6.0/10
135
8 user 1 critic

Girls' School (1938)

Approved | | Comedy | 30 September 1938 (USA)
A student monitor at a girls' school reports one of the popular girls for staying out late and faces the scorn of her fellow pupils.

Director:

Writers:

(screen play), (screen play) | 1 more credit »
Reviews
Nominated for 1 Oscar. See more awards »
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Cast

Cast overview, first billed only:
...
Natalie Freeman
...
Linda Simpson
...
Michael Hendragin
Dorothy Moore ...
Betty Fleet
...
Miss Laurel
...
Miss Armstrong
Margaret Tallichet ...
Gwennie
...
Myra
...
Edgar
...
George
...
Miss Brewster
...
Mr. Simpson
...
...
Miss Brackett
...
Miss MacBeth
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Storyline

A student monitor at a girls' school reports one of the popular girls for staying out late and faces the scorn of her fellow pupils.

Plot Summary | Add Synopsis

Taglines:

With 50 beautiful stars of tomorrow.

Genres:

Comedy

Certificate:

Approved | See all certifications »
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Details

Country:

Language:

Release Date:

30 September 1938 (USA)  »

Also Known As:

The Romantic Age  »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(RCA Victor High Fidelity Sound System)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

Ann Doran (Miss Smith) and Franklin Pangborn (M'sieur) are in studio records/casting call lists for those roles, but they did not appear or were not identifiable in the movie. See more »

Soundtracks

Bridal Chorus (Here Comes the Bride)
(1850) (uncredited)
from "Lohengrin"
Written by Richard Wagner
Sung a cappella by Nan Grey
Also in the score near the end
See more »

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User Reviews

 
I recommend this film strongly to anyone with a genuine love of cinema
17 November 2007 | by See all my reviews

What is there to possibly say about a film with such depth, such breadth and such vision? Bringing to mind the work of a young Howard Hawks, the breathtaking scope of the 1938 Girls' School leaves this reviewer baffled as to the lack of attention it received from that year's Academy Awards - perhaps the consequence of being light years ahead of its time in both theme and content. Even so, the incredible, timeless cinematography should have made it a cast-iron certainty for recognition.

Perhaps it was also a consequences of the Academy's well-known reluctance to recognize comedic brilliance, as few films can have tickled the ribs of so many as this work of outstanding genius.

I recommend this film strongly to anyone with a genuine love of avant-garde cinema, and anyone who wants to see a sure fire winner for all the family.


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