The Great Waltz (1938) - News Poster


Witness the Evolution of Cinematography with Compilation of Oscar Winners

This past weekend, the American Society of Cinematographers awarded Greig Fraser for his contribution to Lion as last year’s greatest accomplishment in the field. Of course, his achievement was just a small sampling of the fantastic work from directors of photography, but it did give us a stronger hint at what may be the winner on Oscar night. Ahead of the ceremony, we have a new video compilation that honors all the past winners in the category at the Academy Awards

Created by Burger Fiction, it spans the stunning silent landmark Sunrise: A Song of Two Humans all the way up to the end of Emmanuel Lubezki‘s three-peat win for The Revenant. Aside from the advancements in color and aspect ration, it’s a thrill to see some of cinema’s most iconic shots side-by-side. However, the best way to experience the evolution of the craft is by
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Oscar predictions: 'The Revenant' cinematographer Emmanuel Lubezki will win record third in a row

Oscar predictions: 'The Revenant' cinematographer Emmanuel Lubezki will win record third in a row
The American Society of Cinematographers awarded Emmanuel Lubezki his third consecutive win for “The Revenant.” Should he repeat at the Oscars, he’ll be the first person in history to win Best Cinematography three years in a row, and will be one away from tying Leon Shamroy and Joseph Ruttenberg for the most overall wins in this category. Shamroy prevailed for “The Black Swan” [1942], “Wilson” [1944], “Leave Her to Heaven” [1945], and “Cleopatra” [1963]. And Ruttenberg was crowned champ for “The Great Waltz” [1938], “Mrs. Miniver” [1942], “Somebody Up There Likes Me” [1956], and “Gigi” [1958]. -Break- Subscribe to Gold Derby Breaking News Alerts & Experts’ Latest Oscar Predictions Lubezki competes at the Oscars against Ed Lachman (“Carol”), three-time Oscar champ Robert Richardson (“The Hateful Eight&r...
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Fiery Red-Head Hayward Is TCM's Star of the Month

Susan Hayward. Susan Hayward movies: TCM Star of the Month Fiery redhead Susan Hayward it Turner Classic Movies' Star of the Month in Sept. 2015. The five-time Best Actress Oscar nominee – like Ida Lupino, a would-be Bette Davis that only sporadically landed roles to match the verve of her thespian prowess – was initially a minor Warner Bros. contract player who went on to become a Paramount second lead in the early '40s, a Universal leading lady in the late '40s, and a 20th Century Fox star in the early '50s. TCM will be presenting only three Susan Hayward premieres, all from her Fox era. Unfortunately, her Paramount and Universal work – e.g., Among the Living, Sis Hopkins, And Now Tomorrow, The Saxon Charm – which remains mostly unavailable (in quality prints), will remain unavailable this month. Highlights of the evening include: Adam Had Four Sons (1941), a sentimental but surprisingly
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'Birdman' cinematographer Emmanuel Lubezki joins exclusive club with Oscar win

  • Hitfix
'Birdman' cinematographer Emmanuel Lubezki joins exclusive club with Oscar win
By winning the Best Cinematography Oscar for a second year in a row, "Birdman" director of photography Emmanuel Lubezki has joined a truly elite club whose ranks haven't been breached in nearly two decades. Only four other cinematographers have won the prize in two consecutive years. The last time it happened was in 1994 and 1995, when John Toll won for Edward Zwick's "Legends of the Fall" and Mel Gibson's "Braveheart" respectively. Before that you have to go all the way back to the late '40s, when Winton Hoch won in 1948 (Victor Fleming's "Joan of Arc" with Ingrid Bergman) and 1949 (John Ford's western "She Wore a Yellow Ribbon"). Both victories came in the color category, as the Academy awarded prizes separately for black-and-white and color photography from 1939 to 1956. Leon Shamroy also won back-to-back color cinematography Oscars, for Henry King's 1944 Woodrow Wilson biopic "Wilson" and John M. Stahl
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Luise Rainer, First Winner of Back-to-Back Oscars, Dies at 104

Luise Rainer, First Winner of Back-to-Back Oscars, Dies at 104
Luise Rainer, a star of cinema's golden era who won back-to-back Oscars but then walked away from a glittering Hollywood career, has died. She was 104. Rainer, whose roles ranged from the 1930s German stage to television's The Love Boat, died Tuesday at her home in London from pneumonia, said her only daughter, Francesca Knittel-Bowyer. "She was bigger than life and can charm the birds out of the trees," Knittel-Bowyer said. "If you saw her, you'd never forget her." The big-eyed, apple-cheeked Rainer gained Hollywood immortality by becoming the first person to win an acting Academy Award in consecutive years, taking
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Double Oscar Winning Actress Luise Rainer Dies at 104

Double Oscar Winning Actress Luise Rainer Dies at 104
Hollywood actress Luise Rainer, who won back-to-back Oscars in the 1930s, has died at the age of 104. Until her death, she was the oldest living Oscar winner. Rainer died of pneumonia Tuesday at her London home, according to daughter Francesca.

