5.4/10
98
8 user 1 critic

Love, Honor and Behave (1938)

A woman raises her son Ted to be a good loser, in effect creating a weakling who never asserts himself. Even after marrying his childhood sweetheart Barbara and assuming family obligations,... See full summary »

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(screen play), (screen play) (as Michel Jacoby) | 3 more credits »
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Cast

Complete credited cast:
...
...
...
Jim Blake
...
Dan Painter
...
Pete Martin
...
Sally Painter (as Barbara O'Neill)
...
Lisa Blake
Minor Watson ...
Dr. 'Mac' MacConaghey
Donald Briggs ...
Yale Tennis Coach
...
Nan Bowleigh
Gregory Gaye ...
Count Humbert
...
Ted - as a child
Audrey Leonard ...
Barbara - as a child
...
Tennis Announcer
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Storyline

A woman raises her son Ted to be a good loser, in effect creating a weakling who never asserts himself. Even after marrying his childhood sweetheart Barbara and assuming family obligations, Ted cannot bring himself to fight for respect. The worm finally turns when Barbara starts stepping out on her Milquetoast husband, who then turns out not to be so passive after all. All comes full circle in this slyly symmetrical romantic comedy, with the final scene neatly skewering the complications set up in the opening reel. Written by Dan Navarro <daneldorado@yahoo.com>

Plot Summary | Add Synopsis

Genres:

Drama

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Release Date:

12 March 1938 (USA)  »

Also Known As:

Everybody Was Very Nice  »

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Sound Mix:

Aspect Ratio:

1.37 : 1
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Did You Know?

Soundtracks

The Japanese Sandman
(1920) (uncredited)
Music by Richard A. Whiting
Played at the party
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User Reviews

 
What a terrible message this film sends
12 June 2012 | by (United States) – See all my reviews

I was looking forward to seeing this being a huge Priscilla Lane fan plus the chance to see Thomas Mitchell and Barbara O'Neil together a year before they played Gerald and Ellen O'Hara in Gone With The Wind but this turned out to be an odious little number. Not only is it horribly sexist which was not that uncommon of films of the time but the way it advocates physical abuse as something that not only is acceptable but desirable is appalling. It also presents fair play and decency as something to sneer at. This was one of Priscilla's first films and her inexperience shows. She's stiff and not very believable but perhaps it was her discomfort with the selfish, thoughtless and mean spirited character she's stuck playing.

A prime candidate for one of the worst films of the thirties. Skip it.


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