College sweethearts Julie and Ives have planned to marry as soon as school is over. Their plans go amiss when Julie meets a weak writer and runs off to marry him. After her husband dies, ... See full summary »
College sweethearts Julie and Ives have planned to marry as soon as school is over. Their plans go amiss when Julie meets a weak writer and runs off to marry him. After her husband dies, she's left in Paris, penniless and with a daughter to support. She decides to return to her home town with the intent to renew her romance with Ives. His family and a scheming co-ed vow to avert a reunion of the two... Written by
Daniel Bubbeo <firstname.lastname@example.org>
Joshua Logan was promoted from dialogue director to co-director for this clunky soap opera, probably on the basis of his connection with co-star Henry Fonda -- Logan had directed him when they were students at Princeton.
The story, about how Fonda and Joan Bennett had been lovers in college, then had separated for a decade, she to Europe and motherhood, he to academia, has some fine points, including the performances -- the actors are straightforward and believable. However, the details of the production overwhelm this winning simplicity, including distractions from the set design and an over-the-top score by Heinz Roemheld.
There's a fine supporting cast who are permitted to emote strongly; May Witty as Bennett's aunt, Alan Marshall as her wastrel husband, Louise Platt as the student who loves Fonda and Tim Holt as Louise's would-be boyfriend. However, they all seem a distraction from the central story and characters and render this watchable for the stars but little else.
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