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Love, Honor and Behave (1938)

 -  Drama  -  12 March 1938 (USA)
5.6
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Ratings: 5.6/10 from 82 users  
Reviews: 7 user | 1 critic

A woman raises her son Ted to be a good loser, in effect creating a weakling who never asserts himself. Even after marrying his childhood sweetheart Barbara and assuming family obligations,... See full summary »

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(screen play), (screen play), 3 more credits »
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Title: Love, Honor and Behave (1938)

Love, Honor and Behave (1938) on IMDb 5.6/10

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Cast

Complete credited cast:
...
Ted Painter
...
Barbara Blake
...
Jim Blake
...
Dan Painter
Dick Foran ...
Pete Martin
...
Sally Painter (as Barbara O'Neill)
Mona Barrie ...
Lisa Blake
Minor Watson ...
Dr. 'Mac' MacConaghey
Donald Briggs ...
Yale Tennis Coach
Margaret Irving ...
Nan Bowleigh
Gregory Gaye ...
Count Humbert
...
Ted - as a child
Audrey Leonard ...
Barbara - as a child
Crauford Kent ...
Tennis Announcer
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Storyline

A woman raises her son Ted to be a good loser, in effect creating a weakling who never asserts himself. Even after marrying his childhood sweetheart Barbara and assuming family obligations, Ted cannot bring himself to fight for respect. The worm finally turns when Barbara starts stepping out on her Milquetoast husband, who then turns out not to be so passive after all. All comes full circle in this slyly symmetrical romantic comedy, with the final scene neatly skewering the complications set up in the opening reel. Written by Dan Navarro <daneldorado@yahoo.com>

Plot Summary | Add Synopsis

Genres:

Drama

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Release Date:

12 March 1938 (USA)  »

Also Known As:

Everybody Was Very Nice  »

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Technical Specs

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Sound Mix:

Aspect Ratio:

1.37 : 1
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Did You Know?

Soundtracks

Boola, Boola
(1998) (uncredited)
Written by Allan M. Hirsch
Adapted from "La Hoola Boola"
Written by Bob Cole and Billy Johnson
Played during scenes at Yale
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User Reviews

Another thumbs down for a dated "romp".
9 May 2006 | by (United States) – See all my reviews

It's hard to believe sometimes, in a new century, that movies like this, were made and viewed as acceptable behavior. The message is not only "only the strong survive", it's that the violent and the pushy survive and that what we now accept as correct behavior was looked upon as incorrect.

An example of how ridiculous the premise is made when Wayne Morris, the hero, who was raised by his mother, is criticized for preferring tennis to football, by macho old dad. Dad had even criticized Mom for not "fighting" (literally) for him earier in the movie. Well,Wayne falls for childhood girlfriend Priscilla Lane, whose philosophy is not unlike that of his schmuck father's. Priscilla wants a man who looks good, (as does Wayne Morris) but she wants him to be as physical and morally ambiguous as his father was. Very soon tere are marital problems because hero can't find a decent job (it's the depression and he quit med school to marry her). She still wants to party with a male friend while Morris wants her to stay home discuss a job that would mean their living on a lot less.

The "happy ending" and our "lesson in life" is when she manipulates him into physically fighting the guy who comes to take her out, and physically abuses her for not sticking with him. Both sets of parents watching from outside the front window (and are amazingly amused and satisfied) are told by Priscilla Lane's character to "leave them alone" (She appears tojoy his new-found penchant for domestic violence). The "older folks" present think it's all cute.

It's a movie with good actors but it's message makes it really difficult to watch. Unfortunately, I'm afraid that there are some people who may watch this movie and think of it as merely a screwball comedy, with an appropriate message. I pity them.


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