This symbol-filled story, filmed with sensuous detail and nuance, is set in Austria in the 1920s. While being treated for asthma at a country spa, an American diplomat's lonely 12-year-old ... See full summary »
Klaus Maria Brandauer
The retelling of France's iconic but ill-fated queen, Marie Antoinette. From her betrothal and marriage to Louis XVI at 15 to her reign as queen at 19 and to the end of her reign as queen and ultimately the fall of Versailles.
Jimmy is drafted and ends up in Fred's troop on his way to Europe. Jimmy becomes vicious with his gun, wins a medal, and weds Fred's nurse girlfriend, Rose. Back home years later, Rose ... See full summary »
W.S. Van Dyke
A maternity ward, staffed by sympathetic nurses, serves mothers-to-be from all walks of life. These include a happy mother of a large family; a secretly-married teenager who thinks their ... See full summary »
Carnival dancer Lane Bellamy finds herself stranded in a southern town ruled by corrupt political boss Titus Semple. Lane becomes romantically involved with sheriff Fielding Carlisle, a ... See full summary »
The life of Marie Antoinette (1755-1793) from betrothal and marriage in 1770 to her beheading. At first, she's a Hapsburg teenager isolated in France, living a virgin's life in the household of the Dauphin, a shy solitary man who would like to be a locksmith. Marie discovers high society, with the help of Orleans and her brothers-in-law. Her foolishness is at its height when she meets a Swedish count, Axel de Fersen. He helps her see her fecklessness. In the second half of the film, she avoids an annulment, becomes queen, bears children, and is a responsible ruler. The affair of the necklace and the general poverty of France feed revolution. She faces death with dignity. Written by
The stately minuet heard at the lavish ball sequence hosted by the Duc D'Orleans at Versailles, is from Mozart's opera Don Giovanni, which was composed in 1787. A few moments after the Minuet ends, King Louis XV arrives. He died in 1774 and therefore, this music could not possibly have been played at such an event as it had yet to be written. See more »
It never ceases to amaze me at how completely I might be suddenly drawn into the emotional moment of a film by the power of the actor. Usually the strongest ones come suddenly, and without warning, giving you no time to put up defenses. Brando's eruptions of moods when talking to his dead wife in Last Tango in Paris is probably the most dramatic example of this. (His greatest scene ever, that I have witnessed) But before that, Norma Shearer's panic and utter emotional breakdown when the guards come to take her son from her in the prison, is overwhelming and complete. Anyone who is not genuinely moved to the core by this incredible performance, either sleeps or does not possess those human sensitivities that are torn by the loss of a child. For it is not sympathy that is evoked, but an empathy called forth by the raw, human agony of the suffering before you. Years later when I visited the actual site in Paris where that tragedy would have taken place, I experienced a time of respect and reflection such as I have never had in any other place in the world that I have visited.
This is one of the truly great films. If you want to find out how deeply someone can feel, show it to them and observe. Norma Shearer set a standard I fear has been forgotten, as evidenced by the way tinsel town hands out awards today for mediocre work pushed onto the modern consciousness by glitzy ad campaigns and self-serving accolades.
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