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Cowboy from Brooklyn (1938)

 -  Comedy | Musical | Sport  -  9 July 1938 (USA)
5.9
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Ratings: 5.9/10 from 170 users  
Reviews: 8 user | 1 critic

An actor can only get a radio job if he can prove that he's an authentic cowboy.

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Title: Cowboy from Brooklyn (1938)

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Cast

Cast overview, first billed only:
...
Elly Jordan, aka Wyoming Steve Gibson
...
Roy Chadwick
...
Jane Hardy
Dick Foran ...
Sam Thorne
...
Maxine Chadwick
Johnnie Davis ...
...
Pat Dunn
Emma Dunn ...
Ma Hardy
Granville Bates ...
Pop Hardy
James Stephenson ...
Prof. Landis
Hobart Cavanaugh ...
Mr. 'Pops' Jordan
Elisabeth Risdon ...
Mrs. Jordan (as Elizabeth Risdon)
Dennie Moore ...
Abby Pitts
Rosella Towne ...
Panthea Landis
May Boley ...
Mrs. Krinkenheim
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Storyline

Brooklyn crooner Elly Jordan and his bandmates end up broke at a Wyoming dude ranch run by Jane Hardy. Singing for his supper there, Elly is heard by Broadway booker Roy Chadwick, who mistakes him for a genuine cowboy and decides to make him a star. The fact that Elly is terrified of animals (including horses) and doesn't know the first thing about the West makes his big break tough to pull off. Written by Jim Beaver <jumblejim@prodigy.net>

Plot Summary | Add Synopsis

Plot Keywords:

cowboy | horse | animal | wyoming | dude ranch | See more »


Certificate:

Approved | See all certifications »
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Details

Country:

Language:

Release Date:

9 July 1938 (USA)  »

Also Known As:

Cowboy de Asfalto  »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

The radio amateur hour was a spoof of radio program "Major Bowes' Original Amateur Hour", which was very popular at the time. It is chiefly noted for the discovery of Frank Sinatra. See more »

Quotes

Jane Hardy: Say, you're late for your lesson.
Elly Jordan, aka Wyoming Steve Gibson: Yeah, well a couple of chickens had me cornered by the barn down there.
Jane Hardy: Cornered?
Elly Jordan, aka Wyoming Steve Gibson: Yeah, I was on the way up and coming around the barn, there were those doggone chickens and they wouldn't let me by.
Jane Hardy: Too bad you don't carry a gun, you could've shot your way out.
Elly Jordan, aka Wyoming Steve Gibson: Well now, heck, Jane, that's nothing to kid a fella about. You should've seen the dirty looks they were giving me.
Pat Dunn: Now listen Roy, are we gonna die laying down?
Roy Chadwick: Somebody figure out a new way to do it?
See more »

Connections

Featured in Breakdowns of 1938 (1938) See more »

Soundtracks

Cowboy from Brooklyn
Music by Harry Warren
Lyrics by Johnny Mercer
Played during the opening and end credits
Sung by Dick Powell at the radio station in New York
Played as background music often
See more »

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User Reviews

 
Enjoyable fluff
13 December 2008 | by (Bradenton, Florida) – See all my reviews

From the outset, you can tell that this is NOT the gritty Dick Powell of the 1940s (when he appeared in such great Noir films as MURDER MY SWEET). No, this is clearly the 1930s Dick Powell--with lots of singing and not particularly deep plots. While the film is not his usual song and dance extravaganza, it still features Powell singing quite a bit--and was just the sort of film that Mr. Powell apparently hated to make. Fortunately, the tunes are lighter and the plot goofy enough that, while fluff, at least it's enjoyable fluff!

The film begins with, what else, Powell and his friends singing. This time they are in a boxcar headed for California in the hopes of making it big in Hollywood. However, they are caught and, along with their instruments, are tossed off the train (literally). In the middle of the wide open West, they soon stumble upon a dude ranch where they are given jobs singing cowboy songs for the paying guests. The trouble is that Powell and his friends are from New York and Powell also is deathly afraid of animals. Despite this, when talent agent Pat O'Brien comes to the ranch, he's taken with Powell and sees him as the next Gene Autry--not knowing that Powell knows nothing about life on the ranch.

The film's plot is rather silly (especially with the hypnotism scenes) but it also is quite fun--so despite some stupid aspects of the film (such as Dick Foran's poorly written and overacted character) and too much singing you can't help but enjoy it. I also think that the best performance in the film was that of O'Brien--who spoke a mile a minute and really seemed in his element as the talent agent.


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