Years after her aunt was murdered in her home, a young woman moves back into the house with her new husband. However, he has a secret that he will do anything to protect, even if means driving his wife insane.
Karen, a young woman from the Baltic countries, marries fisherman Antonio to escape from a prisoners camp. But the life in Antonio's village, Stromboli, threatened by the volcano, is a tough one and Karen cannot get used to it.
Catherine and Alexander, wealthy and sophisticated, drive to Naples to dispose of a deceased uncle's villa. There's a coolness in their relationship and aspects of Naples add to the strain.... See full summary »
Three stories about the lives and loves of those who own a certain yellow Rolls-Royce: **First purchased by the Marquess of Frinton for his wife as a belated anniversary present, the ... See full summary »
Irene Girard is an ambassador's wife and used to always live in luxury. After the dramatic death of her son, she feels guilty of having neglected him and feels compelled to help people in ... See full summary »
When she was a child, Anna Holm burned her face. This destroyed her looks, and she has become a mean and bitter woman. She and her 'friends' are black-mailers. One of the victims pay her by letting a plastic surgeon, doctor Wegert, make her beautiful again. Anna becomes a new person and leave the others. She becomes a governess for a young boy, who will inherit a fortune. The boy has an evil uncle, who wants to see the boy dead, so that he will inherit the fortune. He hires Anna's former colleagues as assassins. Written by
Gustaf Molander had trouble with the ending. He stopped the filming for two days without getting any reasonable ideas. Finally, he asked Ingrid Bergman what she would think was the best. It was she who suggested the present ending. See more »
This film, which was the original 1938 Swedish version of A WOMAN'S FACE (1941) later popularized by Joan Crawford at MGM. This original version made its US TV debut on Turner Classic Movies this past Friday night. Ingrid Bergman, before she came to America, is the lead as Anna Holm, a scarred black mailer who undergoes plastic surgery that changes her path and outlook on life. It's kind of hard to know if the acting is brilliant or not since it is all in Swedish with English subtitles, but the film holds your interest. It is different in many ways than the 1941 version, but also similar in others. Bergman's performance is comparable to Crawford's, but Bergman's disfigurement is more brutally realistic as are the stark atmosphere and settings in this version; MGM gave their version the usual glamour treatment. Overall, the film deserves 3 out of 4 stars and it's wonderful to finally see this on American TV.
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