes queen, bears children, and is a responsible ruler. The affair of the necklace and the general poverty of France feed revolution. She faces death with dignity. Written by
The grand ceremonial march that accompanies Marie Antoinette's arrival and procession to meet Luois XV at the Louvre, Paris near the beginning of the film is actually an elaborate re-orchestration of a short and very simply scored entra'acte from the opera Castor et Pollux by Jean Philippe Rameau, composed 1737 and a great favorite in France, even after the French Revolution. See more »
In the lavish ball sequence at Versailles that appears to take place in the famous Hall of Mirrors, King Louis XV (and later, Mme du Pompadour) arrives by descending a huge flight of stairs. Yet the real Hall of Mirrors has no stairs, at either end. See more »
I was delighted to see this at the rental store because I absolutely adore Norma Shearer and had yet to see this piece of work. Overall it was very nice, with extravagant costumes (This must have been high up on Liberace's top 100 list), good acting, and fantastic directing. The only thing I have a major problem with is the fact that the director tried to cram in too much of her life into the span of only 2 and a half hours. You first start the movie with Marie Antoinette finding out she is to be married to Louis the XVI, then during the film so much goes on that you sort of have a hard time keeping up with how much time has past in her life, until finally you get to the crucial part in the film where her and her husband are to be executed. I don't know much about her life so I honestly have no idea how much they left out, but as a regular film watcher, I found this piece to be just wonderful. Norma Shearer did such a great job near the end, when she was about to be beheaded. When Count Axel de Fersen comes down the stairs into her dungeon to bid her a final fairwell, you really get the feeling that she is just completely drained with all emotion by the simple look in her eyes. I must admit to shedding some tears during that scene. Another highly recommended film. 8/10
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