| Photos (see all 25 | slideshow) | Videos |
| Bette Davis | ... | Julie | |
| Henry Fonda | ... | Preston Dillard | |
| George Brent | ... | Buck Cantrell | |
| Margaret Lindsay | ... | Amy | |
| Donald Crisp | ... | Dr. Livingstone | |
| Fay Bainter | ... | Aunt Belle | |
| Richard Cromwell | ... | Ted | |
| Henry O'Neill | ... | General Bogardus | |
| Spring Byington | ... | Mrs. Kendrick | |
| John Litel | ... | Jean La Cour | |
| Gordon Oliver | ... | Dick Allen | |
| Janet Shaw | ... | Molly Allen | |
| Theresa Harris | ... | Zette | |
| Margaret Early | ... | Stephanie Kendrick | |
| Irving Pichel | ... | Huger | |
| Eddie 'Rochester' Anderson | ... | Gros Bat (as Eddie Anderson) | |
| Matthew 'Stymie' Beard | ... | Ti Bat (as Stymie Beard) | |
| Lew Payton | ... | Uncle Cato | |
| Georges Renavent | ... | De Lautruc (as George Renavent) | |
| rest of cast listed alphabetically: | |||
| Trevor Bardette | ... | Sheriff at Plantation (uncredited) | |
| Al Bridge | ... | New Orleans Sheriff (uncredited) | |
| Maurice Brierre | ... | Drunk (uncredited) | |
| Daisy Bufford | ... | Flower Girl (uncredited) | |
| Frederick Burton | ... | First Director (uncredited) | |
| Georgia Caine | ... | Mrs. Petion (uncredited) | |
| Davison Clark | ... | Deputy Sheriff (uncredited) | |
| Ann Codee | ... | Madame Poulard (uncredited) | |
| Frank Darien | ... | Bookkeeper (uncredited) | |
| Suzanne Dulier | ... | Midinette (uncredited) | |
| Jack George | ... | Orchestra Leader (uncredited) | |
| Jesse Graves | ... | Servant (uncredited) | |
| George Guhl | ... | Fugitive Planter (uncredited) | |
| John Harron | ... | Jenkins (uncredited) | |
| Stuart Holmes | ... | Doctor at Duel (uncredited) | |
| Dolores Hurlic | ... | Errata (uncredited) | |
| Philip Hurlic | ... | Erronens (uncredited) | |
| Fred Lawrence | ... | Bob (uncredited) | |
| Sam McDaniel | ... | Driver (uncredited) | |
| Edward McWade | ... | Second Director (uncredited) | |
| Louis Mercier | ... | Bar Companion (uncredited) | |
| Charles Middleton | ... | Officer (uncredited) | |
| Jack Norton | ... | Drunk (uncredited) | |
| Tony Paton | ... | Drunk (uncredited) | |
| Cliff Saum | ... | Ball Assistant Director (uncredited) | |
| Jacques Vanaire | ... | Durette (uncredited) | |
| Charles Wagenheim | ... | Customer (uncredited) | |
Directed by | |||
| William Wyler | |||
Writing credits | ||
| Owen Davis | (play "Jezebel") (as Owen Davis Sr.) | |
| Clements Ripley | (screenplay) & | |
| Abem Finkel | (screenplay) and | |
| John Huston | (screenplay) | |
| Robert Buckner | contributor to screenplay construction (uncredited) | |
| Louis F. Edelman | contributor to treatment (uncredited) | |
Produced by | |||
| William Wyler | .... | producer | |
| Henry Blanke | .... | associate producer (uncredited) | |
| Hal B. Wallis | .... | executive producer (uncredited) | |
Original Music by | |||
| Max Steiner | |||
Cinematography by | |||
| Ernest Haller | (photography by) | ||
Film Editing by | |||
| Warren Low | |||
Art Direction by | |||
| Robert M. Haas | (as Robert Haas) | ||
Costume Design by | |||
| Orry-Kelly | |||
Makeup Department | |||
| Carl Axzelle | .... | makeup artist (uncredited) | |
| Margaret Donovan | .... | hair stylist (uncredited) | |
| Karl Herlinger | .... | makeup artist (uncredited) | |
| Hal Lierley | .... | hair stylist (uncredited) | |
| Bert Sutch | .... | makeup artist (uncredited) | |
Production Management | |||
| Robert Fellows | .... | unit manager (uncredited) | |
Second Unit Director or Assistant Director | |||
| John Huston | .... | second unit director (uncredited) | |
| Arthur Lueker | .... | second assistant director (uncredited) | |
| Bob Ross | .... | assistant director (uncredited) | |
Art Department | |||
| Fred M. MacLean | .... | set dresser (uncredited) | |
| Pat Patterson | .... | props (uncredited) | |
| George Sweeney | .... | assistant props (uncredited) | |
Sound Department | |||
| Robert B. Lee | .... | sound | |
| B. Berry | .... | sound recordist (uncredited) | |
| J. Jensen | .... | boom operator (uncredited) | |
| Frank Weixel | .... | sound recordist (uncredited) | |
Stunts | |||
| Audrey Scott | .... | stunt double: Bette Davis (uncredited) | |
Camera and Electrical Department | |||
| Cecil Craig | .... | gaffer (uncredited) | |
| Mack Elliott | .... | still photographer (uncredited) | |
| Bob Galbraith | .... | best boy (uncredited) | |
| Al Roberts | .... | second camera operator (uncredited) | |
| B. Weiler | .... | assistant camera (uncredited) | |
| Stanley Young | .... | grip (uncredited) | |
Costume and Wardrobe Department | |||
| Ida Greenfield | .... | wardrobe (uncredited) | |
| Bert Soter | .... | wardrobe: men (uncredited) | |
Music Department | |||
| Leo F. Forbstein | .... | musical director | |
| Hugo Friedhofer | .... | orchestrator (uncredited) | |
Other crew | |||
| Dalton S. Reymond | .... | technical advisor | |
| Freda Rosenblatt | .... | script clerk (uncredited) | |
| Robert S. Taplinger | .... | publicity director (uncredited) | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
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"Jezebel" was filmed at a time when color films were still rare.And it's really a pity ,because the scene of the red dress ,lavishly filmed by William Wyler,deserved it.No one films the ball scenes like Wyler used to do (think of that in "Wuthering Heights")Even if they did a remake in color anyway,it would be hard to find another Bette Davis.She gives a first-class performance .Take for instance the scene when Pres (Fonda) introduces Amy to Julie.Davis's attitude is remarkable in its suppressed anger and hatred.I cannot think of another actress playing like this.Davis also shines during the dinner when Buck speaks of the traitor Garrison,and she makes veiled hints at another treason.Mad jealousy emerges again when she regrets that women are not allowed to fight a duel.
Outside the ball scene,which is worth the price of admission alone,the scene when Davis sings with the children is still impressive today.But the yellow fever (jack) epidemic ,with its wagons full of bodies en route to the leprosaria (the Lazaret)can also still grab today's audience.