On Christmas Eve, an old miser named Ebenezer Scrooge is visited by the spirit of his former partner, Jacob Marley. The deceased partner was in his lifetime as mean and miserly as Scrooge ... See full summary »
Scrooge, the ultimate Victorian miser, hasn't a good word for Christmas, though his impoverished clerk Cratchit and nephew Fred are full of holiday spirit. But in the night, Scrooge is ... See full summary »
On Christmas Eve, an old miser named Ebenezer Scrooge is visited by the spirit of his former partner, Jacob Marley. The deceased partner was in his lifetime as mean and miserly as Scrooge is now and he warns him to change his ways or face the consequences in the afterlife. Scrooge dismisses the apparition but the first of the three ghosts, the Ghost of Christmas Past, visits as promised. Scrooge sees those events in his past life, both happy and sad, that forged his character. The second spirit, the Ghost of Christmas Present, shows him how many currently celebrate Christmas. The Ghost of Christmas yet to Come shows him how he will be remembered once he is gone. To his delight, the spirits complete their visits in one night giving him the opportunity to mend his ways. Written by
After Bob is fired by Scrooge for throwing the snowball at him, he sadly walks behind the man with a goose; at different shots he has his scarf nesting right on his shoulder joint, and then hanging freely in front of him, and then back on his shoulder. See more »
This Hollywood version of the Dickens Christmas classic is overshadowed by a later British version featuring Alastair Sim. The British film is more realistic, and captures in its incidentals more of Dickens' radical spirit than this more stately American film, which as directed by the able Edward Martin, is done on a more modest scale. I find the American film cozier and warmer.
Reginald Owen is a less flamboyant Scrooge than Sim, which tends to make one concentrate more on the story. The movie was made on a medium budget, and it shows. However, this is not a bad thing, for while the later version gives has a dank, drafty Victorian mood,--one can almost feel the winter wind,--this one benefits enormously from its hearth-like intimacy. It's a very fine movie in its own right, with a mood all its own.
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