Andy's girlfriend Polly is planning to spend Christmas at her grandmother's, which puts a kink in his plans to take her to the country club Christmas party. He agrees (for a fee) to pretend...
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Andy's girlfriend Polly is planning to spend Christmas at her grandmother's, which puts a kink in his plans to take her to the country club Christmas party. He agrees (for a fee) to pretend to be the boyfriend of his buddy Beezy's girl Cynthia to discourage other suitors (Beezy is also leaving for the holidays), but Andy soon finds her too infatuated with him. Meanwhile, Andy's next door neighbor Betsy begins to fall in love with Andy even though she's younger than him. Everything comes to a head at the country club party. Written by
Ed Sutton <firstname.lastname@example.org>
"Bei Mir Bist du Schon" (music by Sholom Secunda, English lyrics by Sammy Cahn and Saul Chaplin, sung by Judy Garland, was prerecorded but not filmed. Judy had performed the novelty number in her on-stage appearance at Loew's State Theatre in Manhattan during March 1938. The prerecording is heard on the Rhino CD, "Judy Garland: Collectors' Gems from the M-G-M Films." See more »
Those good old days were innocent and different times...
Once again, MICKEY ROONEY is in all sorts of trouble and Judge Hardy is always there to get him out of it--or at least talk things over with him. And this time, the accent is on his girl troubles. It's kind of amusing just to see the pretty ANN RUTHERFORD and a very young LANA TURNER throwing themselves at Rooney the way they do--I mean, let's fact it, he was never a looker.
Gone are the days when teens dressed like they do here--Rooney wearing a derby on a bright summer day and not a pair of jeans in sight. The script has Ann Rutherford's Polly going away on a Christmas visit to an aunt, which gives Rooney an excuse to discover Lana Turner's Cynthia at a swimming pool. She serves as his playmate for this particular Hardy story and it's easy to see why MGM kept her under contract for years to come.
JUDY GARLAND is Betsy Booth, who announces right at the start that she's "going to be on the stage some day"--and was that a good prediction! She also gets to sing a few numbers in the now famous Garland style.
The plot ambles along predictably and pleasantly, as most Hardy films do, and suffice it to say that Rooney's fling with Lana Turner is the most enjoyable aspect of the story and well played by both youngsters. But boy, could he mug! Yes, even then, he dispensed with some pretty extravagant bits of mugging that became more and more pronounced as the years went on. Some called it talent--others may have disagreed. Whatever it was, he was a very popular box-office star at the time this one was made.
Summing up: Pleasant enough for Hardy fans, and certainly a reminder of how different times were for teens in the late '30s.
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