On Christmas Eve, an old miser named Ebenezer Scrooge is visited by the spirit of his former partner, Jacob Marley. The deceased partner was in his lifetime as mean and miserly as Scrooge ...
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Scrooge, the ultimate Victorian miser, hasn't a good word for Christmas, though his impoverished clerk Cratchit and nephew Fred are full of holiday spirit. But in the night, Scrooge is ... See full summary »
A boy, Buddy, whose parents have split and whose mother is an actress in New York, has been dumped in the south at the small-town home of some older cousins, all of whom are unmarried. ... See full summary »
An animated, magical, musical version of Dickens' timeless classic "A Christmas Carol." The nearsighted Mr. Magoo doesn't have a ghost of a chance as Ebenezer Scrooge, unless he learns the ... See full summary »
This film brings to life a famous Norman Rockwell painting. Samuel Cavanaugh, a Scrooge like character, revisits the frozen pond each year to relive the happier moments in his life. Michael... See full summary »
The colorful holiday classic is finally brought to the big screen, designed by famed children's story author and artist Maurice Sendak, and written for the first time to be as close as ... See full summary »
On Christmas Eve, an old miser named Ebenezer Scrooge is visited by the spirit of his former partner, Jacob Marley. The deceased partner was in his lifetime as mean and miserly as Scrooge is now and he warns him to change his ways or face the consequences in the afterlife. Scrooge dismisses the apparition but the first of the three ghosts, the Ghost of Christmas Past, visits as promised. Scrooge sees those events in his past life, both happy and sad, that forged his character. The second spirit, the Ghost of Christmas Present, shows him how many currently celebrate Christmas. The Ghost of Christmas yet to Come shows him how he will be remembered once he is gone. To his delight, the spirits complete their visits in one night giving him the opportunity to mend his ways. Written by
Scrooge is an archaic English verb meaning "to squeeze." See more »
When Scrooge is eating in the tavern on Christmas Eve, he is reading a book with the spine label "Bankers Book". Charles Dickens' depiction of this book is that it is Scrooge's property, possibly a ledger. Yet in the film, Scrooge stands, pays the innkeeper for the meal, and leaves - leaving the book behind him on the table. See more »
[Scrooge has come in after being visited by the ghosts]
Fred! My dear nephew! How are you?
Well who is this?
It's me! Your uncle Scrooge! Smile makes a difference, doesn't it?
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More that sixty years after it was made, MGM's 1938 version of "A Christmas Carol" still ranks as one of the best adaptations of the Dickens classic ever.
First, there's that terrific cast. Lionel Barrymore was to have played Ebeneezer Scrooge, when the accident that confined him to a wheelchair prevented it. Reginald Owen, whose career in US films alone spanned more than 40 years, was given the part, and, if not as vivid a Scrooge as Alistair Sim, he is more than up to the task. Terry Kilburn (The little boy who said "Goodbye, Mr. Chips!" the following year) goes perhaps a bit overboard with the cute stuff as Tiny Tim, but at least he tries. Gene and Kathleen Lockhart (And daughter June, making her film debut at 12) make as good a pair of Cratchits as you will ever see, with Gene Lockhart underplaying more than was usually his wont. Barry McKay and Lynne Carver (The latter perhaps best remembered as "Dr. Kildare's" girlfriend during the '40's) add just the right spirit as Scrooge's nephew, Fred, and his fiancee, respectively. And, speaking of spirits, there's Leo G. Carroll as probably the out-and-out spookiest Marley's Ghost there ever was, and Ann Rutherford (That's Polly Benedict to you "Andy Hardy" fans!) as probably the loveliest Ghost of Christmas Past.
Atmospherically, the movie is as comfortable and heartwarming as an old Christmas card. As a director, Edwin L. Marin was, frankly, a hack, and, as such, usually handed a lot of forgettable "B" properties at MGM. With "Christmas Carol," though, he redeems himself. One wonders, though, if executive producer Joseph L. Manckiewicz wasn't responsible for at least some of the directing chores, as well. Hugo Butler's screenplay captures the feel of it all perfectly, and Franz Waxman's score is one of his best.
A rare treat all around. Don't miss it. But do not, under any circumstances, see the colorized version. The black-and-white play of light and shadow in this film is essential to its' atmosphere.
Incidentally, there's a substantial article, including an interview with June Lockhart, on this film in the book "AMC Presents the Great Christmas Movies."
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