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A Woman's Face (1938)
"En kvinnas ansikte" (original title)

 -  Drama  -  8 September 1939 (USA)
7.1
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Ratings: 7.1/10 from 279 users  
Reviews: 6 user | 4 critic

Embittered woman, leader of a criminal gang, has a change of heart.

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Cast

Complete credited cast:
...
Tore Svennberg ...
Magnus Barring
Anders Henrikson ...
Dr. Wegert
Georg Rydeberg ...
Torsten Barring
Gunnar Sjöberg ...
Harald Berg
Hilda Borgström ...
Emma
Karin Kavli ...
Mrs. Wegert (as Karin Carlson-Kavli)
Erik 'Bullen' Berglund ...
Nyman (as Erik Berglund)
Sigurd Wallén ...
Miller
Gösta Cederlund ...
The Count
Magnus Kesster ...
Handsome Herman
Göran Bernhard ...
Lars-Erik Barring
Bror Bügler ...
Georg Mark
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Storyline

When she was a child, Anna Holm burned her face. This destroyed her looks, and she has become a mean and bitter woman. She and her 'friends' are black-mailers. One of the victims pay her by letting a plastic surgeon, doctor Wegert, make her beautiful again. Anna becomes a new person and leave the others. She becomes a governess for a young boy, who will inherit a fortune. The boy has an evil uncle, who wants to see the boy dead, so that he will inherit the fortune. He hires Anna's former colleagues as assassins. Written by Mattias Thuresson

Plot Summary | Add Synopsis

Genres:

Drama

Certificate:

Unrated | See all certifications »
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Details

Country:

Language:

Release Date:

8 September 1939 (USA)  »

Also Known As:

A Woman's Face  »

Company Credits

Production Co:

 »
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Technical Specs

Runtime:

Sound Mix:

(Peterson Poulsen/AGA Baltic)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

Gustaf Molander had trouble with the ending. He stopped the filming for two days without getting any reasonable ideas. Finally, he asked Ingrid Bergman what she would think was the best. It was she who suggested the present ending. See more »

Connections

Remade as La mujer marcada (1957) See more »

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User Reviews

No comparison to the Hollywood version
22 April 2012 | by (United States) – See all my reviews

A few years ago I had the opportunity to see the two versions back to back on a big(ish) screen. It was a little film festival at Scandanvia House in NYC. They showed the original Swedish film first followed by the Hollywood monstrosity. There is just no comparison. Bergman is subtle and intense while Crawford is just Crawford. Don't get me wrong, JC was an amazing animal, but I would never call her a disciplined actor. She's all instinct and big, bold strokes. She's like an impressionist painting. You have to step back to see it. Up close it's just an ugly mess. Bergman, on the other hand, is like that Fragonard painting of the girl on the swing, with all the detail, depth and color. Each time you look at it, you see something different that you missed the last time.


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