Marge is a capable secretary, but her bosses are more interested in her than her abilities. This causes her to be frequently unemployed. To get a job, she changes her look to make herself ... See full summary »
The only person that Vanessa wants to marry is Benjamin and they are finally engaged. When a fire sweeps through her fathers house, Benjie is able to save Vanessa, but he cannot save her ... See full summary »
Elyot and Sibyl are being married in a big church ceremony. Amanda and Victor are being married by a French Justice of the Peace. Both couples go to a hotel on the same day and are put in ... See full summary »
The handsome young seaman John Paul Jones falls in love with Kit Corbin. Kit is the daughter of admiral Ben Corbin. But John is unable to act upon his love because of social class ... See full summary »
Harry A. Pollard
On leave in Italy, Lt. Tommy Knowlton falls in love with Jean Standish, who's not only married, but is the daughter of his submarine's commander. Friction between the two officers becomes ... See full summary »
Two professional people marry, but the wife insists that they be celibate for the first three months, just to see if they are truly compatible. The husband tries various tricks to lure his ... See full summary »
Sky and Linda meet on vacation and become engaged. When Sky introduces Linda to his best friend, Jeff, Linda and Jeff fall in love and marry. But Jeff's work puts a strain on the marriage ... See full summary »
In the bordertown of San Pablo, preparing for an annual 'Mexican Fiesta,' arrives Gagin: tough, mysterious and laconic. His mission: to find the equally mysterious Frank Hugo, evidently for... See full summary »
This film received its initial television broadcasts in Los Angeles Wednesday 5 June 1957 on KTTV (Channel 11), and in Philadelphia Friday 20 December 1957 on WFIL (Channel 6) followed by San Francisco 22 January 1958 on KGO (Channel 7); its earliest documented telecast in New York City took place 28 July 1963 on WCBS (Channel 2). See more »
As Lynn's plane takes off on her flight from New York to Los Angeles, very early in takeoff you can see a large palm tree out the plane's windows. It's rather obvious the background footage was shot in California. See more »
As the Germans would say, "the fat years are over."
Just wanted to put a good word in for this movie, since the other posters seem to have been taken in by its perfunctory happy ending. What we have here is an unspectacular but fascinating curio, an end-of-an-era film made by Richard Thorpe around the same time he made Night Must Fall, which would be the culmination of Robert Montgomery's progression from charming bounder to seedy, syphilitic cad ( Jude Law is currently on the same path. ) This is where the elegant swells of MGM's 1930's stable, sensing that youth has passed them by, begin to show their true malevolent, selfish being -- and indeed, Montgomery like James Stewart, the most ingratiating stars of their era, would later become wizened arch-conservatives.
The First 100 Years would have had more weight if it had starred Joan Crawford instead of Virginia Bruce, but then again, Bruce brings a vulnerability to the role that makes up for her less than iconic stature. Bruce's character is a woman who is imprisoned in her time, and it's only a short step from the end of this film to La Notte or Diary of a Mad Housewife. Happy ending? Yeah, and Preminger's endings are giddy! Sad that the broad Jon Stewart kind of irony has replaced people's appreciation of a quieter, more insinuating kind that you'll find in Henry James and which movies necessarily thrive on, as directors and writers have to slip the truth through the back door. You have to pay more attention to the tonality of the thing, rather than the events depicted.
Richard Thorpe, a journeyman director who suddenly flared up in the late 1930's with a series of incredibly bleak and, yes, even Jamesian films -- such as Man-Proof and, though I haven't seen it, "Love is a Headache" must surely deal with the same themes -- before settling down once again into routine swashbucklers, provides many interesting touches, such as an organ installed in Montgomery's living room, replacing the usual cocktail-party piano with soupy dirges. Except for this organ, Thorpe constructs the whole movie almost entirely without music, and many scenes start with a bubbly chip-chip-cheeree kind of mood only to disintegrate into awkward neurosis and recrimination. He is obviously not working with material as strong as he had for Night Must Fall, but this is a must-see pendant for fans of that unsurpassed existential masterpiece.
10 of 21 people found this review helpful.
Was this review helpful to you?