Catherine and Alexander, wealthy and sophisticated, drive to Naples to dispose of a deceased uncle's villa. There's a coolness in their relationship and aspects of Naples add to the strain.... See full summary »
In this adaptation of Françoise Sagan's best selling novel, Paula is a beautiful and highly successful 40-year-old businesswoman. She is deeply in love with Roger, her mature consort of ... See full summary »
Anna Kalman is a London based actress. She has been unable to find love in her life. The reason why she came home early from a vacation to Majorca fits into that theme, as the man she met ... See full summary »
Years after her aunt was murdered in her home, a young woman moves back into the house with her new husband. However, he has a secret that he will do anything to protect, even if it means driving his wife insane.
Irene Girard is an ambassador's wife and used to always live in luxury. After the dramatic death of her son, she feels guilty of having neglected him and feels compelled to help people in ... See full summary »
Helen Lester is in love with a man she has known just 24 hours, a playboy who spent time in jail for passing bad checks. Though the man has promised to change, most of her straitlaced ... See full summary »
When she was a child, Anna Holm burned her face. This destroyed her looks, and she has become a mean and bitter woman. She and her 'friends' are black-mailers. One of the victims pay her by letting a plastic surgeon, doctor Wegert, make her beautiful again. Anna becomes a new person and leave the others. She becomes a governess for a young boy, who will inherit a fortune. The boy has an evil uncle, who wants to see the boy dead, so that he will inherit the fortune. He hires Anna's former colleagues as assassins. Written by
Gustaf Molander had trouble with the ending. He stopped the filming for two days without getting any reasonable ideas. Finally, he asked Ingrid Bergman what she would think was the best. It was she who suggested the present ending. See more »
The magic of Ingrid Bergman seems to be missing in this movie. Where is her natural talent for acting, that was so evident in Intermezzo? It sounds like she is on a stage, but perhaps you need to understand Swedish to fully hear how artificial her lines sounds. Bergman as a bitter blackmailer does not convince me one bit. The best acting is done by supporting actor Tore Svennberg as the old factory owner, an actor who reminds of British actor C. Aubrey Smith. Another supporting actor, Georg Rydeberg as the heir-not-to-be, was told in acting school that he had absolutely no talent for acting. I wouldn't go that far, but his acting is still undeveloped, .
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