| Photos (see all 11 | slideshow) |
| Errol Flynn | ... | Captain Courtney | |
| Basil Rathbone | ... | Major Brand | |
| David Niven | ... | Lieutenant Scott | |
| Donald Crisp | ... | Phipps | |
| Melville Cooper | ... | Sergeant Watkins | |
| Barry Fitzgerald | ... | Bott | |
| Carl Esmond | ... | Von Mueller | |
| Peter Willes | ... | Hollister | |
| Morton Lowry | ... | Donnie Scott | |
| Michael Brooke | ... | Captain Squires | |
| James Burke | ... | Flaherty - Motorcycle Driver | |
| Stuart Hall | ... | Bentham | |
| Herbert Evans | ... | Scott's Mechanic | |
| Sidney Bracey | ... | Major Brand's Orderly (as Sidney Bracy) | |
| Leo Nomis | ... | Aeronautic Supervisor | |
| rest of cast listed alphabetically: | |||
| Hal Brazeale | ... | Gregory (uncredited) | |
| Tyrone Brereton | ... | Orderly (uncredited) | |
| Richard Deane | ... | 'B' Flight Replacement (uncredited) | |
| Burnett Fergrison | ... | Henry Burt (uncredited) | |
| Fred Graham | ... | Running Man on Airfield (uncredited) | |
| Douglas Henderson | ... | Orderly (uncredited) | |
| Ivo Henderson | ... | Soldier (uncredited) | |
| Tim Henning | ... | Orderly (uncredited) | |
| Shep Houghton | ... | Young Recruit (uncredited) | |
| George Kirby | ... | Orderly Kirby (uncredited) | |
| Anthony Marsh | ... | Rutherford (uncredited) | |
| John Meredith | ... | 'B' Flight Replacement (uncredited) | |
| Wally Rairden | ... | Cleaver (uncredited) | |
| Jack Richardson | ... | Mechanic (uncredited) | |
| John Rodion | ... | Lieutenant Russell (uncredited) | |
| Speirs Ruskell | ... | 'B' Flight Replacement (uncredited) | |
| Tom Seidel | ... | Jones (uncredited) | |
| John Sutton | ... | Adjutant (uncredited) | |
| F. Philip Sylvestre | ... | 'B' Flight Replacement (uncredited) | |
| Gordon Thorpe | ... | Smythe (uncredited) | |
| Charles Waldron Jr. | ... | Lieutenant Billings (uncredited) | |
| Gordon Wallace | ... | 'B' Flight Replacement (uncredited) | |
| Norman Willis | ... | Von Richter (uncredited) | |
| Gilbert Wilson | ... | Moorehead (uncredited) | |
Directed by | |||
| Edmund Goulding | |||
Writing credits | ||
| Seton I. Miller | (screenplay) and | |
| Dan Totheroh | (screenplay) | |
| John Monk Saunders | (story) | |
| Howard Hawks | story (uncredited) | |
Produced by | |||
| Robert Lord | .... | associate producer (uncredited) | |
| Hal B. Wallis | .... | executive producer (uncredited) | |
| Jack L. Warner | .... | executive producer (uncredited) | |
Original Music by | |||
| Max Steiner | |||
Cinematography by | |||
| Tony Gaudio | (photography by) | ||
Film Editing by | |||
| Ralph Dawson | |||
Art Direction by | |||
| John Hughes | |||
Makeup Department | |||
| Bill Phillips | .... | makeup artist (uncredited) | |
Production Management | |||
| Robert Ross | .... | unit manager (uncredited) | |
Second Unit Director or Assistant Director | |||
| Oren Haglund | .... | second assistant director (uncredited) | |
| Frank Heath | .... | assistant director (uncredited) | |
Art Department | |||
| William Kissell | .... | props (uncredited) | |
Sound Department | |||
| C.A. Riggs | .... | sound | |
Special Effects by | |||
| Edwin B. DuPar | .... | special effects (as Edwin A. DuPar) | |
Camera and Electrical Department | |||
| Carl E. Guthrie | .... | second camera operator (uncredited) | |
| Glen Harris | .... | grip (uncredited) | |
| Vic Johnson | .... | gaffer (uncredited) | |
| William Reinhold | .... | assistant camera (uncredited) | |
| Cliff Shirpser | .... | assistant camera (uncredited) | |
| Bert Six | .... | still photographer (uncredited) | |
| Claude Swanner | .... | best boy (uncredited) | |
Costume and Wardrobe Department | |||
| Rene Wilson | .... | wardrobe (uncredited) | |
Editorial Department | |||
| Victor Kline Jr. | .... | assistant cutter (uncredited) | |
Music Department | |||
| Alfred Domett | .... | lyricist: "Stand to Your Glasses" | |
| Leo F. Forbstein | .... | musical director | |
| Hugo Friedhofer | .... | orchestrator (uncredited) | |
Other crew | |||
| Capt.L.G.S. Scott | .... | technical advisor | |
| Jean McNaughton | .... | script clerk (uncredited) | |
| Jacques Swaab | .... | technical advisor (uncredited) | |
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| The Dawn Patrol | Gone with the Wind | Hell's Angels | All Quiet on the Western Front | The Eagle and the Hawk |
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| Full cast and crew | Company credits | External reviews |
| IMDb War section | IMDb USA section | Add this title to MyMovies |
The Dawn Patrol, one of Director Eddie Goulding's very finest, is as tense and tightly wound as the characters it portrays, who face the awful question, 'what is maximum effort', how much can a man give in combat before breaking? The story revolves around the vividly drawn characters of Lt. Scott,'Scotty', played by David Niven in one of his most genuine performances, and that of his chum, Captain Courtney, well played by Errol Flynn. Together the two friends face death each day in machines held together by 'spit and baling wire' and each night drink themselves into oblivion. Their antics contrast with the concern that is eating at their commanding officer, Major Brand, wonderfully portrayed by Basil Rathbone. Brand is visibly cracking under the strain, while the oblivious Courtney and Scott play at war, seemingly unconcerned by death or anything else. Paired with Brand is the unflappable Phipps, presented by stalwart character actor Donald Crisp. It is Crisp, who is finally made to express the film's underlying anti-war theme, questioning the point of sending all the fine young men to their deaths, "...and for what?", he asks though no answer is forthcoming. The tension is expertly broken by comic interludes of genuine hilarity as well as great scenes of World War air combat. One sees a reflection of Renoir's 'Rules of the Game', when a German pilot, who is thought to have killed Scotty, is brought in to meet Courtney, who shot him down and they show each other the mutual respect and chivalry that still crossed the no-mans land between the two sides. Like '12 0'Clock High'
its World War II counterpart, this film puts the viewer under the skins of these men as they face death. No phony posturing or heroics, no masks, just humanity faced with something which, ultimately is inhuman. This intelligent and questioning film is at the very top of my list of great war films, and is an absolute must see for new generations of movie goers.