Rainer won her twin best actress Oscars for 1936 biopic “The Great Ziegfeld,” drawing the nod despite a fairly small role as impresario Florenz Ziegfeld’s first wife, and 1937’s “The Good Earth,” an adaptation of the novel by Pearl S. Buck in which the heavily, if charmingly, accented Austrian-German actress played a humble Chinese peasant.

The high expectations generated by her Oscar achievements did not, however lead to much further success in Hollywood. Some say the death of her producer at MGM, Irving Thalberg, as well as bad advice from her husband, the playwright Clifford Odets, contributed to the precipitous decline in her career.

Her first movie was “Escapade,” with William Powell.
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Daily | Luise Rainer, 1910 – 2014

"Actress Luise Rainer, who became the first winner of consecutive Oscars in the 1930s, has died at the age of 104," reports the BBC. Following her first Oscar for her performance in The Great Ziegfeld (1936), her second "came with The Good Earth in 1937, an adaptation of Pearl S. Buck's Pulitzer-winning novel set amid the Chinese civil war," notes the Guardian's Ian J. Griffiths. The AP: ""Rainer made several pictures in 1938, including Toy Wife and The Great Waltz, but she chafed under the studio system." TCM notes that in later years, "Rainer made sporadic stage and TV appearances through the years and developed her talents as a painter before returning for her 'second act' with 11 riveting screen minutes in Karoly Makk's The Gambler (1997)." » - David Hudson
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Oldest Oscar Winner - and First Consecutive Winner - Dead at 104

Luise Rainer dies at age 104: Rainer was first consecutive Oscar winner, first two-time winner in acting categories and oldest surviving winner (photo: MGM star Luise Rainer in the mid-'30s.) The first consecutive Academy Award winner, the first two-time winner in the acting categories, and, at age 104, the oldest surviving Oscar winner as well, Luise Rainer (Best Actress for The Great Ziegfeld, 1936, and The Good Earth, 1937) died at her London apartment on December 30 -- nearly two weeks before her 105th birthday. Below is an article originally posted in January 2014, at the time Rainer turned 104. I'll be sharing more Luise Rainer news later on Tuesday. January 17, 2014: Inevitably, the Transformers movies' director Michael Bay (who recently had an on-camera "meltdown" after a teleprompter stopped working at the Consumer Electronics Show) and the Transformers movies' star Shia Labeouf (who was recently accused of plagiarism) were mentioned -- or rather, blasted, in
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Cinema Centenarians: Among Oldest Film People Still Around Are Best Actress Oscar Winner; Actress with, gasp, Twilight Connection

Oldest person in movies? (Photo: Manoel de Oliveira) Following the recent passing of 1931 Dracula actress Carla Laemmle at age 104, there is one less movie centenarian still around. So, in mid-June 2014, who is the oldest person in movies? Manoel de Oliveira Portuguese filmmaker Manoel de Oliveira will turn 106 next December 11; he’s surely the oldest person — at least the oldest well-known person — in movies today. De Oliveira’s film credits include the autobiographical docudrama Memories and Confessions / Visita ou Memórias e Confissões (1982), with de Oliveira as himself, and reportedly to be screened publicly only after his death; The Cannibals / Os Canibais (1988); The Convent / O Convento (1995); Porto of My Childhood / Porto da Minha Infância (2001); The Fifth Empire / O Quinto Império - Ontem Como Hoje (2004); and, currently in production, O Velho do Restelo ("The Old Man of Restelo"). Among the international stars who have been directed by de Oliveira are Catherine Deneuve, Pilar López de Ayala,
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With Durbin Gone, Who's Still Around from the '30s?

Oscar winners Olivia de Havilland and Luise Rainer among movie stars of the 1930s still alive With the passing of Deanna Durbin this past April, only a handful of movie stars of the 1930s remain on Planet Earth. Below is a (I believe) full list of surviving Hollywood "movie stars of the 1930s," in addition to a handful of secondary players, chiefly those who achieved stardom in the ensuing decade. Note: There’s only one male performer on the list — and curiously, four of the five child actresses listed below were born in April. (Please scroll down to check out the list of Oscar winners at the 75th Academy Awards, held on March 23, 2003, as seen in the picture above. Click on the photo to enlarge it. © A.M.P.A.S.) Two-time Oscar winner and London resident Luise Rainer (The Great Ziegfeld, The Good Earth, The Great Waltz), 103 last January
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The Forgotten: The Love Rack

James M. Cain was introduced to the concept of the "love rack" by his friend, screenwriter Vincent Lawrence (Hands Across the Table, Peter Ibbetson). Cain recalled, "I haven't the faintest idea whether this is a rack on which the lovers are tortured, or something with pegs to hold the shining cloak of romance, or how the word figures in it," but he learned from Lawrence that what makes the balcony scene in Romeo and Juliet work is the balcony: the obstacle. The thing which separates the lovers and results in their being tormented with desire.

