Lamont Cranston (Rod La Rocque), amateur criminologist and detective, with a daily radio program, sponsored by the Daily Classic newspaper, has developed a friendly feud that sometimes ... See full summary »
Three lonely people depend on each other when they get stranded at a deserted gas station in a blizzard. Floyd is a truck driver balancing on the edge of lunacy. He is the caring father of ... See full summary »
People are literally flying off balconies to their deaths as Lamont Cranston, aka the Shadow, tries to make sense out of a confusing jumble of murders, disappearances, jewels that aren't ... See full summary »
Baby photographer Ronnie Jackson, on death row in San Quentin, tells reporters how he got there: taking care of his private-eye neighbor's office, Ronnie is asked by the irresistible ... See full summary »
A newly hired executive for a multinational corporation, Larry Sorenson is kidnapped at gunpoint. The hostage takers send video demands directly to Larry's wife, Elizabeth demanding the ... See full summary »
Lamont Cranston (Rod La Rocque), amateur criminologist and detective, with a daily radio program, sponsored by the Daily Classic newspaper, has developed a friendly feud that sometimes passes the friendly stage with Police Commissioner Weston (Thomas E. Jackson). He complains to his managing editor, Edward Heath (Oscar O'Shea), over the problems that have developed in his department since Phoebe Lane (Astrid Allwyn) has been hired as his assistant. He is advised to forget it since she is the publisher's niece. During his broadcast about Honest John (William Pawley), a famous safe cracker who has served his time, Phoebe gives him a note that the Metropolitan Theatre is to be robbed at eight o'clock and she is so insistent that he adds it as his closing note. Off the air, he learns she got the information from a man she met in a café who had an honest face. Cranston goes to the theatre where Weston and his men have gathered and, of course, nothing happens but, across town, a safe is ... Written by
Les Adams <email@example.com>
This time the Shadow has a radio show. Everyone seems to know he is LaMont Cranston. He is at the behest of radio executives and newspaper men and always seems to have trouble getting to the studio on time. There is so much potential in the Shadow's character to come up with a first rate noir film. What do we get. A poor man's Nick Charles who is glib and silly. A plot that is, at best, confusing. There are characters coming at each other from all directions, but ultimately the Shadow knows. He is unflappable and self centered. The problem is that above all else he is dull and uninteresting. I would bet you that given a 1930's audience and a slight rewrite of the screenplay, no one would even know this movie is based on the wonderful old radio show.
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