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The Crowd Roars (1938)

Passed  -  Action | Drama  -  5 August 1938 (USA)
6.9
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Ratings: 6.9/10 from 171 users  
Reviews: 12 user | 2 critic

A young boxer gets caught between a no-good father and a crime boss when he starts dating the boss's daughter, although she doesn't know what daddy does for a living.

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(story), (screenplay), 3 more credits »
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Cast

Complete credited cast:
...
'Killer' McCoy
...
Jim Cain
...
Brian McCoy
...
Sheila 'Shelia' Carson
William Gargan ...
Johnny Martin
...
'Happy' Lane
...
Vivian
...
'Pug' Walsh
Charles D. Brown ...
Bill Thorne
Gene Reynolds ...
Tommy McCoy, as a boy
...
Pete Mariola
Donald Douglas ...
Murray
...
Mrs. Martin
J. Farrell MacDonald ...
Father Patrick Ryan
Edit

Storyline

A young boxer gets caught between a no-good father and a crime boss when he starts dating the boss's daughter, although she doesn't know what daddy does for a living. Written by Ed Lorusso

Plot Summary | Add Synopsis

Taglines:

Romance of Park Ave. girl and boy from across the tracks. See more »

Genres:

Action | Drama

Certificate:

Passed | See all certifications »
Edit

Details

Country:

Language:

Release Date:

5 August 1938 (USA)  »

Also Known As:

La foule en délire  »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Sound System)

Aspect Ratio:

1.37 : 1
See  »
Edit

Did You Know?

Trivia

According to Robert Taylor's biographers, his mother walked out in the middle of this movie, upset by all the punishment her son was apparently receiving during the boxing scenes. She asked her son why stand-ins couldn't have been used. See more »

Goofs

Maureen O'Sullivan is credited onscreen as "Sheila Carson", but her car license is made out to "Shelia Carson", which is also the way she signs her name. See more »

Quotes

Thomas 'Tommy': I'm gonna walk out of this racket with pearl studs and a gold cane.
See more »

Connections

Referenced in Hollywood Hist-o-Rama: Robert Taylor (1962) See more »

Soundtracks

Mother Machree
(1910)
Music by Chauncey Olcott and Ernest Ball
Lyrics by Rida Johnson Young
Sung by Gene Reynolds at the smoker
See more »

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User Reviews

 
The Crowd Raves for Robert Taylor
6 April 2012 | by (United States) – See all my reviews

THE CROWD ROARS is a sensational boxing drama with a terrific cast at their best. Robert Taylor stars as Tommy McCoy, raised in poverty thanks to his drunken failed vaudevillian of a father, Frank Morgan. Tommy is both a choir boy and a scrapper as a child and starts to earn a little coin singing at public events like a boxing match. When he sings at an event which has kids his own age boxing, his father bets the champion's father Tommy can beat him. He does so quite impressively and becomes a little brother figure to the adult champion William Gargan, a local guy. Gargan trains Tommy who as the years go by continues to climb the ladder while Gargan has peaked and at one point is no longer active. Ultimately, Gargan returns to the ring desperate for money and has to fight his own protégé.

Tommy's skills in the ring attract the attention of gambling king Edward Arnold, to whom Tommy's father owes $600. Ultimately the shady Arnold becomes Tommy's manager and Tommy accidentally stumbles upon Arnold's secret life, with a débutante daughter (Maureen O'Sullivan) and society circles thinking Arnold is a Wall Street executive, including daughter Maureen.

This movie is terrific! There's some really good laughs in it, quite a bit of poignancy, and action non-stop. Robert Taylor is perfectly cast as a fairly gentle soul who is in the boxing racket strictly for the money and the escape from poverty. Taylor may be the most gorgeous man in pictures in his era but he's extremely believable as a boxer, with some of the best punches thrown in the ring that you will see from a bona fide movie star. Did I mention he was gorgeous? Well I had to do it again because this film revels in his masculine handsomeness, with his superb physical shape shown frequently clad only in boxing shorts and a stunning mop of thick black hair in a style remarkably contemporary. Taylor's performance is tops too, always one of the screen's greatest "honorable" guys, this is one of his very best roles and he is wonderful in it.

Excellent support comes from Edward Arnold and Frank Morgan (the latter as a character so exasperating though it takes a long time for the audience to like him). Maureen O'Sullivan is lovely in the slender role of the girl Taylor loves. The movie is also notable for no less than four against-type casting bits that work extremely well. Nat Pendleton is best known for his lovable big goon parts in scores of MGM films from the era, here he's a scary mobster Arnold attempts to double-cross. Lionel Stander, on the other hand, often played mean characters but here he's Taylor's great pal of an assistant although as sardonic as ever. Isabel Jewell, so often cast as bimbos, is effective in a small part as a grieving wife while the very young Jane Wyman scores as a dizzy southern débutante who is Maureen's best pal and has quite a crush on Taylor herself.

THE CROWD ROARS curiously has little reputation among film buffs, that's a shame because it's one of the very best films made in 1938 and has everything a classic movie lover could want, a perfect MGM picture.


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