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Have You Got Any Castles? (1938)

Approved  |   |  Family, Musical, Animation  |  25 June 1938 (USA)
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Ratings: 7.0/10 from 383 users  
Reviews: 15 user | 1 critic

Another entry in the "books come alive" subgenre, with possibly more books coming alive than any other. We begin with some musical numbers, notably the various pages of Green Pastures all ... See full summary »


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Uncredited cast:
Town Crier / Praying Baby / Rip Van Winkle / Emily Host / Alladin (voice) (uncredited)
The Four Blackbirds ...
Vocal Group (archive sound) (uncredited)
Delos Jewkes ...
Old King Cole (voice) (uncredited)
Tedd Pierce ...
W. C. Fields (voice) (uncredited)
Georgia Stark ...
Whistler's Mother / Heidi (voice) (uncredited)


Another entry in the "books come alive" subgenre, with possibly more books coming alive than any other. We begin with some musical numbers, notably the various pages of Green Pastures all joining in on a song, The Thin Man entering The White House Cookbook and exiting much fatter, and The House of Seven (Clark) Gables singing backup to Old King Cole. The Three Musketeers break loose, become Three Men on a Horse, grab the Seven Keys to Baldpate, and set the Prisoner of Zenda free. They are soon chased by horsemen from The Charge of the Light Brigade and Under Two Flags and beset by the cannons of All Quiet on the Western Front. All this disturbs the sleep of Rip Van Winkle, who opens Hurricane so that everyone is (all together now) Gone with the Wind. Written by Jon Reeves <>

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Release Date:

25 June 1938 (USA)  »

Also Known As:

Have You Got Any Castles  »

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Aspect Ratio:

1.37 : 1
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Did You Know?


The globe on the cover of Pearl Buck's book "The Good Earth" requests blessings for people in his family, including "Papa Leon and Uncle Ray." This is in reference to Leon Schlesinger, who was the executive producer of the Warner Brothers Looney Tunes/Merrie Melodies cartoons up until 1944, and Raymond Katz, Schlesinger's brother-in-law, who also worked in the cartoon studio. See more »


Rip Van Winkle: Old King Cole is a noisy old soul.
See more »


References The Prisoner of Zenda (1937) See more »


Have You Got Any Castles, Baby?
Music by Richard A. Whiting
Lyrics by Johnny Mercer
Played when the audience first cheers and claps and at the end
Sung by the Three Musketeers and others
See more »

Frequently Asked Questions

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User Reviews

A thumbnail sketch of the typical 1938 moviegoer
22 May 1999 | by (Toronto, Canada) – See all my reviews

As entertainment, this cartoon is really just a sequence of throwaway gags. Characters from literature and popular fiction participate in a series of mostly bad visual puns. That's the premise. The cartoon's interest actually lies elsewhere.

While we're ostensibly seeing a parody of great books, nearly every book referred to had been a film a few years prior to the release of the cartoon.

A few of the references unmistakably caricature the star of the earlier film: William Powell in "The Thin Man" series, Paul Muni in "The Story of Louis Pasteur", Charles Laughton as Captain Bligh, Edward Arnold as "Diamond Jim" Brady, Victor McLaglen as "The Informer".

Some of the gags have no real connection to the book and film: Heidi sings like Cab Calloway (hey, "Hi-De-Ho"). (And a movie audience of smirking hepcats would rather hear zoot-suited Cab than precocious Shirley Temple, anyway.) The reference to Ferber's "So Big" makes fun of a vain actress. (I'm not positive about that caricature. Katharine Hepburn perhaps? She had been box office poison for some time.) "So Red the Rose" is retitled "Nose" for a "poke" at W.C. Fields. That's not irreverent; that's an obvious buttress for his profitable screen persona.

It's plain to see that books as such are secondary. The jokes in effect are affirming a smug moviegoer's inexperience with actual literature by only showing what had been processed, and pasteurized, at the Hollywood film factory.

So we are really given a glimpse at what had succeeded in making an impression on the popular culture by 1938. As far as I can see, the films honoured by inclusion are all recent products of the studio system, with only a few exceptions.

One clearly British film is alluded to, "The 39 Steps" (1935). Does that imply that Hitchcock was making a real impact on the American mass market? Certainly Hitch came over to the States not long after 1938 (and he had made "Sabotage" in 1936 with an imported U.S. cast).

There is also what I take as a direct reference to the banquet scene from Alexander Korda's "The Private Life of Henry VIII" (1933). Henry Tudor may have been corpulent but he was noted more for his wives than for his feasting, which is why I think the brief reference to Henry evokes this film. Was Korda's film well known in its own right? Or was it simply due to the presence of Laughton, the only person seemingly parodied twice in this cartoon, once allusively in this British film, and once explicitly in "Mutiny on the Bounty", an American film?

Only one silent film unequivocally finds a place here. That's the Lon Chaney "Phantom of the Opera" from 1925, specifically its Masque of the Red Death episode with the Chaney character wearing his striking skull mask. Does that represent the fullest extent of the memories of 1938 picture show patrons?

There are a couple of books whose cinematic incarnations are not all that impressive on their own, and which cannot reasonably account for the books' inclusion here in pastiche form. Therefore one can conclude that "Robinson Crusoe" and "Uncle Tom's Cabin" were books that people were aware of as books. But the list really is that short. Hawthorne's "House of the Seven Gables" is here too. It had not been a film within recent memory. One suspects strongly that the pun potential was too great to let that one get away, not that Hawthorne was cresting a wave of popular adulation at the time.

Otherwise, practically the only book mentioned which had *never* been made into a movie was "Gone With The Wind". Hmm, is there any chance that that book became a popular film AFTER 1938?

In fact, was the Margaret Mitchell book slated for production already by that year? Surely the rights had been sold by then. The book was published in 1936 and was a phenomenon from the outset, a veritable Wirtschaftswunder, a happenstance hapax legomenon. Yeah, it was a popular read alright. So including it here with the other books would represent a foregone conclusion; there would definitely have to be a film sooner or later, and probably sooner.

John Ford's "Drums Along the Mohawk" (1939) may also fall into this category of publishing successes coming soon to a theatre near you. Cartoonists read the industry scuttlebutt in Variety too.

(Try this on for size: "Ub drubs pubs' flubs". (Hey, you think it's easy thinking up bogus Variety headlines? Just try it!) Interpret that as, "Animator lampoons foolish books".)

In conclusion then, I would characterize this unusual cartoon as a notable historical curiosity which should happen to have broad appeal for film buffs. It allows us to exercise our arcane movie knowledge. (Or should that be exorcise?)

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