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Donald's Better Self (1938)

6.8
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Ratings: 6.8/10 from 381 users  
Reviews: 4 user

Schoolboy Donald is torn between his angel and devil sides, though in Donald's case, the devil side isn't hard to resist. But the smoking he's encouraged to do turns him green and gives him... See full summary »

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(uncredited)
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Title: Donald's Better Self (1938)

Donald's Better Self (1938) on IMDb 6.8/10

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Cast

Uncredited cast:
Thelma Boardman ...
Donald's Angel (voice) (uncredited)
Don Brodie ...
Donald's Devil (voice) (uncredited)
Clarence Nash ...
Donald Duck (voice) (uncredited)
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Storyline

Schoolboy Donald is torn between his angel and devil sides, though in Donald's case, the devil side isn't hard to resist. But the smoking he's encouraged to do turns him green and gives him regrets, and when the good side shows up and kicks evil's butt, Donald cheers. Written by Jon Reeves <jreeves@imdb.com>

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Plot Keywords:

devil | angel | 1930s | flying | mailbox | See more »


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Details

Country:

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Release Date:

11 March 1938 (USA)  »

Also Known As:

Akun parempi minä  »

Company Credits

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 »
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Technical Specs

Runtime:

Sound Mix:

(RCA Sound Recording)

Color:

(Technicolor)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

When Donald passes the mailbox, the mailbox flag starts waving like a telegraph key, sounding out Morse code. The code translates to 'CQ HI KID'. In amateur radio protocol, CQ means 'Calling all stations', a general call. The code is -.-. --.- .... .. -.- .. -.. See more »

Connections

Edited into Donald's Decision (1942) See more »

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User Reviews

 
Good & Evil & Mr. Duck
24 September 2002 | by (Forest Ranch, CA) – See all my reviews

A Walt Disney DONALD DUCK Cartoon.

DONALD'S BETTER SELF has quite a chore: to keep the young Duck from listening to Temptation and playing hooky.

This is a very good cartoon, featuring excellent animation & acting. But why is Donald back in school? It must be a flashback to his youth. Highlight - our hero's first encounter with a corncob pipe. Clarence "Ducky" Nash supplies Donald's voice.

Walt Disney (1901-1966) was always intrigued by drawings. As a lad in Marceline, Missouri, he sketched farm animals on scraps of paper; later, as an ambulance driver in France during the First World War, he drew figures on the sides of his vehicle. Back in Kansas City, along with artist Ub Iwerks, Walt developed a primitive animation studio that provided animated commercials and tiny cartoons for the local movie theaters. Always the innovator, his ALICE IN CARTOONLAND series broke ground in placing a live figure in a cartoon universe. Business reversals sent Disney & Iwerks to Hollywood in 1923, where Walt's older brother Roy became his lifelong business manager & counselor. When a mildly successful series with Oswald The Lucky Rabbit was snatched away by the distributor, the character of Mickey Mouse sprung into Walt's imagination, ensuring Disney's immortality. The happy arrival of sound technology made Mickey's screen debut, STEAMBOAT WILLIE (1928), a tremendous audience success with its use of synchronized music. The SILLY SYMPHONIES soon appeared, and Walt's growing crew of marvelously talented animators were quickly conquering new territory with full color, illusions of depth and radical advancements in personality development, an arena in which Walt's genius was unbeatable. Mickey's feisty, naughty behavior had captured millions of fans, but he was soon to be joined by other animated companions: temperamental Donald Duck, intellectually-challenged Goofy and energetic Pluto. All this was in preparation for Walt's grandest dream - feature length animated films. Against a blizzard of doomsayers, Walt persevered and over the next decades delighted children of all ages with the adventures of Snow White, Pinocchio, Bambi, Peter Pan and Mr. Toad. Walt never forgot that his fortunes were all started by a mouse, or that simplicity of message and lots of hard work always pay off.


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