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A Woman's Face (1938)
"En kvinnas ansikte" (original title)

Unrated  |   |  Drama  |  8 September 1939 (USA)
7.2
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Ratings: 7.2/10 from 326 users  
Reviews: 7 user | 4 critic

Embittered woman, leader of a criminal gang, has a change of heart.

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Title: A Woman's Face (1938)

A Woman's Face (1938) on IMDb 7.2/10

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Cast

Complete credited cast:
...
Tore Svennberg ...
Anders Henrikson ...
Georg Rydeberg ...
Gunnar Sjöberg ...
Hilda Borgström ...
Emma
Karin Kavli ...
Mrs. Wegert (as Karin Carlson-Kavli)
Erik 'Bullen' Berglund ...
Nyman (as Erik Berglund)
Sigurd Wallén ...
Miller
Gösta Cederlund ...
The Count
Magnus Kesster ...
Göran Bernhard ...
Bror Bügler ...
Georg Mark
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Storyline

When she was a child, Anna Holm burned her face. This destroyed her looks, and she has become a mean and bitter woman. She and her 'friends' are black-mailers. One of the victims pay her by letting a plastic surgeon, doctor Wegert, make her beautiful again. Anna becomes a new person and leave the others. She becomes a governess for a young boy, who will inherit a fortune. The boy has an evil uncle, who wants to see the boy dead, so that he will inherit the fortune. He hires Anna's former colleagues as assassins. Written by Mattias Thuresson

Plot Summary | Add Synopsis

Genres:

Drama

Certificate:

Unrated | See all certifications »
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Details

Country:

Language:

Release Date:

8 September 1939 (USA)  »

Also Known As:

A Woman's Face  »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Peterson Poulsen/AGA Baltic)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

Gustaf Molander had trouble with the ending. He stopped the filming for two days without getting any reasonable ideas. Finally, he asked Ingrid Bergman what she would think was the best. It was she who suggested the present ending. See more »

Connections

Remade as La mujer marcada (1957) See more »

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User Reviews

 
Not much different from the hollywood version
27 July 2002 | by See all my reviews

Well, it has a European feel and does not hinge itself on a court-case melodrama like the Joan Crawford version which is molded in the shape of the weepies of the twenties, thirties and forties hollywood. Bergman is not very good in this, especially when her face is scarred. Her performance is a bit too bitter, too harsh, a little exaggerated. She is much better when her face has been reconstructed and gently turning heel and keel as the boy's nanny. An ending of doubt and uncertainty which marks this version is missing from the Hollywood version. I would say the hollywood version is much more perfect and rounded; and definitely, Joan Crawford's performance is better. You can only change the outside, it is only you that can change the inside, is the core/moral of both versions and in that way, both of the stories succeed. One is done with Hollywood cliches and the other with the Swedish/Nordic arty/ realist style of European cinema. Both are different by the look but at heart the same movie.


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