Mimi has tried everything to become the bride to Alan, but he chooses Elizabeth instead. The ironic part is that Mimi's mother writes romance novels and neither one has had any luck with ... See full summary »
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Mimi has tried everything to become the bride to Alan, but he chooses Elizabeth instead. The ironic part is that Mimi's mother writes romance novels and neither one has had any luck with men. So Mimi decides to get a job as an illustrator at the New York Chronicle where her friend Jimmy works. When Alan and Liz return from their honeymoon, Alan wants to keep Mimi at his side, and Mimi has no objections - in the beginning. Written by
Tony Fontana <tony.fontana@spacebbs.com>
Some cast members in studio records/casting call lists did not appear or were not identifiable in the movie. These were (with their character names): Marie Blake (Telephone Operator), Harvey Clark (Artist), Dorothy Vaughan (Matron), Jerome Storm (Poolroom Man), Ralph Bushman (Young Man at Fight) and Irving Bacon (Drug Clerk). See more »
Quotes
Mimi Swift:
Explain it to her, Jimmy.
Jimmy Kilmartin:
Well, it's like this...
Meg Swift:
That's enough, Jimmy. When anything starts, "Well, it's like this," you can't explain it.
See more »
Soundtracks
"The Wedding March"
(1843) (uncredited)
from "A Midsummer Night's Dream, Op.61"
Written by Felix Mendelssohn-Bartholdy
Played after the wedding
Reprised in the score at the end See more »
This is a typical love triangle movie with Myrna Loy, Rosalind Russell and Walter Pidgeon, with Franchot Tone at the odd man out. It's hard to know which is worse, the acting, the plot or the dialog. The outcome is fairly predictable, given the time period when this movie was made. As far as the acting goes, Ms. Loy is thoroughly unlikeable, Mr. Pidgeon stiff and Mr. Tone an insipid hanger-on. Ms. Russell comes off the best of the lot, thought her final scene when she is magnanimously prepared to give up her husband is unconvincing and without the necessary character motivation. Motivation is also lacking in the apparent coupling of Myrna Loy and Franchot Tone, when the prior attraction seemed to be all one-sided. The best acting by far is by the little known Nana Bryant, who plays Loy's mother.
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This is a typical love triangle movie with Myrna Loy, Rosalind Russell and Walter Pidgeon, with Franchot Tone at the odd man out. It's hard to know which is worse, the acting, the plot or the dialog. The outcome is fairly predictable, given the time period when this movie was made. As far as the acting goes, Ms. Loy is thoroughly unlikeable, Mr. Pidgeon stiff and Mr. Tone an insipid hanger-on. Ms. Russell comes off the best of the lot, thought her final scene when she is magnanimously prepared to give up her husband is unconvincing and without the necessary character motivation. Motivation is also lacking in the apparent coupling of Myrna Loy and Franchot Tone, when the prior attraction seemed to be all one-sided. The best acting by far is by the little known Nana Bryant, who plays Loy's mother.