The life of Marie Antoinette (1755-1793) from betrothal and marriage in 1770 to her beheading. At first, she's a Hapsburg teenager isolated in France, living a virgin's life in the ... See full summary »
Young Queen Margot finds herself trapped in an arranged marriage amidst a religious war between Catholics and Protestants. She hopes to escape with a new lover, but finds herself imprisoned by her powerful and ruthless family.
Chronicles the life of queen Elizabeth I, before she became the queen of England. Apart from taking part in the court intrigues, she is unhappily in love with admiral Thomas Seymour, and ... See full summary »
The life of Marie Antoinette (1755-1793) from betrothal and marriage in 1770 to her beheading. At first, she's a Hapsburg teenager isolated in France, living a virgin's life in the household of the Dauphin, a shy solitary man who would like to be a locksmith. Marie discovers high society, with the help of Orleans and her brothers-in-law. Her foolishness is at its height when she meets a Swedish count, Axel de Fersen. He helps her see her fecklessness. In the second half of the film, she avoids an annulment, becomes queen, bears children, and is a responsible ruler. The affair of the necklace and the general poverty of France feed revolution. She faces death with dignity. Written by
This was reported to have been the first time a film crew was allowed to film on the grounds of the Palace of Versailles. See more »
The stately minuet heard at the lavish ball sequence hosted by the Duc D'Orleans at Versailles, is from Mozart's opera Don Giovanni, which was composed in 1787. A few moments after the Minuet ends, King Louis XV arrives. He died in 1774 and therefore, this music could not possibly have been played at such an event as it had yet to be written. See more »
I think I've known you would come. You promised to, you know?
Count Axel de Fersen:
If you needed me, I said.
Yes, you said that.
Count Axel de Fersen:
And, I said I would ask you: "Was it well done?"
It was well done. My husband has needed me. I am thankful to not have failed him.
Count Axel de Fersen:
I even love him. But the love I have for him takes nothing away from my friend. Of all there was between us the night you went away nothing has changed. For me, nothing has changed or ever will. Forgive me for telling you this without asking you ...
[...] See more »
Written by Claude Joseph Rouget de Lisle
Played over the opening credits
Reprised as background music at the start of the French Revolution
Played again at the end See more »
Adrian went all out for this lavish, gorgeous production of "Marie Antoinette" starring Norma Shearer, who is never more beautiful or glamorous than in this epic biography. This Marie is quite the heroine, a woman of the people, generous to a fault, and never says, "Let them eat cake," and would only have said it in reference to her children. History tells us that Marie's downfall was really the "Affair of the Necklace," and she was no different from other aristocrats in being totally out of touch with what was going on with the French people.
This film is jaw dropping in its splendor. Adrian's costumes are totally magnificent, as are the palace settings. Tyrone Power is drop-dead gorgeous as Marie's Swedish lover, who comes to her aid in her time of need. Power was the inspiration for Barbara Cartland to say, when asked how she could write so convincingly about sex while she was a still a virgin, "We didn't need sex. We had Tyrone Power." The rest of the cast is fantastic, including Robert Morley, John Barrymore, Joseph Schildkraut, and Gladys George. As for Norma, she does a great job, giving a vivid, if movie star, performance in one of her last films. The last scenes are very touching and beautifully done.
I had no expectations for this film and as a rule am not crazy about period pieces, but this one swept me away. It does follow history quite closely - for those who commented that the Tyrone Power character was fictional, he was not, and he did try to help her.
Don't miss this one.
**A funny Marie Antionette anecdote: The studio wanted Shearer to use their contract star, Robert Taylor, but Shearer got a look at Power at a dinner, invited him to be part of the film, and got her way. During their first kiss, she held on so long the kiss had to be edited down. Power apparently did not return her affections. She became angry. At a photo shoot, she appeared with gigantic plumes that hid him as he posed behind her and the plumes shot up. The photographer gave Power a box to stand on. As the photographer activated the flash, Power crashed through the box and hit the floor. Though he escorted Shearer to the premier, he snuck out to see his soon to be wife, Annabella.
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