Cain had the idea of making the love story central to his narrative, rather than being "romantic interest," and to use it to tell a tale of murder. "Murder, I said, had always been written from its least interesting angle, which was whether the police catch the murderer." Cain instead wanted to show the development
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Luise Rainer Oscar Curse

In Mason Wiley and Damien Bona's Inside Oscar, Luise Rainer is quoted as saying the following about winning back-to-back Best Actress Academy Awards for The Great Ziegfeld (1936) and The Good Earth (1937): "The industry seemed to feel that having an Academy Award winner on their hands was sufficient to overcome bad story material, which was often handed out afterwards to a star under long-term contract." Of course, "bad story material" was handed to contract players regardless of whether or not they had won Academy Awards. Just ask Ann Sheridan, Olivia de Havilland, Myrna Loy, and all those who went on suspension because they refused what they saw as subpar screenplays. Also, Rainer herself didn't fare too badly in 1938, the year she received her second Academy Award: her three releases that year were Robert B. Sinclair's Dramatic School, with Alan Marshal and Paulette Goddard; Julien Duvivier's The Great Waltz,
See full article at Alt Film Guide »

Daily Briefing. Straub-Huillet and More on DVD and Blu-ray

  • MUBI
"Released in 1938 and now available in a remastered edition from the Warner Archive Collection, The Great Waltz was one of Louis B Mayer's frequent attempts to bring culture to the American masses by buying up wholesale lots of European talent," writes Dave Kehr in the New York Times. It's a "biographical fantasy woven, with no particular concern for the truth, around the figure of the Austrian composer Johann Strauss." And now out from New Yorker Video, "the 1975 film adaptation of Schoenberg's Moses und Aron by Jean-Marie Straub and Danièle Huillet stands in roughly the same relation to The Great Waltz as Schoenberg's dissonant, 12-tone compositions do to Strauss's infectious oom-pah-pahs. Schoenberg's unfinished opera is a work of the utmost sobriety and seriousness — a philosophical assertion of monotheism that confirmed Schoenberg's reconversion to Judaism — and it is presented by Straub and Huillet in a form that avoids any theatrical effects (or,
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Luise Rainer: Oldest Living (Two-Time) Oscar Winner Turns 102

Frank Capra, Luise Rainer, George Jessel Luise Rainer turns 102 today, January 12. She is the oldest living Academy Award winner in the acting categories, having won two consecutive Best Actress Oscars for The Great Ziegfeld (1936) and The Good Earth (1937). Because of both her longevity and the fact that Turner Classic Movies regularly shows nearly all of her films, the Dusseldorf-born (some sources say Vienna) Rainer is probably better known today than at any time since the 1940s, when she last starred in a Hollywood production: Frank Tuttle's now-forgotten Paramount resistance drama Hostages (1943). Before this ongoing revival, Rainer was best remembered as the two-time Oscar winner with a four-year film career (1935-1938), while her acting was generally dismissed as several notches below subpar. In fact, to many she served as one of the prime reminders of the unworthiness of the Academy Awards. As the oft-told story goes, when Raymond Chandler got
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Luise Rainer, 101, on TCM: The Great Ziegfeld, The Great Waltz, Dramatic School

Luise Rainer as Florenz Ziegfeld's wife Anna Held in Robert Z. Leonard's The Great Ziegfeld (I believe Virginia Bruce is the first girl on the left) (top); Luise Rainer in Julien Duvivier's The Great Waltz (bottom) Directed by Sidney Franklin, The Good Earth (1937) is on right now as Turner Classic Movies' first film presentation of an evening dedicated to two-time Academy Award winner Luise Rainer, who turns 101 today. [See also: Luise Rainer Turns 100 and Two-Time Oscar Winner Luise Rainer Interview on TCM.] The Good Earth is notable as one of the most expensive Hollywood productions of the 1930s ($2.8m) and the only film to carry Irving G. Thalberg's name — in a dedication at the beginning of the film. Initially as MGM's second-in-command and later as the head of one of the studio's producing units, Thalberg was responsible for dozens of the studio's films from the mid-1920s to his [...]
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Steinfeld Wouldn’T Be First To Be Nominated–Or Win–For Film Debut

It now appears to be more likely than not that Hailee Steinfeld, the 14-year-old actress who makes her big screen debut in the Coen brothers’ critically and commercially successful Western “True Grit,” will score an Oscar nomination — and perhaps even a win — in one category or another for her film-stealing performance. Consequently, some of you may be wondering if any other newcomer has ever earned that kind of recongition over the 82 year history of the Academy Awards. The answer is yes — in fact, it has happened precisely 47 times, 16 in lead and 31 in supporting.

Some of those women were famous before they received their nods (i.e. Jennifer Hudson and Barbra Streisand); most were not (i.e. Mary Badham and Gabby Sidibe). Some never made another movie after they received their nods (i.e. Jocelyne Lagarde); some made a few and then dropped off the face of the earth (i.e.
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