4 items from 2016
My guest for this month is Herb van der Poll, and he’s joined me to discuss the film I chose for him, the 1988 Dutch–French film The Vanishing. You can follow the show on Twitter @cinemagadfly.
The director, George Sluizer, didn’t really direct much else besides this film and its remake The soundtrack definitely has a Tears for Fears vibe to it, which is 100% ok with me Herb checked with his Dutch parents to make sure we pronounced Spoorloos correctly Bernard-Pierre Donnadieu is basically perfect as the villain in this film If you enjoy this film, you’d probably also love Alfred Hitchock’s The Lady Vanishes The actress who plays the second girlfriend Lieneke, Gwen Eckhaus, was randomly in a television series in the Netherlands called Spoorloos verdwenen, which I assume is unrelated Getting a compliment on your film from Stanley Kubrick is a big »
- Arik Devens
Stabbings, scaldings, hideous lacerations from broken glass and even more brutal manglings for our sanguinary delectation! Dario Argento's smartly directed murder mystery gives us David Hemmings as a jazz man in Rome, studying not photographic blowups but the hidden artwork of a disturbed child. With music by Goblin and striking Techniscope imagery by Luigi Kuveiller. Deep Red Region A+B Blu-ray Arrow Video (UK) 1975 / Color / 2:35 widescreen / 127 & 105 min. / Street Date January 25, 2016 / Profondo Rosso / Available from Amazon UK £24.99 Starring David Hemmings, Daria Nicolodi, Gabriele Lavia, Macha Méril, Eros Pagni, Giuliana Calandra, Piero Mazzinghi, Glauco Mauri, Clara Calamai, Nocoletta Elmi. Cinematography Luigi Kuveiller Editing Franco Fraticelli Original Music Goblin Written by Dario Argento, Bernardino Zapponi Produced by Claudio Argento, Salvatore Argento Directed by Dario Argento
Reviewed by Glenn Erickson
- Glenn Erickson
Released 75 years ago, Alfred Hitchcock’s Suspicion (1941), his fourth film to be made in the United States, was a departure from his previous films. Unlike The Man Who Knew Too Much (1934), The 39 Steps (1935), or The Lady Vanishes (1938), Suspicion eschews the globetrotting and spying that made those films so exhilarating. It’s an intimate affair, a chamber drama (or chamber suspense film) primarily led by Cary Grant and Joan Fontaine, only occasionally breached by other supporting actors. Hitchcock had rarely worked on such a minimal scale before; even in Rebecca (1940); the mansion Manderlay was practically its own character. The isolation of Grant and Fontaine’s marriage is suffocating and without precedent in Hitchcock’s filmography. Though flawed due to Production Code restrictions, Suspicion remains one of Hitchcock’s most fascinating experiments.
Joan Fontaine plays Lina McLaidlaw, a woman presumably more interested in books than men (a woman wearing glasses in a »
- Brian Marks
Di Perez returns to investigate a disappearance; there’s a conflict between Gordon and Harry; and singletons try to beat intolerable lonliness. Plus: the seamy side of music industry gangsters
Douglas Henshall turns up the collar on his pea coat and returns to the chilly Scottish isle for another six-part stint as Di Jimmy Perez. The series-long mystery centres on the disappearance of a young man on the Aberdeen to Lerwick ferry. It’s a kind of The Lady Vanishes with Scottish accents and a druggy subplot. Best of all, Ciarán Hinds from Game of Thrones joins the cast as the irascible Michael. He’s an actor who runs on pure internal combustion and is impossible to ignore whenever he’s on screen. Julia Raeside
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- Julia Raeside, Andrew Mueller, John Robinson, Jack Seale, Ali Catterall, Mark Gibbings-Jones, Graeme Virtue, Paul Howlett
4 items from 2016
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