Going Places (1938)A sports store clerk poses as a famous jockey as an advertising stunt, but gets more than he bargained for. Director:Ray Enright |
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Going Places (1938)A sports store clerk poses as a famous jockey as an advertising stunt, but gets more than he bargained for. Director:Ray Enright |
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| Cast overview, first billed only: | |||
| Dick Powell | ... |
Peter Mason aka Peter Randall
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| Anita Louise | ... |
Ellen Parker
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| Allen Jenkins | ... |
Droopy
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| Ronald Reagan | ... |
Jack Withering
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Walter Catlett | ... |
Franklin Dexter
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Harold Huber | ... |
Maxie Miller
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Larry Williams | ... |
Frank Kendall
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Thurston Hall | ... |
Col. Harvey Withering
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Minna Gombell | ... |
Cora Withering
(as Minna Gombel)
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Joyce Compton | ... |
Joan - the Colonel's Mistress
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Robert Warwick | ... |
Walter Frome
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John Ridgely | ... |
Mayfield Inn Desk Clerk
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Joe Cunningham | ... |
Hotel Night Clerk
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| Eddie 'Rochester' Anderson | ... |
George - a Groom
(as Eddie Anderson)
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George Reed | ... |
Sam - Withering's Butler
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Mr. Mason is a salesman at Detridge & Frome who wants to advertise their line of riding clothes. Since they have the rights to famous jockey Peter Randall, who is in Australia, Peter will impersonate him at the Steeple Chase. At the event, he is invited to a party by Cora and sees young Ellen. Since all Ellen and Peter have in common is horses, he continues the charade to woo her. But two gamblers named Maxie and Duke, try to make money on the race by fixing him up with the wild 'Jeepers Creepers'. That horse can jump high and run like the wind, but he will only calm down enough to be ridden when Gabriel plays his trumpet. Written by Tony Fontana <tony.fontana@spacebbs.com>
This is a very forgettable though enjoyable little film that has a lot going for it as well as a lot to hate. It's a very mixed bag, that's for sure! First, what to like. Dick Powell plays a nice likable guy (as usual) and there is some decent comedy in the film. It's the sort of nice time-passer they made so well during the era--a mindless but fun little bit of escapism. Plus, you do get to see a very early performance by Ronald Reagan as well as Louis Armstrong. Of the two, Armstrong definitely comes off best, as his singing is great and you are left wondering why he didn't make more films during the 1930s. Reagan is there mostly as window dressing and has little to do. He's not bad, but also not particularly noticeable.
Now for the bad. If you are looking for a film to show your politically correct friends or to show to a local chapter of the NAACP, keep looking! Most of the Black people in the film are the typical stereotypical happy singing idiots that Hollywood loved during the 30s and 40s. It's sad to see Louis Armstrong, for instance, forced to play such a demeaning part--he was better than this. Also, the plot itself was majorly lame--really, really lame! Many films back then loved the idea of an animal or athlete responding magically to music. Most often it's a particular tune that makes the animal/athlete respond. In this case, the horse 'Jeepers Peepers' responds when he hears the song named for him. In the case of the Three Stooges, it was 'Pop Goes the Weasel' that made Curly box like a madman. There are countless other examples, but regardless this is a terribly contrived and stupid story element. Finally, although it's not as big a concern, it was awfully dumb to have Dick Powell playing an Aussie--especially since he sounded less Australian than Louis Armstrong or the horse!! Still, despite these many bad parts of the film, there are many genuinely good moments and you can't help but like Powell--no matter how contrived it all is.