Rags-to-riches Hennessey meets newlyweds Jessie and Eddie from his old neighborhood. Eddie plots to have Jessie divorce him, marry Hennessey, divorce Hennessey, then bring Hennessey's money...
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Susan Trexel is a wealthy socialite, who while vacationing in Europe undergoes a religious transformation. On her return to America, Susan takes on the task of spreading her new found ... See full summary »
Rags-to-riches Hennessey meets newlyweds Jessie and Eddie from his old neighborhood. Eddie plots to have Jessie divorce him, marry Hennessey, divorce Hennessey, then bring Hennessey's money into remarriage with Eddie. His plan goes awry at several points. Written by
Ed Stephan <firstname.lastname@example.org>
I had seen "mannequin" a long time ago,at a time when I hardly knew Borzage's name .Since I saw most of his talkies and some of his silent works,and when I saw "Mannequin" again,I was a bit disappointed: it is a good film,well played by Joan Crawford and Spencer Tracy but it does not hold a candle to such works as "little man what now?""three comrades" "strange cargo" or the sublime "mortal storm" my favorite Borzage.
In "mannequin" ,we feel the director's touch nevertheless.The first scenes depict a milieu where the heroine has got to fight to get out of it (see also "humoresque " (1920) " the seventh heaven" "street angel" (1927).The search for true love is a permanent feature in Borzage's canon,but Tracy/Crawford ,except in the moving final scenes are not given the same chance to shine as Margaret Sullavan /James Stewart or Janet Gaynor/Charles Farrell .Crawford becoming a mannequin is the main weakness of the plot.But in the end,anyway ,"the love you take is equal to the love you make" .Not a great Borzage ,but worth a watch.
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