Rene is broke and Kay is a rich actress visiting Paris. They meet, share a cab and dinner. He is smitten by her, but she leaves for London and he follows. At her house, when he cooks the ... See full summary »
A relationship gradually develops between a savvy New York street girl and a good-hearted cab driver--who first meet when she stiffs him for the fare--but other matters keep getting in their way, including financial problems and a murder.
An elderly couple move into an old, supposedly haunted abandoned house. A young girl comes to live with the pair as a companion for the wife. However, soon the girl is possessed by the ... See full summary »
With time on his hands during a business trip, Jimmy Decker (who's engaged to his boss's daughter) romances small-town church organist Marion Cullen, who follows him to New York only to ... See full summary »
Twelve people are aboard Coast Air Line's flagship the Silver Queen enroute to South America when the airplane encounters a storm and is blown off course. Crashing into jungles known to be ... See full summary »
Irene Dunne is married to Ralph Bellamy. Their union is comfortable but all that changes when Bellamy's old flame Constance Cummings comes back to town. Will the the thrill of loves past disrupt their happy home?
Dorothy, and her big city lawyer boyfriend, return to the Lazy 'B' ranch to read her late father's will. For Dorothy to inherit everything, she must stay on the ranch for 5 years. If she ... See full summary »
Rene is broke and Kay is a rich actress visiting Paris. They meet, share a cab and dinner. He is smitten by her, but she leaves for London and he follows. At her house, when he cooks the dessert, the chef quits and he takes the job, unbeknownst to Kay. By the next day, the scandal is all over London about him living in her house and that upsets Philip, who wants Kay for his wife. Kay tells Rene to leave, but Rene plans to get rid of Philip. Written by
Tony Fontana <firstname.lastname@example.org>
This film is described in Carole Lombard's biography by Larry Swindell as "one of the horrendous flops of the thirties decade" and by Photoplay as "inane" and "pointless". I must say that I was expecting something as horrendous as Carole's 1933 movie "White Woman", but was pleasantly surprised to find this an endearing, lighthearted romp. The actors seemed to enjoy themselves and recognize that they were not filming Shakespeare, but a screwball comedy. The scenes are varied and interesting, the action moves along at a bright pace and things are anything but dull, including a surprise ending to top things off.
The only criticism I can make is that Carole does seem to shout her lines for some unknown reason. I assume this is the director's fault. And the overall tone of the movie should probably have been toned down and played with more sophistication in spots to give the film a little more class. In a few places it almost goes over the top into a "Three Stooges" mode. Ralph Bellamy really made me laugh a few times. However, Carole has never been more beautiful, and I was not turned off by Fernand Gravet's performance as so many seemed to have been at the time. Come on, no ones perfect. If this film had been made a few years earlier in her career, I think it could easily have been a classic.
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