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A group of stable hands is given a race horse when its owner retires from the business. (The group is played by the "Original Sing Band," which uses their mouths to sound like musical ... See full summary »

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Cast

Cast overview, first billed only:
The Original Sing Band ...
Singing Stablehands
...
Charlie Ruggles (as Charlie Ruggles)
...
...
Stuart Erwin
...
June Collyer
Charles Butterworth ...
Charlie Butterworth (as Charlie Butterworth)
...
Al Jolson
...
Ruby Keeler
Edgar Bergen ...
...
Dorothy Lamour
...
Bing Crsoby
...
Robert Montgomery
...
Edmund Lowe
Billy 'Red' Jones ...
Santa Anita Jockey (as Red Jones)
...
Warner Baxter
Edit

Storyline

A group of stable hands is given a race horse when its owner retires from the business. (The group is played by the "Original Sing Band," which uses their mouths to sound like musical instruments.) They raise money to run the horse in the Hollywood Derby at Santa Anita race track. Many Hollywood personalities attend the event. Written by David Glagovsky <dglagovsky@prodigy.net>

Plot Summary | Add Synopsis

Plot Keywords:

race | horse | band | singer | singing | See All (16) »

Taglines:

See a galaxy of stars at Santa Anita

Genres:

Short | Comedy | Music

Certificate:

Passed | See all certifications »
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Details

Country:

Language:

Release Date:

28 May 1938 (USA)  »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(RCA)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Crazy Credits

The racetrack announcer identifies all the credited cast members following The Original Sing Band. See more »

Soundtracks

Pickin' a Rib
(uncredited)
Written by Leon René and Otis René
Performed by The Original Sing Band
See more »

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User Reviews

 
Do not ignore this film just because of its stereotypes--it's an interesting and important little time capsule
25 November 2006 | by (Bradenton, Florida) – See all my reviews

While I was not originally going to watch this musical short since I usually hate musical shorts, I decided to see it when I saw that it was directed by none other than Buster Keaton!! It was obvious looking at Keaton's career that MGM had absolutely no idea how to use his many talents. Starting in the sound era, MGM did practically everything they could to unintentionally waste his talents. The first was pairing the visual comic with the loud, brash and pretty obnoxious Jimmy Durante. Their styles had absolutely nothing in common and Keaton just looked lost in the films--and worst of all, they weren't funny. It was so bad that by the late 1930s, he all but disappeared from the screen except in bit roles. MGM didn't know what to do with this contracted player, so they assigned him to direct some shorts. And the short, overall, is good and achieves what it intended--a short and amiable musical interlude before or between features. However, fans looking for a short that transcends this limited goal (such as Keaton's silent shorts) will be disappointed.

In addition, the film is in some ways uncomfortable to watch here in the 21st century and is an important history lesson. The singing group in the film is made up of some talented Black men who, at times, act pretty stereotypical for the time period. Blacks were not often seen in mainstream films of the era, but when they did they were usually servants or child-like "boys" who could sing and dance. The singing is excellent and catchy, but you can't help but feel that the film is patronizing and these men are allowed to act within very prescribed limits--the characters can't have depth or anguish--they must enjoy being exactly who they are and nothing more.

This short isn't quite as good as a previous one I saw featuring the band entitled "STREAMLINE SWING", but it's still an interesting little curio. The men in the band work at the race track. Because of their hard work and decency, the owner of a race horse gives them his prized horse! They envision great wealth, but the plot doesn't exactly work out as they expected! Along the way, there's a lot of decent singing and energy. These men were talented--it's just a darn shame the only films they were offered were so very limited and stereotypical.


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