Rene is broke and Kay is a rich actress visiting Paris. They meet, share a cab and dinner. He is smitten by her, but she leaves for London and he follows. At her house, when he cooks the ... See full summary »
A relationship gradually develops between a savvy New York street girl and a good-hearted cab driver--who first meet when she stiffs him for the fare--but other matters keep getting in their way, including financial problems and a murder.
This is the story of an egotistical nightclub dance performer named Raoul, his determination to succeed at all costs, and the only woman in his life that truly matters to him, a dancing ... See full summary »
A nightclub singer marries the rich owner of a rubber plantation. When she returns with him to his estate in Malaysia, she finds out that he is cruel, vicious and insanely jealous. She and ... See full summary »
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Clark Gable plays a card cheat who has to go on the lam to avoid a pesky cop. He meets a lonely, but slightly wild, librarian, Carole Lombard, while he is hiding out. The two get married ... See full summary »
Gar Evans is a "high pressure" promoter who tends to be unrealistically optimistic about his projects and exaggerates the chance of success. He sets up the "Golden Gate Artificial Rubber ... See full summary »
Rene is broke and Kay is a rich actress visiting Paris. They meet, share a cab and dinner. He is smitten by her, but she leaves for London and he follows. At her house, when he cooks the dessert, the chef quits and he takes the job, unbeknownst to Kay. By the next day, the scandal is all over London about him living in her house and that upsets Philip, who wants Kay for his wife. Kay tells Rene to leave, but Rene plans to get rid of Philip. Written by
Tony Fontana <email@example.com>
Of the songs written for this film by Richard Rodgers and Lorenz Hart, only one would be sung on screen, "There's a Boy in Harlem," vocalized by Jeni Le Gon and The Three Brown Sisters, accompanied by Les Hite and His Orchestra. "Food for Scandal" (the working title of this feature) served as rhyming patter between Carole Lombard and Fernand Gravey (plus some whistling done by Mr. Gravey alone). Heard in the picture as background music, "How Can You Forget?" was revived in 1958, complete with a Benny Goodman arrangement, for a Broadway play, "The World of Suzie Wong." Three tunes submitted by Rodgers and Hart for the feature were discarded: "Let's Sing About Nothing," "Love Knows Best" and "Once I Was Young." According to Richard Rodgers in "Musical Stages: An Autobiography," published in 1975, the songwriters became aware of the fate of their score when they went to see the picture. See more »
The opening credits say "Music and Lyrics by Richard Rodgers and Lorenz Hart" even though Rodgers wrote only the music and Hart only the lyrics. See more »
An enjoyable character-driven romantic comedy, and a delight it was. Don't expect the best thing since sliced bread, but for a genre which I don't particularly find to be my cup of tea, this made me smile a bit.
Most of the smiling due to Fernand Gravet's performance, slick, charming, funny and clever, as well as the chemistry between he and Lombarde. The supporting roles filled by Bellamy and Jeans were also spot on, creating a great comedic environment.
I don't put much stock into plot when it comes to romantic comedies, regardless of whether it was made yesterday or 60 years ago, so if you can get past that, then you'll truly enjoy yourself.
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