Old friends Ward and Phillip both become smitten with Phillip's mother's attractive young secretary Stella. But Stella marries Phillip and stands by him as his behavior becomes more and ... See full summary »
Amateur plumber Cluny Brown gets sent off by her uncle to work as a servant at an English country estate. While there, she becomes friendly with Adam Belinski, a charming Czech refugee. She... See full summary »
Bob is a struggling artist who paints for his own amusement. Julie is a rich society girl. When they meet, it is cute and they are soon married. Living in a small apartment with the ... See full summary »
In the fever-stricken areas of Cuba a brave band of scientists, doctors and U. S. Marines fight a losing battle against the deadly plague of 'Yello Jack,' until the great heroic risk taken by an Irish sergeant brings victory.
George B. Seitz
Lord Peter Wimsey is an amateur detective. He is to be married to Harriet Vane, who writes crime novels, at a big Society wedding. Harriet has little charms made so that they both promise ... See full summary »
Arthur B. Woods,
Jim's father wants to marry Eugenia, but her sister Netta refuses to allow it. When Jim sees Ann at a club, he falls for her even though she is with Lord Priory. He meets her the next day ... See full summary »
Robert Z. Leonard
A group of "spies" is after the plans for an anti-aircraft gun, and the leader uses the opportunity to embroil the Lone Wolf in the plot. Trying to settle an old score, this shady character... See full summary »
Marge is a capable secretary, but her bosses are more interested in her than her abilities. This causes her to be frequently unemployed. To get a job, she changes her look to make herself ... See full summary »
As Lynn's plane takes off on her flight from New York to Los Angeles, very early in takeoff you can see a large palm tree out the plane's windows. It's rather obvious the background footage was shot in California. See more »
As the Germans would say, "the fat years are over."
Just wanted to put a good word in for this movie, since the other posters seem to have been taken in by its perfunctory happy ending. What we have here is an unspectacular but fascinating curio, an end-of-an-era film made by Richard Thorpe around the same time he made Night Must Fall, which would be the culmination of Robert Montgomery's progression from charming bounder to seedy, syphilitic cad ( Jude Law is currently on the same path. ) This is where the elegant swells of MGM's 1930's stable, sensing that youth has passed them by, begin to show their true malevolent, selfish being -- and indeed, Montgomery like James Stewart, the most ingratiating stars of their era, would later become wizened arch-conservatives.
The First 100 Years would have had more weight if it had starred Joan Crawford instead of Virginia Bruce, but then again, Bruce brings a vulnerability to the role that makes up for her less than iconic stature. Bruce's character is a woman who is imprisoned in her time, and it's only a short step from the end of this film to La Notte or Diary of a Mad Housewife. Happy ending? Yeah, and Preminger's endings are giddy! Sad that the broad Jon Stewart kind of irony has replaced people's appreciation of a quieter, more insinuating kind that you'll find in Henry James and which movies necessarily thrive on, as directors and writers have to slip the truth through the back door. You have to pay more attention to the tonality of the thing, rather than the events depicted.
Richard Thorpe, a journeyman director who suddenly flared up in the late 1930's with a series of incredibly bleak and, yes, even Jamesian films -- such as Man-Proof and, though I haven't seen it, "Love is a Headache" must surely deal with the same themes -- before settling down once again into routine swashbucklers, provides many interesting touches, such as an organ installed in Montgomery's living room, replacing the usual cocktail-party piano with soupy dirges. Except for this organ, Thorpe constructs the whole movie almost entirely without music, and many scenes start with a bubbly chip-chip-cheeree kind of mood only to disintegrate into awkward neurosis and recrimination. He is obviously not working with material as strong as he had for Night Must Fall, but this is a must-see pendant for fans of that unsurpassed existential masterpiece.
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