Ludvig and Sussi Battwyhl, Louis and Katja Brenner and Julia and Kurt Balzar are upper class millionaires. They don't seem to do any real work but still need a vacation in the mountains. ... See full summary »
Karen, a young woman from the Baltic countries, marries fisherman Antonio to escape from a prisoners camp. But the life in Antonio's village, Stromboli, threatened by the volcano, is a tough one and Karen cannot get used to it.
Anna Kalman is a London based actress. She has been unable to find love in her life. The reason why she came home early from a vacation to Majorca fits into that theme, as the man she met ... See full summary »
Irene Wagner, the wife of prominent scientist Albert Wagner, finds herself blackmailed about her affair by her lover's jealous ex-girlfriend. The plot, an experiment in causing fear, drives her into a rage.
All her life Englishwoman Gladys Aylward knew that China was the place where she belonged. Not qualified to be sent there as a missionary, Gladys works as a domestic to earn the money to ... See full summary »
Ludvig and Sussi Battwyhl, Louis and Katja Brenner and Julia and Kurt Balzar are upper class millionaires. They don't seem to do any real work but still need a vacation in the mountains. Everybody seems to be romantically involved with everybody. A rich American woman joins them. Written by
This mature Swedish romantic comedy of manners does indeed star a pre-Hollywood Ingrid Bergman, and she is one of the highlights here, but this film is more than just a curio. A refreshingly adult look at infidelity, lust, and greed that leaves American films of the period in the dust, Dollar also features a remarkable performance by Elsa Burnett as Mary Johnstone, a Chicago-based know it all whose blunt, hack and slash faith in the power of the almighty dollar brings trouble to the ski resort where three well-heeled couples are spending the weekend. The Stockholm born Burnett is barely credible as an American, but her performance encapsulates the brash, take no prisoners qualities of her (adopted?) country's crony capitalism. Stina Bergman's screenplay is perceptive and intelligent, and Ake Dahlqvist's cinematography hints at a debt to Jean Renoir.
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