Dangerous to Know (1938)A gangster tries to fix things so that he can marry a rich society woman. Director:Robert Florey |
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Dangerous to Know (1938)A gangster tries to fix things so that he can marry a rich society woman. Director:Robert Florey |
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| Complete credited cast: | |||
| Anna May Wong | ... |
Lan Ying
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| Akim Tamiroff | ... |
Stephan Recka
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Gail Patrick | ... |
Margaret Van Case
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| Lloyd Nolan | ... |
Insp. Brandon
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Harvey Stephens | ... |
Philip Easton
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| Anthony Quinn | ... |
Nicholas 'Nicki' Kusnoff
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| Roscoe Karns | ... |
Duncan
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Porter Hall | ... |
Mayor Bradley
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Barlowe Borland | ... |
James - Recka's Butler
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| Hedda Hopper | ... |
Mrs. Emily Carson
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Hugh Sothern | ... |
Harvey Gregson
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Edward Pawley | ... |
John Rance
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| Ellen Drew | ... |
Secretary
(as Terry Ray)
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Racketeer Steve Recka, art patron and political power-maker, rules his town and Madame Lan Ying, his beautiful Oriental friend and hostess (read: mistress), with an iron hand. He meets Margaret Van Kase, a socialite not impressed by his power nor his wealth, having no money herself, and Steve makes frantic efforts to win her and turns away from the loyal Lin Yang. Margaret ignores him as she plans to wed Philip Easton, a penniless bond salesman. The furious Recka, poses as a friend to Easton, while planning to ruin him. His henchmen kidnap Easton when he is carrying a large assignment of bonds, and he is branded as a runaway thief. The only doubters are Margaret and Police Inspector Brandon, who knows Recka's methods and suspects foul play. Easton is found in an abandoned house and arrested as the gangsters have taken the bonds and tipped the police where to find him. Recka offers to clear Easton if Margaret will become his bride and, while her hatred for Recka is intense, her love ... Written by Les Adams <longhorn1939@suddenlink.net>
This is about as good as a one hour B movie can get. While coming from the series of Paramount's Anna May Wong vehicles made in the late 30s, it rises above the straight formula nature of the vast majority of B movies with strong acting, various aspects of the art direction, and a final scene that is genuinely suspenseful. As usual, Wong visually dominates her scenes. The directing and editing play on that to the hilt.
For those into the subtle art of references slipped into the background, symbolism, use of numbers, etc, there is a lot to look for and see in this movie.