Popular and beautiful Fanny Trellis is forced into a loveless marriage with an older man, Jewish banker Job Skeffington, in order to save her beloved brother Trippy from an embezzlement charge and predictable complications result.
When lovely and virtuous governess Henriette Deluzy comes to educate the children of the debonair Duc de Praslin, a royal subject to King Louis-Philippe and the husband of the volatile and ... See full summary »
Set in antebellum New Orleans during the early 1850's, this film follows Julie Marsden through her quest for social redemption on her own terms. Julie is a beautiful and free spirited, rapacious Southern belle who is sure of herself and controlling of her fiancé Preston Dillard, a successful young banker. Julie's sensitive but domineering personality--she does not want so much to hurt as to assert her independence--forces a wedge between Preston and herself. To win him back, she plays North against South amid a deadly epidemic of yellow fever which claims a surprising victim. Written by
Adam Brodsky <email@example.com>
Early in the film, Preston storms up to Julie's bedroom and knocks hard on her door several times with his cane. The head of the cane seemingly leaves numerous dents in the wood. When Julie finally opens the door (inward into the bedroom), the dents have disappeared. See more »
Why, Pres. Bangin' on a lady's door. I'm scandalized at you. Well, did you come up here just to stand there?
Julie, how long must we go on like this?
Like what, Pres?
Fightin', fussin' all the time, like a couple of children.
Why do you treat me like a child?
Because you act like one. A spoiled one.
You used to say you liked me like that once. You never wanted me to change. Remember?
[after he kisses her]
Why, Pres. In a lady's bedroom. Now you'll have to marry me.
What do you figure I ...
[...] See more »
The credits are blurred across the screen See more »
One Of Bette Davis's Most Memorable Performances - & Fonda Is Pretty Good Too
Bette Davis gives one of her most memorable performances in this atmospheric melodrama, and Henry Fonda, her co-star, is pretty good as well. They and the rest of the cast make good use of the opportunities in the story, which centers around Davis's turbulent character. William Wyler pieces it all together effectively with good story-telling.
The character of the headstrong Julie (Davis) could easily become a cliché, but Davis gives her depth and presence, while also effectively portraying her spirited nature. She's unpredictable, yet her nature remains consistent. She leaves you guessing as to exactly what she is up to and what her motivations are, especially towards the climactic scenes.
Henry Fonda should not be overlooked. He does not get as many chances for dramatics, but his role is important in providing a complement for Davis. The supporting cast, which includes George Brent, Spring Byington, and Donald Crisp, also helps out.
The atmosphere in the Deep South also works well, and it used effectively in the story. The climactic sequence ties the setting and characters together well, and it leaves a memorable impression when it is over.
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