Rene is broke and Kay is a rich actress visiting Paris. They meet, share a cab and dinner. He is smitten by her, but she leaves for London and he follows. At her house, when he cooks the ... See full summary »
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Kay Kerrigan commits a murder and then changes her hair color, assumes a new identity and flees the country by ship. She's unaware that she's being followed by Sam Wye, a skirt chasing ... See full summary »
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A relationship gradually develops between a savvy New York street girl and a good-hearted cab driver--who first meet when she stiffs him for the fare--but other matters keep getting in their way, including financial problems and a murder.
Two lazy screenwriters need a story for the studio's cowboy star. A studio waitress turns out to be pregnant. This gives them the idea for a movie about a cowboy and a baby. The waitress's ... See full summary »
Rene is broke and Kay is a rich actress visiting Paris. They meet, share a cab and dinner. He is smitten by her, but she leaves for London and he follows. At her house, when he cooks the dessert, the chef quits and he takes the job, unbeknownst to Kay. By the next day, the scandal is all over London about him living in her house and that upsets Philip, who wants Kay for his wife. Kay tells Rene to leave, but Rene plans to get rid of Philip. Written by
Tony Fontana <firstname.lastname@example.org>
Of the songs written for this film by Richard Rodgers and Lorenz Hart, only one would be sung on screen, "There's a Boy in Harlem," vocalized by Jeni Le Gon and The Three Brown Sisters, accompanied by Les Hite and His Orchestra. "Food for Scandal" (the working title of this feature) served as rhyming patter between Carole Lombard and Fernand Gravey (plus some whistling done by Mr. Gravey alone). Heard in the picture as background music, "How Can You Forget?" was revived in 1958, complete with a Benny Goodman arrangement, for a Broadway play, "The World of Suzie Wong." Three tunes submitted by Rodgers and Hart for the feature were discarded: "Let's Sing About Nothing," "Love Knows Best" and "Once I Was Young." According to Richard Rodgers in "Musical Stages: An Autobiography," published in 1975, the songwriters became aware of the fate of their score when they went to see the picture. See more »
When I think of a girl like Kay getting married in Fort Wayne, i could cry.
When I think of anybody getting married in Fort Wayne, I could could cry.
If you were a girl, Dewey, wouldn't you rather marry me than Mr. Philip Chester?
If I were a girl, I'd rather marry me.
See more »
The opening credits say "Music and Lyrics by Richard Rodgers and Lorenz Hart" even though Rodgers wrote only the music and Hart only the lyrics. See more »
Carole Lombard plays a famous American actress staying in Paris; she encounters handsome but broke Fernand Gravet, who spends the first part of the film trying to rescue various items from the pawn shop, and then ends up as Lombard's chefwhether she wants him or not. It's all mildly amusing.
Allen Jenkins does his best as Gravet's sidekick but is hampered by lack of strong dialog. Isabel Jeans gives a deliciously gossipy performance as "Lady Malverton," a pillar of society who knows a good scandal when she smells one.
Ralph Bellamy is good as always, playing his usual chump in love with easily-distracted Lombard. One of the picture's few highlights is when Bellamy tries to tell a joke about a man ordering a steakit's a really crummy joke made worse by Bellamy's chuckling as he tells it. (That this is a highlight unfortunately says a lot about the rest of the picture.)
The story is okay, the production slick, the dialog decent .but it's all just a little slow, or flat, or too predictable. Lombard is beautiful and frenetic as alwaysbut there's just not much to her character, and certainly nothing memorable or unique from her other similar roles. And Fernand Gravet? Whether he was miscast or mismatched, I don't knowbut he's just not very appealing.
Overall, a nice try but pretty forgettable. Too bad.
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