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Fools for Scandal (1938)

 -  Comedy | Music | Romance  -  16 April 1938 (USA)
6.2
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Ratings: 6.2/10 from 269 users  
Reviews: 14 user | 5 critic

Rene is broke and Kay is a rich actress visiting Paris. They meet, share a cab and dinner. He is smitten by her, but she leaves for London and he follows. At her house, when he cooks the ... See full summary »

Writers:

(screen play), (screen play), 8 more credits »
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Title: Fools for Scandal (1938)

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Cast

Complete credited cast:
...
Fernand Gravey ...
Rene Vilardell (as Fernand Gravet)
...
Phillip Chester
...
Dewey Gilson
...
Lady Paula Malverton
Marie Wilson ...
Myrtle
Marcia Ralston ...
Jill
Ottola Nesmith ...
Agnes (as Tola Nesmith)
Heather Thatcher ...
Lady Potter-Porter
Jacques Lory ...
Papa Joli-Coeur
Tempe Pigott ...
Bessie (as Tempe Piggott)
Michelette Burani ...
Mme. Brioche
Jeni Le Gon ...
Specialty (as Jeni LeGon)
Les Hite and His Orchestra ...
Les Hite and His Orchestra
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Storyline

Rene is broke and Kay is a rich actress visiting Paris. They meet, share a cab and dinner. He is smitten by her, but she leaves for London and he follows. At her house, when he cooks the dessert, the chef quits and he takes the job, unbeknownst to Kay. By the next day, the scandal is all over London about him living in her house and that upsets Philip, who wants Kay for his wife. Kay tells Rene to leave, but Rene plans to get rid of Philip. Written by Tony Fontana <tony.fontana@spacebbs.com>

Plot Summary | Add Synopsis

Genres:

Comedy | Music | Romance

Certificate:

Approved | See all certifications »
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Details

Country:

Language:

|

Release Date:

16 April 1938 (USA)  »

Also Known As:

Escândalos de Amor  »

Box Office

Budget:

$1,300,000 (estimated)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

After completing this film, producer-director Mervyn LeRoy moved from Warner Bros. to MGM. He would return to Warners to take over directing Mister Roberts (1955) from John Ford. The last credited association between Warners and Mr. LeRoy would be for his producing and directing Mary, Mary (1963). See more »

Crazy Credits

The opening credits say "Music and Lyrics by Richard Rodgers and Lorenz Hart" even though Rodgers wrote only the music and Hart only the lyrics. See more »

Soundtracks

There's a Boy in Harlem
(1938) (uncredited)
Music by Richard Rodgers
Lyrics by Lorenz Hart
Played during the opening credits
Played by Les Hite and His Orchestra at Le Petit Harlem and sung by Jeni Le Gon and The Three Brown Girls
Reprised by piano and orchestra at the costume party
See more »

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User Reviews

 
Blooper outtakes made me want to see this '38 film...
1 April 2008 | by (U.S.A.) – See all my reviews

Only because CAROLE LOMBARD and FERNAND GRAVET (he played Johann Strauss in "The Great Waltz") are shown enjoying themselves during a blooper moment on the dinner set of FOOLS FOR SCANDAL (in The Big Breakdowns of '38), did I want to see this romantic comedy. Turns out not to be quite the lark I expected, even though it has the usual Warner contract players in the supporting cast, including RALPH BELLAMY, ALLEN JENKINS, ISABEL JEANS and MARIE Wilson.

In the blooper, Carole had trouble digging into her steak which triggered an outburst from her and giggles from the other players. It was so amusing that I wanted to see the actual scene in the movie.

Unfortunately, FOOLS FOR SCANDAL is the screwiest kind of screwball comedy. None of the characters are the least bit grounded in any kind of reality, strictly cut-outs with dull one-liners as they confront one silly situation after another. The plot is something about a screen actress (Lombard) being stalked by a charming Frenchman whom she eventually hires as a cook. All of her female friends are crazy about him--and she's just, well--crazy. CAROLE LOMBARD plays her role at a fever pitch of fast talking nonsense and FERNAND GRAVET joins the mad pace with good humored sportsmanship. RALPH BELLAMY has his usual third wheel role of a man earnestly in love with Carole but obviously not headed for the altar at the final reel. He plays his role like an eager puppy wanting to please, but the results are still rather meager.

Summing up: Contrived screwball comedy is enjoyable only for the performances of the three leads, but the situations are unbelievable and overacted in the sledgehammer style of acting prevalent in Warner comedies of the '30s.


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