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IMDb > Dangerous to Know (1938)

Dangerous to Know (1938) More at IMDbPro »

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Overview

User Rating:
7.0/10   26 votes
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Down 26% in popularity this week. See rank & trends on IMDbPro.
Director:
Robert Florey
Writers:
Edgar Wallace (novel) (play "On the Spot") and
William R. Lipman (writer)
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Contact:
View company contact information for Dangerous to Know on IMDbPro.
Release Date:
11 March 1938 (USA) more
Genre:
Crime | Drama more
Tagline:
No woman ever survived his love!
Plot:
A gangster tries to fix things so that he can marry a rich society woman. full summary | add synopsis
User Comments:
SELDOM SEEN MASTERWORK OF FLOREY. more

Cast

  (Complete credited cast)
Anna May Wong ... Lan Ying
Akim Tamiroff ... Stephen Recka
Gail Patrick ... Margaret Van Case
Lloyd Nolan ... Insp. Brandon
Harvey Stephens ... Philip Easton

Anthony Quinn ... Nicholas 'Nicki' Kusnoff
Roscoe Karns ... Duncan
Porter Hall ... Mayor Bradley
Barlowe Borland ... Butler
Hedda Hopper ... Mrs. Carson
Hugh Sothern ... John Rance / Renz
Edward Pawley ... John Rance
Ellen Drew ... Secretary (as Terry Ray)
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Additional Details

Runtime:
70 min
Country:
USA
Language:
English
Aspect Ratio:
1.37 : 1 more
Sound Mix:
Mono (Western Electric Mirrophonic Recording)

Fun Stuff

Trivia:
One of over 700 Paramount Productions, filmed between 1929 and 1949, which were sold to MCA/Universal in 1958 for television distribution, and have been owned and controlled by Universal ever since. more

FAQ

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8 out of 10 people found the following comment useful:-
SELDOM SEEN MASTERWORK OF FLOREY., 5 August 2004
8/10
Author: rsoonsa (rsoonsa@bandbbooks.com) from Mountain Mesa, California

Director Robert Florey, who studied under Feuillade and served beneath Sternberg and Vidor among others, is at his best in this dark work by one of the most innovative "B" film auteurs, completed during his strongest period at Paramount, a tastefully crafted film replete with Florey's trademarked strengths: crisp pacing, a realistic spirit, and creative employment of expressionistic composition through camera and lighting that establishes humours for each scene. A student of cinema in all of its artistic aspects, Florey showcases to telling effect in this affair the performing ability of classically trained Akim Tamiroff, who gives his finest performance, and of Anna May Wong, who benefits from the director's use of closeups as she fills a part that she created for her stage debut in "On the Spot", by Edgar Wallace, upon which the screenplay is based. Florey's enthusiasm for Asian art, costume, and other elements of design is in evidence throughout a film that reportedly receives little or no circulation through the medium of television, with but a single public domain archive for availability, unfortunate for cineastes since there is great worth to be found within the piece, the director's endeavours augmented well by the editing of Arthur Schmidt and creative cinematography, essentially by Karl Struss. The setting is in Los Angeles, where gangster Steve Recka (Tamiroff) dominates the workings of city politics without achieving that which he most craves: acceptance into the world of old money that of course can never look with favour upon such a man, notwithstanding his powerful influence. Scorning his loyal mistress, Lan Ying (Wong), Recka courts Margaret Van Case (Gail Patrick) as a method of scaling the societal ridge that daunts him, thereby generating in Lan Ying a desire for revenge, leading to an insightful scene of suspense that Florey swashes with melodramatic cunning. A solid supporting cast is in place, led by Lloyd Nolan's portrayal of a detective lieutenant who avidly seeks an arrest of Recka for his crimes, and by Anthony Quinn as Recka's principal henchman, and when requirements of the film's "B" nature come to the fore in the script, the players avoid condescension with their readings, yet another component of Florey's artistry.

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